Discovery | Skinner Auction 2742T

Featuring Studio Paintings
Sale 2742T August 21–29, 2014 www.skinnerinc.com
Discovery
—Online
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Discovery
Thursday, September 18, 2014
Sale #2747M
274 Cedar Hill Street, Marlborough, MA
Discovery—Online
featuring Estate Silver & Jewelry and Textiles & Couture
September 11–19, 2014
Sale #2748T
www.skinnerinc.com
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Auction Information
Auction 2742T

Thursday, August 21,
10AM–Friday, August 29,
10AM

Online Bidding
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Tuesday, August 26
12 to 7PM

Wednesday, August 27
10AM to 6PM
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Table of Contents
1 Auction & Specialist Information
2 Timed Auctions—How to Bid
4 Lots 1001–1541
39 Conditions of Sale
40 Company Directors & Specialty Departments
41 Administrative Staff & Client Services
42 Map & Driving Directions
43 Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 39 of this catalog for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2014
All rights reserved
MA/Lic. #2304
1001
Karl Zerbe (American, 1903-1972)
Table Still Life in a Garden Setting.
Signed “Zerbe” l.r. Gouache and
graphite on paper, sight size 20 x 27
1/2 in., framed. Condition: Good, not
examined out of frame.
$600-800
1002
Rico Lebrun (American, 1900-1964)
Preliminary Drawing for Pale Clown.
Signed and dated “Lebrun 1962” l.r.,
titled l.l. Graphite and colored pencil
on green wove paper, 23 1/2 x 18 in.,
framed.
$300-500
1003
German School, 20th Century
Lakeshore with Distant Snow-
capped Mountains. Signed and
inscribed “Schmidtbauer/Munchen” l.r.,
identified on two typed labels, one from
The W.T. Burgur Company (La Porte,
Indiana), affixed to the frame backing
paper. Oil on canvas, 24 1/8 x 36 1/8
in., framed. Condition: Mild surface
grime.
$200-300
1004
Continental School, 20th Century
Portraits of Two Women in Draped
Robes, Possibly Dancers. Signed
indistinctly l.l., inscribed “Karl H.
Klaussen/Dunster House/J35/
Cambridge, Harvard” in pencil on wood
backings. Oil on paper, sheet sizes 11
x 8 1/2 in., both framed. Condition:
Toning, acid burn, taped to backing
sheet.
$200-400
1005
Robert Peter Mangold (American,
b. 1937)
Distorted Square within a Circle 2,
1973, edition of 75, published by Max
Protech, Inc., New York. Signed and
dated “R. Mangold 1973” in pencil l.r.,
titled in pencil l.c., numbered “52/75”
in pencil l.l., publisher’s dry stamp l.l.
Color screenprints on paper, image
size 20 1/4 x 20 1/4 in., unmatted,
unframed. Condition: Deckle to all but
the left edge, subtle soiling near some
edges.
$250-300
1006
Howard Logan Hildebrandt
(American, 1872-1958)
Pretty in Pink. Unsigned, identified on
a sheet affixed to the reverse. Oil on
canvas, 30 x 24 in., framed. Condition:
Retouch, craquelure, re-stretched.
$1,000-1,500
1007
Attributed to Maurice Taquoy
(French, 1878-1952)
Horses and Hounds in Falling
Snow. Signed or inscribed and dated
“Maurice Taquoy.21-” u.r. Ink and
gouache on paper, sheet size 5 5/8 x
7 9/16 in., framed. Condition: Toning,
foxing.
$300-350
1008
Pierre Fonterme (Continental, 20th
Century)
Tamatave - La Mer. La Plage.Gold.
Tennis, 1936. Identified within the
matrix. Color lithographic poster, sight
size 38 1/4 x 24 1/2 in., framed.
$300-500
1009
Frank Weston Benson (American,
1862-1951)
Cloudy Dawn, 1922, proof
impression A-11 (Paff, 215). Signed
“FrankWBenson.” in pencil l.l. Etching
on J. Whatman laid paper with
watermark, plate size 9 7/8 x 11 7/8
in., unmatted, unframed.
Provenance: Descended within the
family of the artist.
$800-1,200
1010
Frank Weston Benson (American,
1862-1951)
Portrait (To Fred Saunderson), 1923,
from the published edition of 150 (Paff,
218). Signed “FrankWBenson.” in
pencil l.l., identified within the plate.
Drypoint on paper, plate size 7 7/8 x 6
in., unmatted, unframed.
Provenance: Descended within the
family of the artist.
$300-500
1011
Frank Weston Benson (American,
1862-1951)
Redheads No. 2, 1923, published
state of 150 (Paff, 226). Signed
“FrankWBenson.” in pencil l.l. Drypoint
on laid paper with “ENGLAND”
watermark, plate size 7 7/8 x 9 7/8 in.,
unmatted, unframed.
Provenance: Descended within the
family of the artist.
$700-900
1012
Grace Wood Herring (American, 20th
Century)
Falling. Unsigned, titled, and inscribed
“#10 Falling Herring” and “Grace
Wood Herring” on the stretcher. Oil
on canvas, 34 x 42 in., unframed.
Condition: Paint losses, mild canvas
deformation, craquelure.
$300-350
1013
William E. Preston (American, b.
1930)
Setting Decoys. Signed “W. Preston”
l.l. Watercolor on paper, sight size 12
1/8 x 18 1/2 in., framed. Condition:
Good, not examined out of frame.
$300-500
1014
Richard K. Loud (American, b. 1942)
Racing Yacht, c. 1960s. Signed
“RLOUD” l.r. Oil on canvas, 23 3/4 x
36 in., framed. Condition: Craquelure,
bowing.
$3,000-5,000
1015
Italian/American School, 19th/20th
Century
Mountain Valley with Stream and
Old Mill. Signed “John Califan...” l.l.
Oil on canvas, 17 x 25 1/2 in., framed.
Condition: Paint losses, old retouch,
craquelure, surface grime.
$600-800
4 Online bidding at www.skinnerinc.com/auctions/2742T
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1016
Leonard Baskin (American, 1922-
2000)
Icarus, 1969. Signed, dated, and
titled “BASKIN 1968...” within the
composition and numbered, titled,
identified, and dated “127/250...
LEONARD BASKIN-1969” on the
reverse. Circular bronze bas-relief, dia.
6 7/8 in. Condition: Good.
N.B. A copy of the book, The
Sculpture of Leonard Baskin, by Irma
B. Jaffe, accompanies the lot.
$400-600
1017
Continental School, 20th Century
Hillside View of Cassis, France.
Initialed “...H.” l.r., inscribed “Cassis” in
pencil on the reverse. Watercolor and
ink on spiral-bound paper, sheet size
10 1/8 x 13 1/8 in., framed. Condition:
Mounted to a backing sheet, spiral-
bound edge partially trimmed.
$300-500
1018
British School, 19th Century
At Boulogne, 4th September 1847.
Unsigned, titled on the reverse,
identified on a label from A. Miller
Picture Frames, Inc., affixed to the
frame backing paper. Watercolor
on paper, 4 3/4 x 7 3/4 in., framed.
Condition: Toning, old hinge remnants
to the reverse, hinged on the reverse to
window mat in three places.
$200-250
1019
Frank Weston Benson (American,
1862-1951)
Scaling Down, 1917, published
state of 150 (Paff, 120). Signed
“FrankWBenson.” in pencil l.l.
Etching on paper, plate size 4 x 3 in.,
unmatted, unframed.
Provenance: Descended within the
family of the artist.
$300-500
1020
Frank Weston Benson (American,
1862-1951)
Canada Goose, 1917, published
state of 150 (Paff, 115). Signed
“FrankWBenson.” in pencil l.l. Etching
on laid paper with partial “F.J. Head &
Co.” watermark, plate size 4 x 5 in.,
unmatted, unframed.
Provenance: Descended within the
family of the artist.
$300-500
1021
Frank Weston Benson (American,
1862-1951)
Geese Drifting Down, 1929,
published state of 150 (Paff, 287).
Signed “FrankWBenson.” in pencil l.l.
Etching on laid J. Whatman paper with
watermark, plate size 8 7/8 x 13 7/8
in., unmatted, unframed.
Provenance: Descended within the
family of the artist.
$700-900
1022
Eric L. (Frederic) Pape (American,
1870-1938)
Not Without a Certain
Picturesqueness As It Crossed
the Stream/An Illustration for The
Fair God. Signed and dated “Eric
Pape/97” l.r., estate stamped on
the backing paper. Oil en grisaille
on unstretched canvas, 24 1/4 x 15
5/8 in., framed. Condition: Natural
pigment fluorescence, subtle rippling.
Provenance: Through the estate of
the artist.
N.B. This painting was reproduced
via photogravure in The Fair God, A
Tale of the Conquest of Mexico by
Lew Wallace, illustrated by Eric Pape,
published in two volumes by Houghton
Mifflin and Company in 1899. The lot
is accompanied by color copies of the
cover of the book (Vol. I), the title page,
the illustration and text on page 8, and
a partial list of illustrations (p. xv).
$400-600
1023
William E. Preston (American, b.
1930)
Four Watercolors of Maine Ocean
Scenes. Three signed “W. Preston”
l.r., one inscribed “MUSEUM...” l.r.
Watercolors on paper, sight sizes to 10
x 13 in., framed. Condition: Good, not
examined out of frame.
$300-500
1024
Romek Árpád (Hungarian, 1883-
1960)
Still Life with Books. Incised
signature “Romek Árpád” l.l. Oil on
canvas, 16 x 20 in. Condition: Varnish
inconsistencies, stable craquelure, but
separating to darker pigments with a
white ground visible in some areas.
$300-500
1025
William E. Preston (American, b.
1930)
Marginal Way, Ogunquit. Signed “W.
Preston” l.l. Oil on canvas, 22 x 30
in., framed. Condition: Minor surface
grime, craquelure, water stain and
minor discoloration on the reverse.
$400-600
1026
Frank Weston Benson (American,
1862-1951)
Shoveller Drake, 1920, published
state of 150 (Paff, 183). Signed
“FrankWBenson.” in pencil l.l. Etching
on vellum paper, plate size 10 x 8 in.,
unmatted, unframed.
Provenance: Descended within the
family of the artist.
$400-600
1027
William E. Preston (American, b.
1930)
Early Winter Meadow with House
in Distance. Signed “W. Preston”
l.l. Watercolor on paper, 14 1/4 x 20
1/4 in., framed. Condition: Good, not
examined out of frame.
$400-600
1028
Carl Sprinchorn (American, 1887-
1971)
Two Works: Bather in a Blue
Swimsuit, signed “Carl Sprinchorn”
in pencil l.l., mixed media on paper;
and Purple Mountains, unsigned,
stamped “FROM THE ESTATE OF/
CARL SPRINCHORN/(1887-1971)”
and identified on labels from Tom
Veilleux Gallery, Farmington, Maine,
and Alexandre Gallery, New York, on
the backing, pastel on paper. Sizes to
17 x 27 in., framed. Condition: Bather
with rippling, subtle handling creases
and staining, tack hole u.c., not
examined out of frames.
$800-1,200
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1029
French School, 20th Century
The Artist’s Daughter. Signed
indistinctly “Pierre/...” c.l. Acrylic on
canvas, 18 x 15 in., framed. Condition:
Craquelure, mild surface grime.
$400-600
1030
After Carlo Dolci (Italian, 1616-1686)
Mater Dolorosa. Unsigned. Oil on
canvas, 21 x 17 in., framed. Condition:
Lined, retouch, craquelure, surface
grime.
$600-800
1031
British School, 19th/20th Century
Woodland Garden with Monumental
Stone Gate. Signed indistinctly,
perhaps “W. Hunt,” l.l., with a partial
pencil inscription on the reverse of the
backing. Watercolor on paper, 13 x
9 1/4 in., framed. Condition: Sheet
laid down on cardboard support,
water staining to the lower edge of the
support that impacts the watercolor at
the l.r. edge, toning.
$200-400
1032
Sidney T. Guberman (American, b.
1936)
Raton Pass, 1971, edition of
99. Signed and dated “Sidney
T. Guberman 12/71” in pencil l.r.,
numbered “22/99” in pencil l.l. Color
screenprint on paper, image size 34
3/4 x 34 3/4 in., unmatted, unframed.
$200-250
1033
After Thomas Hart Benton
(American, 1889-1975)
Again. Identified within the matrix.
Color offset lithographic poster, sheet
size 20 7/8 x 23 3/8 in., unmatted,
unframed.
$500-700
1034
Paul E. Saling (American, 1876-1936)
Seascape. Signed “Paul Saling”
l.r. Oil on Masonite, 14 x 14 in.,
framed. Condition: Minor retouch over
abrasions.
Provenance: Through the family of the
artist.
$400-600
1035
Henry Bacon (American, 1839-1912)
Egyptian Scene. Initialed “HB” l.r.
Charcoal and pastel on paper, sight
size 14 1/4 x 20 1/4 in., framed.
Condition: Not examined out of frame.
$800-1,200
1036
American School, 19th Century
Figure by a River, Possibly a Hudson
River Scene. Unsigned. Oil on
canvas, 7 x 13 in., framed.
$700-900
1037
George Victor Grinnell (American,
1878-1946)
Autumn Glory, 1930s. Signed “G.
VICTOR GRINNELL” l.r., titled in the
artist’s hand on the stretcher, signed
and inscribed “G. VICTOR GRINNELL/
MYSTIC CONN.” on the stretcher. Oil
on canvas, 29 3/4 x 36 in., framed.
Condition: Minor surface grime,
craquelure.
$800-1,200
1038
German School, 20th Century
Aus ruben... Mädchen. Signed or
inscribed indistinctly l.l., inscribed or
titled u.l. Graphite and watercolor on
paper, sight size 10 1/2 x 11 1/2 in.,
framed.
$200-300
1039
Attributed to Adolf Arthur Dehn
(American, 1895-1968)
Coastal Farm View. Signed or
inscribed “Adolf Dehn” l.r. Oil on
canvasboard, 16 x 20 in., framed.
Condition: Surface grime, small loss
l.r., minor scratch at center.
$800-1,200
1040
Duane Albert Armstrong (American,
b. 1938)
Prairie Scene. Signed and dated “D.
ARMSTRONG 70” l.r., identified on
a label from The Carter Gallery, Los
Angeles, on the reverse. Acrylic on
canvas, 18 x 18 in., framed.
$700-900
1041
William Columbus Ehrig (American,
1892-1973)
Crashing Surf. Signed “Wm. C. Ehrig”
l.l. Oil on canvas, 27 3/4 x 37 7/8 in.,
unframed. Condition: Surface grime,
craquelure, wear at edges, stretcher
bar marks.
$800-1,200
1042
Umberto Brunelleschi (Italian, 1879-
1949)
Two Art Deco Subjects, 1928. Both
signed “UBrunelleschi” in pencil l.r.
and within the matrix l.r., with publisher
information and date in the top margin.
Hand-colored (gouache) engravings,
sight sizes 19 3/4 x 13 1/4 in., both
in period frames. Condition: Foxing,
toning.
$250-350
1043
Alfred Perry (British/Canadian,
19th/20th Century)
Stormy Sea. Signed “ALFRED
PERRY” l.l., identified and titled on
the reverse. Oil on panel, 36 x 24 in.,
framed. Condition: Surface grime,
minor craquelure, circular piece of
canvas adhered to the reverse.
$800-1,200
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1044
John Sonsini (American, b. 1950)
Fernando, 2006-07. Signed and
dated “John Sonsini/June 13, 2006”
and also signed by the sitter “Fernan
Chavez” in pencil on the reverse,
identified on a label from ACME, Los
Angeles, affixed to the reverse. Oil on
canvas, 20 x 16 in., framed. Condition:
Good.
Provenance: A private Massachusetts
collection.
N.B. Exhibition catalogs for John
Sonsini, January 10 to February 10,
2007, Cheim & Reid, New York,
published in an edition of 1000, and
John Sonsini: New Paintings, March 8
to April 16, 2005, Anthony Grant, Inc.,
New York, accompany the lot.
Sonsini is best known for his work
depicting Latino day laborers in
his neighborhood, the Pico-Union
district in Los Angeles. In the present
work, the portrait’s frontal and tightly
cropped frame evokes a reference
to an ID portrait, raising the politically
charged issue of immigration and legal
documentation. Through his tactile and
visceral brushwork, however, Sonsini
diffuses the overt politics of this series,
focusing on the humanity of his sitters.
According to Sonsini, “The information
on cards in wallets is of little help
to me. For me painting the portrait
is about recreating the sensation of
presence, the experience of having the
sitter in my studio.”
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1. Kim Beil, “John Sonsini,” Profile, Art Ltd., August 2007.
$1,500-2,000
1045
Imre Földes (Hungarian, 1881-1948)
Portrait of an Accordionist and Two
Women. Signed “Foldes” l.r., stamped
“Wolauschek György...BUDAPEST” on
the reverse. Oil on artist board, 12 x
14 3/4 in., framed. Condition: Crease/
puncture to u.l. quadrant, abrasions/
losses, surface grime.
$300-500
1046
Joseph Solman (American, 1909-
2008)
Scene with Two Workers. Initialed
and dated “JS 35” in pencil l.r.
Watercolor and graphite on paper, 5
3/4 x 8 3/4 in., framed.
$700-900
1047
Jonas Joseph LaValley (American,
1858-1930)
Summer Meadow Vista. Signed
“J.J. LaValley” l.r. Oil on canvas, 14
x 20 in., framed. Condition: Patch
reinforcements, retouch, craquelure,
canvas deformation l.r.
$300-350
1048
William Meyerowitz (American,
1887-1981)
New England Rooftops. Signed
“Wm. Meyerowitz” l.r. Oil on canvas
mounted to fiberboard, 17 x 21 in.,
framed. Condition: Scattered losses,
tack holes to the margins, surface
grime.
$700-900
1049
American and European Schools,
18th/19th Century
Four Unframed Figure Drawings:
Attributed to John Singleton Copley
(American, 1737-1815), Standing
Male Nude, unsigned, artist identified
in an inscription on the mat, charcoal
with chalk highlights and an applied
conté crayon grid on gray laid
paper; Attributed to Matthew Pratt
(American, 1734-1805), Seated
Man Holding a Wind Instrument,
unsigned, attributed in pencil in a later
hand on the reverse, conté crayon
and pencil on laid paper; Attributed
to Charles Haslewood Shannon
(British, 1863-1937), Study of
Draped Figures, signed or inscribed
and dated “CHS-96” l.r., conté crayon
and pencil on paper; Continental
School, 18th Century, Half-length
Male Nude, unsigned, pencil with
chalk highlights on paper. Sizes to 17
3/4 x 11 7/8 in. Condition: All with
toning, creases, foxing; Copley with
small tears around some of the hinges,
stabilized tears to margins, affixed to
window mat at intervals around the
reverse, Pratt with small tear to c.r.
side, Shannon and Continental School
laid down, the Shannon also with
possible reinforced signature.
$400-600
1050
School of Luca Cambiaso (Italian,
1527-1585)
Seven Unframed Ink Drawings of
Mythological and Christian Subjects.
Unsigned, with various attributions,
mainly regarding Luca Cambiaso but
with one ascribed to Pietro Martire,
noted on the mats. Sizes to 16 x 10
3/4 in. Condition: Mended tears,
foxing, staining, creasing, all laid down
on secondary supports.
$200-300
1051
Gina Knee (American, 1898-1982)
Spanish Pueblo. Signed “Gina Knee”
l.r., identified on two labels on the
reverse. Tempera on paper, sight size
12 1/8 x 16 3/4 in., framed (without
glass). Condition: Minor surface
grime, not examined out of frame.
$400-600
1052
Francis Luis Mora (American, 1874-
1940)
Rosemary #2. Signed “F. Luis Mora -”
l.l., titled and inscribed “J-122/...by/F.
Luis Mora/N.A.” on the back of the mat
and on the frame backing. Charcoal
and pastel on paper, 6 1/4 x 4 1/2
in., framed. Condition: Toning, glue
staining along top edge, unpressed
crease to l.l. corner, sheet affixed to
window mat with masking tape along
top edge.
N.B. The work depicts Mora’s only
child; we wish to thank Lynne Pauls
Baron for her kind assistance with
cataloging the lot.
$250-350
1053
Warren C. Briggs (American, 1867-
1903)
Close of Day. Signed “WC Briggs”
l.r., identified on a presentation plaque.
Oil on panel, 5 1/8 x 8 1/4 in., framed.
Condition: Craquelure, surface grime.
$700-900
1054
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Reclining Nude. Signed
“M.Rosenthalis” l.l. and in Hebrew l.r.
Oil on board, 4 5/8 x 6 3/8 in., framed.
Condition: Good.
$300-500
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1055
Four Unframed Figure Drawings:
Attributed to Andrea Sacchi (Italian,
1599-1661), Two Sketches of the
Roman God, Saturn, both unsigned,
one inscribed “Saturno” l.c., charcoal
on paper (inscribed drawing also
highlighted with white chalk), sheet
sizes to 15 7/8 x 10 3/8 in.; Italian
School (Bolognese), 18th Century,
Study of a Male Nude, probably
Hercules, Holding a Club, unsigned,
conté crayon on paper, 17 5/8 x 11 5/8
in.; and Italian School, 17th Century,
Male Nude Supported on his Left
Knee and Elbow with his Right Arm
Raised, unsigned, charcoal on paper,
13 x 10 1/2 in. Condition: Staining,
soiling, handling creases, Saturn
drawings are glued to window mats
around the perimeters of the reverse,
others are tape-hinged to backing
mats.
$200-400
1056
Nine Unsigned Figure Drawings:
Italian School, 17th/18th Century,
Standing Man in Uniform, attributed
to Salvator Rosa (Italian, 1615-1673)
on the mat, with a collector’s stamp
“A” for John Auldjo (1805-1886) l.r.;
Italian School, 16th Century, Death
of the Virgin, numbered “65” in ink
l.r.; After François Boucher (French,
1703-1770), Study for a Putto,
attributed on the mat; Attributed to
George Dance the Younger (British,
1741-1825), Discord, attributed
on the mat and titled on the reverse
of the mat; Italian or Continental
School, Early 17th Century, Toilet
of Venus, with a partial sketch on the
reverse; Attributed to Jacopo Palma
il Giovane (Italian, c. 1548-1628),
St. John the Baptist, with Colnaghi
stock number “A 15091” inscribed
on the mat and with a drawing on the
reverse; French or Italian School,
19th Century, Study of a Striding
Nude, arms extended, perhaps holding
a lance, attributed to Edward Francis
Burney (British, 1760-1848) on the
back of the mat; Italian School, 16th
Century, Study of a Male Nude
with Raised Arm (fragment); French
School, 19th Century, Male Nude,
with one leg bent and with his hands
clasped behind his back, with partial
inscription at l.l. All ink, crayon, or
pencil on paper, sizes to 9 1/2 x 7
1/2 in. Condition: Various issues,
including but not limited to creasing,
rippling, staining, toning; six laid down,
Fragment sheet with several holes and
irregular trimming.
$800-1,200
1057
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Standing Draped Figures. Unsigned.
Oil on paperboard, 4 7/8 x 6 11/16 in.,
framed. Condition: Losses to edges
of support, minor surface grime.
$300-500
1058
Moshe Rosenthalis (Lithuanian/
Israeli, 1922/2008)
Standing Woman. Signed “M.
Rosenthalis” l.l. Oil board 10 x 7 in.,
framed. Condition: Minor craquelure,
small accretion to u.r. corner, mild
surface grime.
$300-500
1059
Johann Robert Schürch (Swiss,
1895-1941)
Two Works on Paper: Angst and
Frau. Both signed and dated
“RSchürch 2...,” titled or inscribed in
ink l.r., and titled, stamped, or inscribed
on the reverse. Ink on paper, 16 1/2 x
12 in., matted, unframed. Condition:
Minor handling creases, minor folds to
corners, tape hinged to backing mat.
$700-900
1060
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Head of a Bearded Man. Signed
indistinctly u.r. Oil on board, 10 3/8 x
7 5/8 in., framed. Condition: Abrasion
to u.r. quadrant, mild surface grime.
$200-400
1061
Edna Hibel (American, b. 1917)
Head of a Girl in a Red Cap. Signed
“Hibel” l.l. Oil and gold pigment on
board, 8 5/8 x 8 1/2 in., framed.
Condition: Mild surface grime.
N.B. The subject of the portrait bears
a resemblance to the sitter called
“Cordelia.”
$600-800
1062
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Woman Playing a Piano. Signed “M.
Rosenthalis” u.r. Oil on paperboard,
6 3/4 x 9 3/4 in., framed. Condition:
Scattered paint losses, mild surface
grime.
$500-700
1063
Edna Hibel (American, b. 1917)
Mother and Child. Signed “Hibel”
l.l. Mixed media on canvas mounted
to Masonite, 25 x 17 1/4 in., framed.
Condition: Mild surface grime.
$800-1,000
1064
Attributed to Moshe Rosenthalis
(Lithuanian/Israeli, 1922-2008)
Cows Grazing in Early Autumn.
Initialed “DF” l.l. Oil on paperboard
mounted to foam core, 5 1/8 x 7 1/16
in., framed. Condition: Traces of
metal leaf from frame liner adhered to
the edges of the composition, varnish
imperfections.
$200-400
1065
Émile-Victor-Augustin Delobre
(French, 1873-1956)
Country Path, Columbier, Dordogne,
France. Unsigned, dated and
inscribed “Juillet ‘49/Alleé a Columbier”
in crayon and identified on a label
affixed to the reverse. Oil on panel, 16
x 12 3/4 in., framed. Condition: Minor
surface grime.
N.B. A copy of an exhibition pamphlet
from World Wide Art Gallery, New
York, and a photocopy of a certificate
of authenticity from Albert and Henri
Delobre, nephew and grandnephew of
the artist, accompany the lot.
$400-600
1066
Jose Salazar Ruiz Esparza (Mexican,
b. 1926)
Fisherfolk with Nets. Signed and
dated indistinctly “J. Sala...R.E./64”
l.c., with a label from The Fenway
Art Center, Boston, on the frame
backing. Oil on canvas, 7 3/4 x 15 3/4
in., framed. Condition: Mild surface
grime.
$400-800
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1067
Arnold Whitman Knauth II
(American, b. 1918)
Tabletop Still Life with Cognac
Bottle and Glasses. Signed
“A.Knauth” l.r. Oil on Masonite, 8 x
12 in., framed. Condition: Varnish
imperfections, surface grime.
$300-500
1068
W. Cortland Butterfield (American,
1904-1977)
Nude Reading. Signed
“BUTTERFIELD” l.r. Oil on Masonite,
8 x 10 in., framed. Condition: Mild
surface grime.
$200-400
1069
American School, 20th Century
Spring Landscape with House.
Unsigned. Oil on canvas, 15 x 18 in.,
framed (under glass).
$600-800
1070
Aiden Lassell Ripley (American,
1896-1969)
Shooting Woodcock. Stamped
“FROM THE ESTATE OF/A.
LASSELL RIPLEY” in black ink on the
reverse. Watercolor with gouache
on cardboard, 4 1/2 x 6 in., framed.
Condition: Gentle toning, hinged to
window mat with linen tape at top and
bottom of the reverse.
$500-700
1071
Obad Diaho (Israeli, 20th Century)
Two Framed Sketchbook Pages:
Man with Cart and Two Head
Studies. Signed l.l. and l.r.,
respectively. Pencil on paper, sight
sizes to 6 1/4 x 5 1/8 in. Condition:
Cart with subtle rippling, Heads with
pale staining and toning, not examined
out of frames.
$150-300
1072
C.A. Tillinghast (American, fl. circa
1888)
Oranges and Grapes, 1888. Signed
and dated “CA Tillinghast. 1888.”
l.l., identified on a label from Vose
Galleries, Boston, on the frame
backing. Oil on canvas, 18 x 24 in.,
framed. Condition: Lined, retouch.
N.B. Miss C.A. Tillinghast is listed as
a still life painter from the Providence
and Fall River area, active in the late
19th century. The frame bears a label
from the Minneapolis Institute of
Arts indicating that the painting was
loaned to the museum for an Auction
and Collector’s Sale, November 1–
December 17, 1976.
$300-500
1073
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Abstract View with Two Figures.
Signed and dated “M. Rosenthalis 87”
l.r. Watercolor and gouache on paper,
sight size 4 5/8 x 6 1/4 in., framed.
Condition: Not examined out of frame.
$200-300
1074
Jose Salazar Ruiz Esparza (Mexican,
b. 1926)
The Three Little Musicians (The
Artist’s Children). Signed and dated
“J. SalazaR E/-68-” l.c. Oil on canvas,
15 5/8 x 27 1/2 in., framed. Condition:
Good.
$600-800
1075
Ljubomir Milinkov (Yugoslavian/
American, b. 1942)
Treassure [sic] Bird. Signed “Milinkov”
l.r., titled and inscribed “WF/B.H.” on
the reverse, and with a label from Wally
Findlay Galleries, New York et al., on
the frame backing. Oil on Masonite, 7
1/2 x 9 1/2 in., framed.
$300-500
1076
George Manuel Aarons (American,
1896-1980)
Ruth + Naomi, unknown edition size.
Titled and signed “...George Aarons”
on the upper edge. Plaster relief, 3
3/4 x 7 1/4 in., mounted onto panel.
Condition: Minor soiling and rubs.
$150-200
1077
Johann Robert Schürch (Swiss,
1895-1941)
Two Works: Portrait of a Clown and
Portrait of a Man. Clown signed
“Schürch” in ink u.r., stamped and
inscribed “NIERENDORF/GALLERY.
N.Y.C./...ZU1021” on the reverse; Man
signed “Schürch” in ink l.r. Both ink on
paper, sheet sizes to 10 5/8 x 8 1/8 in.,
both unframed. Condition: Clown with
trimmed top spiral edge; Man with tack
hole u.l. and soft creases to u.l. and u.r.
$300-500
1078
Alexander Calder (American, 1898-
1976)
Beastie, 1974, from THE FLYING
COLORS COLLECTION, published
1975. Monogrammed and dated
within the matrix, Flying Colors dry
stamp l.r. Color lithograph on cream
paper, image size 16 3/4 x 22 5/8 in.,
unmatted, unframed. Condition: Pale
staining and/or toning, mat burn to
edges.
Provenance: From the estate of Joan
Sonnabend, Boston, Massachusetts.
$200-300
1079
Three Framed Works on Paper:
Dalia Ramanauskas (American, b.
1936), Portrait of a Crow, signed and
dated “Dalia Iréna A. Ramanauskas
1963” c.r., black and brown ink on
paper; American School, 20th
Century, Female and Male Nude
Study, signed “EHill” l.r., inscribed
and dated “for Matt-March 1970”
l.l., charcoal on paper; and Op
Art Collage, unsigned, collaged
colored paper. Sizes to 30 x 22 3/8
in. Condition: Not examined out of
frames.
$200-300
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1080
Johann Robert Schürch (Swiss,
1895-1941)
Three Works: Three-quarter-length
Portrait of a Woman with Downcast
Gaze, Two Women, and Portrait of a
Woman in Profile. Downcast signed
and dated “Rob. Schürch. 25” in ink
u.l., Women signed “Schürch.” l.r.,
stamped and inscribed “NIERENDORF/
GALLERY. N.Y.C....ZU 1021” on the
reverse; Woman signed “Schürch.” u.l.,
stamped and inscribed “NIERENDORF/
GALLERY. N.Y.C....ZU 1021” on the
reverse. Each ink and wash on paper,
sheet sizes to 10 5/8 x 8 1/8 in., all
matted, unframed. Condition: Subtle
handling creases.
$500-700
1081
Aleksandr Averin (Russian, b. 1952)
Two Young Women in the Parc de
Bagatelle. Signed l.r. and identified
in Cyrillic on the reverse, with a label
from North Ranch Galleries (Westlake
Village, California) affixed to the
reverse. Oil on canvas, 19 1/2 x 27
1/4 in., framed. Condition: Small loss
u.r.
$400-600
1082
Georges Lambert (French, 1919-
1998)
La Terrasse en Été. Signed
“GEORGES-LAMBERT” l.l., numbered
and titled “No. 1243/...” on the reverse.
Oil on canvas, 18 1/8 x 21 7/8 in.,
framed. Condition: Good.
$300-500
1083
John Henry Dolph (American, 1835-
1903)
Franciscan Monk. Signed “JHDolph”
l.l. Oil on panel, 6 5/8 x 5 5/8 in.,
framed. Condition: Surface grime.
$800-1,200
1084
Johann Robert Schürch (Swiss,
1895-1941)
Four Works: Two Women, Sketches
with Self Portrait, Father with Child
in a Back Carry, and Father with
Toddler. Women signed “Schürch”
l.r., inscribed “Nierendorf Gallery...Leaf
from a Sketch Book” in ink, stamped
and inscribed “NIERENDORF/
GALLERY. N.Y.C....ZU 1021” on the
reverse, charcoal on paper; Self signed
“Schürch” l.r., inscribed and titled
“Nierendorf Gallery...” and stamped
“NIERENDORF/GALLERY. N.Y.C.”
on the reverse, ink on paper; Back
signed and dated “Schürch 33” l.r.,
stamped and inscribed “NIERENDORF/
GALLERY. N.Y.C....ZU 1021” on the
reverse; Toddler signed “Schürch” l.r.,
stamped and inscribed “NIERENDORF/
GALLERY. N.Y.C....ZU 1021” on the
reverse. Sheet sizes to 16 1/2 x 21
1/2 in., unframed. Condition: Creases,
losses/tears to margins.
$300-500
1085
Nicolai Ivanovitch Vasilieff (Russian/
American, 1892-1970)
Interior Scene. Signed “N. Vasilieff”
in pen l.l. Gouache, ink, and graphite
on Bainbridge illustration board, 16
1/4 x 19 3/4 in., framed. Condition:
Craquelure, varnish inconsistencies.
$800-1,200
1086
Anglo/American School, 19th
Century
Still Life with Two Apples. Unsigned.
Oil on canvas, 8 x 10 in., framed.
Condition: Craquelure, surface grime.
$700-900
1087
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Untitled (Figure Group). Signed in
pencil l.l., inscribed “A/P.” in pencil l.r.
Etching with aquatint on paper, sight
size 7 1/4 x 8 in., framed.
$150-250
1088
Anglo/American School, 19th
Century
Oil Sketch of a Couple Seated
Outdoors Reading the Newspaper.
Unsigned, inscribed “J. McNeil
Whistler” on a gummed label on
the reverse, and “WHISTLER” in
pencil directly on the reverse. Oil
on paperboard, 6 3/8 x 7 11/16 in.,
framed. Condition: Craquelure, heavy
varnish, surface grime.
$800-1,000
1089
Samuel Lancaster Gerry (American,
1813-1891)
Landscape with Cows and a Figure
Resting Under a Tree. Signed “S.L.
Gerry” l.l. Oil on canvasboard, 6 1/4
x 9 in., framed. Condition: Minor
craquelure and surface grime.
$700-900
1090
Francois Brunery (Italian, 1849-1926)
View of Sailboats by the Shore.
Signed “F. Brunery” l.r., inscribed “F.
Brunery/7 rue de Dome/Paris” on the
reverse. Oil on panel, 6 x 8 1/4 in.,
framed. Condition: Surface grime,
retouch, gold paint transfer c.l.
$300-350
1091
William Anton Joseph Claus
(American, 1862-1926)
Autumn Landscape. Signed “W.A.J.
Claus” l.r., inscribed “Autumn” on the
reverse. Oil on board, 5 1/8 x 7 1/4
in., framed. Condition: Minor surface
grime, retouch, repair at l.l.
$300-500
1092
Collection of Gallery Exhibition
Posters, including Gyorgy Kepes, Jack
Tworkov, Varujan Boghosian, Katherine
Porter, Julian Stanczak, John Alcorn,
Fritz Scholder, T.C. Cannon, and
Walker Evans, sold with two Sports
Illustrated bird prints.
$400-600
1093
Douglas Arthur Teed (American,
1864-1929)
Middle Eastern Bazaar. Signed and
dated “Douglas Arthur Teed 1922”
l.l. Oil on board, 9 x 7 7/8 in., framed.
Condition: Scattered minor losses.
$600-800
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1094
Arthur Vidal Diehl (American, 1870-
1929)
Middle East Market Scene. Signed
“Arthur V. Diehl” l.r. Oil on board, 11
3/4 x 6 in., framed. Condition: Minor
loss u.l., minor surface grime.
$400-600
1095
Marguerite Stuber Pearson
(American, 1898-1978)
The Old South. Signed “M.S.
PEARSON” l.l., titled on the reverse.
Oil on canvasboard, 8 x 10 in., framed.
Condition: Minor surface grime.
N.B. An envelope from the artist to a
Mrs. William D. Sawler of Oak Point,
Illinois, dated May 19, 1948, is affixed
to the reverse.
$500-700
1096
Three Framed Etchings and
Engravings:
Giovanni Battista Piranesi (Italian,
1720-1778), Dimonstrazione in
grande del capitello di una delle
colonne del Tempio di Guinone...
(Capital of a column of the temple
of Juno), Ficacci 374; After William
Curtis (British, 1746-1799), No. 119.
Bird of Paradise Blossom, inscribed
“Pub. as the Act directs, May 1, 1790,
by W. Curtis, St. George’s Crescent”
within the plate l.l., with hand-coloring;
British School, 18th/19th Century,
Botanical Illustration, possibly from
Curtis’s Botanical Magazine, inscribed
“Swan Sc” l.r. and numbered “2812”
u.r., both within the plate, with hand-
coloring. Condition: Piranesi with
creasing, rippling, scattered foxing;
Bird of Paradise with vertical creases,
handling creases, toning; Botanical
with vertical creases, handling creases,
pale foxing; all not examined out of
frames.
$300-400
1097
Gifford Beal (American, 1879-1956)
Four Mural Studies for the Entrance
Hall of the John C. Green School of
Engineering at Princeton University,
1946. Unsigned, main panel inscribed
“Gifford Beal/19 Atlantic Street/
Rockport/Mass” on the reverse. Oil
on Masonite, sizes to 23 1/2 x 91 1/2
in., unframed. Condition: Panels with
losses to edges, main panel with a cut-
out and broken area at l.r. edge, one
side panel with water staining, all with
surface grime and general wear.
N.B. The lot is accompanied by seven
blueprints of elevations for the entrance
lobby credited to Ernest F. Tyler, New
York City, February-May, 1946, and
titled “Scheme of the Canvasses by
G. Beal to be Hung on the Walls of
the Entrance Hall of the Engineering
Building, Princeton University.” The
blueprints provide a key to the mural
subjects.
Gifford Beal was a member of
the Class of 1900 at Princeton.
The murals, purportedly created
to celebrate the bicentennial of
Princeton’s founding, were located
in the lobby of the John C. Green
School of Engineering and presented
the significant accomplishments of
Joseph Henry (1797-1878). A leading
American scientist, Henry was a
professor at Princeton from 1832 to
1846, and he went on to become
the first Secretary of the Smithsonian
Institution, as well as President of
the National Academy of Sciences in
Washington, D.C. The main panel of
the Princeton murals presented “The
Demonstration of Electro-Dynamic
Inductive Action of Ordinary Electricity
at a Remarkable Distance: In Front of
Nassau Hall, College of New Jersey,
Princeton, 1842.” Other vignettes on
the shorter walls included Joseph
Henry meeting with Abraham Lincoln
to plan the National Academy of
Sciences, the weather map at the
Smithsonian (1856), and making an
electro-magnetic engine at the Albany
Academy (1831). A caption from the
Princeton Alumni Weekly, Volume 47,
p. 60, indicated that Gifford Beal had
been awarded funds through the Edwin
Austin Abbey Mural Fund, administered
by the National Academy of Design,
which allowed him to choose the site
and subject of his mural.
$800-1,200
1098
Louis Charles Vogt (American, 1864-
1939)
Blue and Gold/A Home Interior,
c. 1903. Unsigned, identified on a
label from Brock & Co., Concord,
Massachusetts, affixed to the backing.
Watercolor and gouache on paper,
sight size 13 x 9 1/2 in., framed.
Condition: Not examined out of frame.
$250-300
1099
Charles Curtis Allen (American,
1886-1950)
Moonlight, Pleasant Valley,
Vermont. Signed “Chas Curtis Allen”
l.r., identified in a label affixed to the
reverse along with an American Artists
Professional League label. Oil on
board, 6 x 8 in., in a Thulin frame.
Condition: Minor surface grime.
$600-800
1100
George William Whitaker (American,
1841-1916)
Still Life with Fruit. Signed “G. W.
Whitaker” l.l. Oil on canvas, 4 x 6 in.,
framed. Condition: Minor retouch,
possibly cleaned.
$300-350
1101
Leighton R. Cram (American, 1895-
1981)
Hillside Village. Signed “L.R. CRAM”
l.r. Watercolor on paper, sight size 7
1/2 x 9 1/2 in., framed. Condition:
Not examined out of frame.
$300-350
1102
Leo B. Blake (American, 1887-1976)
Where the Birches Are Many.
Signed “LEO B. BLAKE” l.r., identified
on a label affixed to the reverse. Oil on
board, 16 x 20 in., framed. Condition:
Minor scattered abrasions/losses.
$250-300
1103
Alfred R. Mitchell (American, 1888-
1972)
Back Country--El Cajon Mountain.
Signed “ALFRED R. MITCHELL” l.r.,
titled on the reverse. Oil on board, 8
x 10 in., framed. Condition: Surface
grime, small abrasion l.l., unobtrusive
scratch at center.
$300-500
11
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1104
Leighton R. Cram (American, 1895-
1981)
Three Landscapes with Abstracted
Buildings. All signed “L.R. CRAM”
l.l. Watercolors on paper, sight sizes
to 8 3/8 x 11 3/8 in. (one vertical),
framed. Condition: Not examined out
of frames.
$1,000-1,500
1105
George William Whitaker (American,
1841-1916)
Marsh with Trees in the Distance.
Signed “G.W. Whitaker” l.l. Oil on
canvasboard, 5 x 6 1/4 in., framed.
Condition: Good.
$300-350
1106
Elizabeth Quale O’Neill Verner
(American, 1883-1979)
Old Gateway, Charleston. Signed
“Elizabeth O’Neill Verner” in pencil
l.r., titled in pencil l.l. Etching on
paper, plate size 2 1/2 x 2 in., framed.
Condition: Not examined out of frame.
$100-150
1107
Aiden Lassell Ripley (American,
1896-1969)
Hunter and Dog in Autumn Woods.
Stamped “FROM THE ESTATE OF
A. LASSELL RIPLEY” l.l. and l.r. of
image. Gouache and watercolor on
paper, sight size 6 1/4 x 10 in., framed.
Condition: Not examined out of frame.
$500-700
1108
George William Whitaker (American,
1841-1916)
Two Paintings: River at Sunset and
Seascape with Sailboats on the
Horizon. Both signed “G.W. Whitaker”
l.l. Both oil on board, sight sizes to
4 7/8 x 6 3/4 in., framed. Condition:
Varnish inconsistencies on River,
craquelure, retouch, and surface grime
on Seascape.
$300-500
1109
Maurice de Vlaminck (French, 1876-
1958)
Four Plates from MAURICE DE
VLAMINCK, by George Duhamel,
1927, published edition of 850
(Walterskirchen, 121). Unsigned.
Etchings on paper, plate sizes 4 x 5
1/4 in., framed.
$400-600
1110
American School, 19th/20th Century
View of Stream in Woods. Signed
and dated “DHamilton 1909” l.l. Oil
on board, 6 7/8 x 8 in., framed.
Condition: Small losses l.l.
$250-300
1111
Continental School, 19th/20th
Century
Barbizon-style View of a Figure on
a Wooded Path. Unsigned, inscribed
“Blakelock” on the stretcher bar. Oil on
canvas, 8 x 10 in., framed. Condition:
Possibly cleaned, retouch, surface
grime, craquelure.
$500-700
1112
John Appleton Brown (American,
1844-1902)
Lakeview with Boats and Shoreline.
Signed “J. Appleton Brown” l.l. Oil on
panel, 10 1/4 x 16 1/4 in., unframed.
Condition: Retouch, surface grime,
minor scattered losses and abrasions.
$800-1,200
1113
Four Framed Prints:
Alexander Brook (American, 1898-
1980), Girl with Scarf, lithograph;
Doris Emrick Lee (American, 1905-
1983), Strawberry Pickers, lithograph;
Donald Shaw MacLaughlan
(American/Canadian, 1876-1938),
Along the Coastal Road, etching; and
Levon West (American, 1900-1968),
The Cypress, 1928, edition of 100,
drypoint. Each signed in pencil. Image
sizes to 8 3/4 x 14 3/4 in.
$300-500
1114
James (Jim) Elwood Reynolds
(American, 1926-2010)
High Sierras. Signed “James
Reynolds” l.l. Oil on Masonite, 20 x
24 in., framed. Condition: Yellowed
varnish, craquelure.
$400-600
1115
Frank De Villo Knapp (American, b.
1896)
Monday Morning in Elm Street.
Monogrammed and dated “fdk-’36” l.l.,
identified on labels, including one from
the Buffalo Museum of Science, affixed
to the backing. Oil on canvas, 16 1/2 x
13 in., framed.
$300-350
1116
Attributed to Reuben Le Grande
Johnston (American, 1851-1918)
Garden View. Signed or inscribed
“Reuben LeGrande Johnston” l.l.
Oil on canvas, 18 x 22 in., framed.
Condition: Retouch, craquelure.
$1,500-2,500
1117
Two 20th Century Paintings:
Mervin M. Jules (American, 1912-
1994), The Guitar Player, signed
“JULES” l.r., oil on board, 19 5/8
x 13 5/8 in., framed; Jack Wolfe
(American, 1924-2007), Untitled
Abstraction, signed “J. Wolfe” l.r.
and “Jack Wolfe” on stretcher bar, oil
on canvas, 9 7/8 x 48 in., unframed.
Condition: Minor surface grime on
both.
$400-600
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1118
Attributed to William Powell Frith
(British, 1819-1909)
Mother and Daughter Winding
Embroidery Thread in an Interior.
Unsigned. Oil on canvas, 21 x 14
3/8 in., framed. Condition: Lined,
craquelure, probable old retouch,
surface grime.
N.B. The lot is accompanied by
a letter dated May 20, 1963, from
Richard S. Carroll, then the Assistant
Director of the Columbia Museum
of Art (South Carolina), describing
conservation work that was done on
the painting at hand. Carroll’s letter
suggests that a later signature, which
was on top of a “gesso plug,” was
removed by the museum at the time of
restoration in 1963. He surmised that
the later signature had replaced a prior,
earlier signature by Frith, and that “...
in all probability the original signature
was lost in this previous restoration and
was replaced at that time.” The date
and place of the earlier restoration are
not known.
$800-1,200
1119
British School, 19th/20th Century
A Fresh Breeze, Pentland Firth.
Signed “Burns” l.l., titled and inscribed
“.../...Burns/Millington” on the reverse.
Oil on canvasboard, 11 x 18 in.,
framed. Condition: Retouch, surface
grime.
$400-600
1120
French School, 18th Century
Elegant Young Woman Holding a
Tatting Shuttle. Unsigned. Oil on
canvas, 29 1/4 x 24 1/4 in., framed.
Condition: Tear to u.r. quadrant,
lined, retouch, craquelure, varnish
inconsistencies, mild surface grime.
$300-500
1121
Benjamin Haughton (British, 1865-
1924)
Willows. Signed and dated
“BENJAMIN HAUGHTON-/1908”
l.l., identified on a label affixed to
the reverse. Oil on panel, 10 x 8 in.,
framed. Condition: Scattered retouch,
surface grime.
$400-600
1122
Edna Hibel (American, b. 1917)
Mother and Child. Signed “Hibel” l.l.
Mixed media on Masonite, 13 1/4 x 15
in., framed. Condition: Good.
$600-800
1123
Jose Salazar Ruiz Esparza (Mexican,
b. 1926)
Discovering the Baby Moses.
Signed and dated “SALAZAR/76” l.l.,
numbered, signed, and dated “33-28/
Salazar/-76-” on the reverse. Oil on
canvas, 15 7/8 x 31 1/2 in., framed.
Condition: Good.
$800-1,000
1124
Douglas Arthur Teed (American,
1864-1929)
Landscape with Village and River.
Signed “Douglas Arthur Teed” l.r. Oil
on panel, 12 3/4 x 14 1/8 in., framed.
Condition: Surface grime.
$700-900
1125
Leighton R. Cram (American, 1895-
1981)
Untitled Abstraction. Signed “L.R.
CRAM” l.r. Gouache and watercolor
on paper, sight size 7 1/2 x 9 1/2 in.,
framed. Condition: Not examined out
of frame.
$250-300
1126
Prosper Louis Senat (American,
1852-1925)
A Bermuda Road. Signed faintly l.r.,
titled and inscribed “Prosper LSenat”
on the reverse. Oil on board, 13 x 19
in., framed. Condition: Surface grime,
craquelure, retouch.
$700-900
1127
Niek Van Der Plas (Dutch, b. 1954)
Children Playing on the Beach.
Signed “VAN DER PLAS” l.r. Oil on
panel, 11 3/4 x 15 3/4 in., framed.
Condition: Minor surface grime.
$400-600
1128
Gordon Steele (American, 1906-
1961)
Night Forms, 1961. Unsigned,
identified on labels on the front of the
frame, titled and dated “Night Forms
(unfinished)/1961” on the reverse,
identified on three labels, including
one from the Museum of Fine Arts,
Springfield, Massachusetts, on the
reverse, and a fourth label on the
frame. Oil on Masonite, 48 x 33 5/8
in., framed. Condition: Surface grime.
$300-500
1129
Lizbeth Clifton Hunter (American,
1868-1948)
Book and Roses. Signed “LCHunter”
l.r. Gouache and watercolor on
paper, sheet size 12 5/8 x 17 3/8 in.,
framed. Condition: Areas of adhesive
residue at edges, toning on the verso,
cellophane tape affixed to hinges which
are now detached.
$500-700
1130
Eben Farrington Comins (American,
1875-1949)
View of Harvard College in Spring.
Signed “Eben F. COMIN.S.” l.r.
Watercolor and gouache on paper,
sight size 9 x 9 3/8 in., framed.
Condition: Two-inch horizontal crease
c.l., not examined out of frame.
$500-700
1131
William McGregor Paxton (American,
1869-1941)
Seated Nude. Signed and dated
“Paxton/Dec. 28, 1931” l.r., additional
inscription l.l. Graphite on paper, sight
size 10 1/2 x 8 in., framed. Condition:
Unobtrusive surface creases, not
examined out of frame.
N.B. The work is purportedly an
homage to Charles Curran on his 75th
birthday (1936).
$500-700
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1132
Hezekiah Anthony Dyer (American,
1872-1943)
Two Landscapes: A Pond and
Woods and Stone Cottage with
Ocean, Newlyn. Both signed “H.A.
Dyer” in graphite l.l., Cottage inscribed
“Newlyn” l.l. Gouache and watercolor
on paper, sheet sizes to 14 1/2 x 10
1/4 in., framed. Condition: Pond
lightly toned, mat burn, Cottage with
minor flaking, not examined out of
frames.
$500-700
1133
Attributed to George Hurrell
(American, 1904-1992)
Merle Oberon, c. 1940. Unsigned,
inscribed “Merle Oberon” in pencil on
the verso at center, inscribed “Steichen
83.035” in pencil on the verso l.r.
Gelatin silver print, 8 1/2 x 7 in.,
framed. Condition: Unmounted, minor
silvering at edges.
$500-700
1134
Leighton R. Cram (American, 1895-
1981)
Landscape with Houses and Hills.
Signed “L.R. CRAM” l.r. Watercolor
on paper, sight size 9 3/8 x 13 1/4 in.,
framed. Condition: Not examined out
of frame.
$200-300
1135
Leighton R. Cram (American, 1895-
1981)
Steamship on the Ocean. Signed
“L.R. CRAM” l.r. Watercolor on paper,
9 3/4 x 13 3/4 in., framed. Condition:
Toning on the verso, hinged with
cellophane tape.
$200-300
1136
Jane Peterson (American, 1876-
1965)
Dancer Posing in Festive Costume.
Signed “Jane Peterson” c.r. Gouache
on paper, 24 x 18 in., framed.
Condition: Handling creases, affixed
to window mat with cellophane tape
at intervals around the perimeter of the
reverse.
$400-600
1137
Marcus Holmes (British, 19th
Century)
Five Framed Drawings, two
landscapes, two portraits, and one
seascape. Two signed l.r., three dated
“1841,” others unsigned. Graphite
sketches on paper, framed dimensions
to 15 1/4 x 19 3/4 in.
$400-600
1138
Leighton R. Cram (American, 1895-
1981)
Landscape with Hills and House.
Signed and dated “CRAM ‘25” l.l.
Watercolor on paper, sight size 12 7/8
x 16 3/4 in., framed. Condition: Not
examined out of frame.
$200-300
1139
Wayne Beam Morrell (American,
1923-2013)
Three Pastels: Two Beach Scenes
and an Autumn Landscape. All
signed “WAYNE MORRELL” l.l. or l.r.
Pastels on paper, sight sizes to 5 3/4 x
8 3/4 in., framed. Condition: Possible
unobtrusive toning, not examined out
of frames.
$600-800
1140
Antonio Cirino (American, 1889-
1983)
Interior with Pianist. Signed
“A.CIRINO” l.r. Oil on Masonite, 10
x 12 in., framed. Condition: Minor
surface grime.
$400-600
1141
Niek Van der Plas (Dutch, b. 1954)
A Day at the Beach. Signed “VAN
DER PLAS” l.r. Oil on panel, 9 1/2 x
11 3/4 in., framed. Condition: Minor
surface grime.
$400-600
1142
Antonio Cirino (American, 1889-
1983)
Thriving Autumn. Signed “A.CIRINO”
l.r., identified on a label from the
Salmagundi Club 1971 Auction Sale
and Exhibition and a related newspaper
article affixed to the reverse. Oil
on board, 13 x 14 3/4 in., framed.
Condition: Minor surface grime, losses
at bottom edge.
$700-900
1143
Astley David Middleton Cooper
(American, 1856-1924)
Sioux Indian Encampment. Signed
“A.D.M. Cooper” l.l. Oil on canvas, 16
x 24 in., framed. Condition: Relined,
retouch.
$400-600
1144
Continental School, 19th/20th
Century
Along the Coast, Possibly Northern
France. Unsigned. Oil on canvas, 31
x 45 in., framed. Condition: Lined,
surface grime, craquelure, 24-inch
vertical scratch at center.
$800-1,200
1145
American School, 19th/20th Century
Seascape with Rocky Coast.
Unsigned. Oil on canvas, 12 x 16 1/4
in., framed. Condition: Lined, scratch
l.r., minor surface grime.
$600-800
1146
Arthur Vidal Diehl (American, 1870-
1929)
The Calm. Signed and dated “Arthur
V. Diehl, 1926” l.r., identified on a
label taped to the reverse. Oil on
canvasboard, 15 3/4 x 19 7/8 in.,
framed. Condition: Minor surface
grime.
$600-800
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1147
Anglo/American School, 19th
Century
Woodland Scene with Horseman.
Unsigned, inscribed indistinctly,
perhaps “A. Bu...,” in pencil on the
reverse, and with a partial canvas
stencil from Phillips & Kane on the
reverse. Oil on canvasboard, 8 x 6
in., framed. Condition: Mild surface
grime, discolored varnish.
$500-700
1148
Henry Orne Ryder (American, 1860-
1943)
At the End of Corn-field, Autumn.
Signed “H.O. Ryder” l.l., titled, dated
“1903,” and inscribed “Painted by...36.
Islington Road/Auburndale Mass.” on
the reverse. Oil on canvasboard, 8 x
12 in., framed. Condition: Craquelure,
surface grime, retouch in area of
signature, loss u.r.
$300-350
1149
Oskan Chimchidian (Armenian, b.
1867)
Portrait of a Young Man and
Donkey. Signed “O. Chimchidian” l.l.,
inscribed and dated “CAIRE 1907” l.r.,
identified on a label from Vose Galleries
of Boston affixed to the backing. Oil
on canvas, 17 1/2 x 14 1/2 in., framed.
Condition: Subtle rippling.
$300-500
1150
Isaac Pailès (Ukrainian/French,
1895-1978)
Green Nude. Signed “I Pailes” l.l. Oil
on paper, 15 3/4 x 11 3/4 in., framed.
Condition: Toning, handling creases,
nicks, losses, and wear to edges of
sheet, affixed to window mat with
brown paper tape along the upper
edge of the reverse.
$200-300
1151
American School, 19th/20th Century
Oil Sketch Profile of a Man with a
White Beard. Unsigned, inscribed
with framer’s notes and “.../Porter/371
Com Ave” in pencil on the reverse. Oil
on paperboard, 16 1/4 x 12 1/4 in.,
framed. Condition: Fine craquelure,
frame abrasions, surface grime.
$500-700
1152
Joseph De Martini (American, 1896-
1984)
Lobstermans Cove. Signed “Joseph
DE MARTINI” l.r., signed and titled on
the reverse, identified on a label from
the Addison Gallery, Phillips Academy,
Andover, Massachusetts, affixed to the
stretcher. Oil on canvas, 12 x 18 in.,
framed.
Provenance: Currier Museum of Art,
Manchester, New Hampshire, sold to
benefit the acquisitions fund.
$500-700
1153
Anglo/American School, 19th
Century
Peasant Mother and Child. Signed
“M.R. McKay” l.r. Oil on canvas, 36
x 24 in., framed. Condition: Patch
reinforcement, scattered small
punctures, possible old retouch,
craquelure, discolored varnish, surface
grime.
$250-350
1154
Joseph De Martini (American, 1896-
1984)
East Side, Sunday. Signed “Joseph
DE MARTINI” l.r., identified on labels
from William Macbeth, Inc., New
York, the Springville High School Art
Association, Inc., Springville, Utah, and
the Addison Gallery, Phillips Academy,
Andover, Massachusetts, affixed to
the reverse, and with a stamp and
inventory number “A901” from William
Macbeth, Inc, on the stretcher. Oil on
board, 16 1/2 x 23 1/2 in., framed.
Condition: Retouch or varnish
inconsistency at the u.l. corner, surface
grime.
Provenance: Currier Museum of Art,
Manchester, New Hampshire, sold to
benefit the acquisitions fund.
$700-900
1155
American School, 19th Century
Two Figures on a Cat Boat.
Unsigned. Oil on canvas, 10 x 18 in.,
framed. Condition: Retouch, patch
reinforcement, craquelure, surface
grime.
$1,000-1,500
1156
Lars Thorsen (American, 1877-1952)
Two Framed Watercolors: Painting
the Hull and Schooner at a Wharf.
Signed “Lars Thorsen” l.l. and l.r.
respectively. Sight sizes to 14 1/2 x 19
3/8 in. Condition: Not examined out
of frames.
$200-300
1157
William H. Langworthy (American,
19th Century)
Lake View at Sunset. Signed and
dated “W.H. Langworthy 1871” l.r. Oil
on canvas, 19 1/2 x 36 in., framed.
Condition: Craquelure, surface grime.
$800-1,200
1158
Niek van der Plas (Dutch, b. 1954)
Fishing Along a Sunny River Bank.
Signed “VAN DER PLAS” l.r. Oil on
panel, 9 1/2 x 11 3/4 in., framed.
Condition: Good.
$300-500
1159
Leighton R. Cram (American, 1895-
1981)
Cubist Town View. Signed “L.R.
CRAM” l.r. Watercolor on paper/
board, sight size 11 x 15 in., framed.
Condition: Not examined out of frame.
$600-800
1160
Joseph Thors (British, c. 1835-1900)
Shepherd with Flock. Signed
“J.Thors” l.r., with labels from James
Bourlet & Sons, London, affixed to the
reverse. Oil on panel, 6 x 8 in., framed.
$400-600
1161
Theresa Ferber Bernstein (American,
1890-2002)
Two Works: Purple Landscape,
Trees at Right and New York
Landscape with Single Green Tree.
Purple signed and dated “T. Bernstein
‘13” l.l., New York signed “T. Bernstein”
l.r. Both oil on artist board, 7 1/2 x 5
1/2 in., both framed.
$700-900
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1162
British School, 19th Century
Day’s End/Shepherd with Sheep in
a Panoramic Landscape. Unsigned.
Oil on panel, 10 1/4 x 14 1/4 in., in a
period frame. Condition: Craquelure,
curvature to the support.
$600-800
1163
Reynolds Beal (American, 1866-
1951)
Harbor View. Signed “Reynolds
Beal” l.l., with a label from Haley &
Steele, Boston, affixed to the backing.
Graphite on paper, sight size 6 1/2 x 9
3/4 in., framed. Condition: Foxing.
$300-500
1164
Cardwell S. Higgins (American,
1902-1983)
Study for the Cover Illustration
Towards the West. Inscribed
“CARDWELL HIGGINS” in a later hand
u.r. Gouache on paper, sight size 10
1/2 x 7 1/2 in., framed. Condition:
Staining to bottom margin.
$300-500
1165
Frederick Mortimer Lamb (American,
1861-1936)
Four Landscapes, c. 1908. Two
signed and dated “FM Lamb...1908,”
one signed and dated “FM
Lamb...1907,” and one signed “FM
Lamb” in pencil on the reverse. Oil on
artist board, 8 1/4 x 10 1/4 in., framed.
$1,000-1,500
1166
Maurice Vagh Weinmann
(Hungarian, 1899-1966)
Landscape with Figures. Signed
“Maurice Vagh Weinmann” l.l. Oil on
Masonite, 18 x 21 1/2 in., framed.
Condition: Losses, craquelure, flaking.
$400-600
1167
American School, 20th Century
Two Works: Cowboy with Horse
and Indian Girl of the Desert. Both
initialed “FTJ” l.l. Pastel on paper,
sheet sizes to 12 x 9 in., both framed.
$400-600
1168
Ernest Albert (American, 1857-1946)
Hill Top House. Signed “ERNEST
ALBERT A.N.A” l.r., identified on a
label affixed to the reverse. Oil on
canvas, 12 x 16 in., framed. Condition:
Retouch, stretcher bar marks,
craquelure.
$400-600
1169
George Frederick Muendel
(American, 1871-1948)
Boats at Twilight. Signed
“GEO·F·MUENDEL” l.r. Oil on panel,
10 x 12 in., in an Arts & Crafts frame.
$300-500
1170
Elenore Plaisted Abbott (American,
1875-1935)
Sunbonnets. Unsigned, identified on
an Art Club of Philadelphia Exhibition
label affixed to the reverse. Oil
on canvas, 8 1/4 x 6 in., framed.
Condition: Surface grime.
$300-500
1171
William H. Vernon (British, 1820-
1909)
River Rapids. Signed “W.H. Vernon.”
l.l., with a label from James Bourlet &
Sons, London, on the stretcher. Oil on
canvas, 10 1/2 x 14 3/4 in., framed.
Condition: Lined, craquelure.
$200-400
1172
Jan Ten Kate (Dutch, 1850-1929)
Cottage Interior with a Family
Gathered Around a Table. Signed
“Jan Ten Kate” l.l. Watercolor on
paper, 15 x 22 in., framed. Condition:
Sheet laid down on paperboard
support, acid burn to the reverse of the
support, affixed to window mat with
brown paper tape on the reverse.
$150-250
1173
Agnes Anne Abbot (American, 1897-
1992)
Summer Pond and Hills. Signed
“Agnes A. Abbot.” l.l. Watercolor on
paper/board, sight size 21 3/4 x 15 3/8
in., framed. Condition: Not examined
out of frame.
$150-250
1174
Joe (Joseph John) Jones (American,
1909-1963)
Labrador. Unsigned, inscribed “For
Henry from Joe” l.l. Watercolor,
gouache, and ink on paper, 8 1/2 x 11
in., framed. Condition: Toning, gently
light-struck, soiling on recto and verso,
adhesive transfer on l.l. corner.
$200-400
1175
Nandor Vagh Weinmann (Hungarian,
1897-1978)
Maternité. Signed “H.V...Weinmann”
l.r., identified on a label affixed to the
reverse. Oil on panel, 33 x 25 in.,
framed. Condition: Surface grime,
losses.
$300-500
1176
Attributed to Antal Neogrady
(Hungarian, 1861-1942)
Autumn River View with Deer.
Signed or inscribed “Neogrady A”
l.l. Oil on canvas, 15 3/4 x 19 3/4 in.,
framed.
$1,000-1,500
1177
Joe (Joseph John) Jones (American,
1909-1963)
Three Works: Fisherman by a
Stream, Reaching for the Sun, and
Moored Boats. Each signed “Joe
Jones” l.r. Fisherman oil on canvas,
others lithographs on paper, sizes to
18 x 30 in.; all framed. Condition:
Fisherman with surface grime.
$500-700
1178
Gabriel de Cool (French, 1854-1908)
Young Maid Before a Stone Hearth.
Signed “Gabriel de Cool” l.l. Pastel
on paper mounted to canvas, 25 3/4
x 21 1/4 in., framed (under glass).
Condition: Patch reinforcement, tear
along stretcher edge and partially into
the composition background at u.r.,
not examined out of frame.
$800-1,200
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1179
American School, 20th Century
Southern Street Scene. Signed and
dated “Adriana Favaloro 1937” l.l.
Gouache and watercolor on paper, 17
3/4 x 23 1/4 in., framed. Condition:
Scattered minor paint flaking and
losses, slight rippling to paper, not
examined out of frame.
$800-1,200
1180
John Stockwell (American, b. 1958)
Winter Birches. Signed and dated
“JOHN B. STOCKWELL ‘84” l.r. Pastel
and charcoal on paper, sight size 17
1/2 x 23 in., framed. Condition: Not
examined out of frame.
$500-700
1181
American School, 20th Century
The Dinner Party. Unsigned.
Graphite on canvas, 24 x 18 in.,
framed. Condition: Craquelure,
stretcher bar lines, surface grime.
$250-350
1182
J. Ambrose Pritchard (American,
1858-1905)
Beach Inlet. Signed “J. Ambrose
Pritchard” l.l. Watercolor and graphite
on paper, sight size 19 3/4 x 27 in.,
framed.
$400-600
1183
American School, 19th Century
Autumn Landscape. Unsigned.
Oil on canvas, 26 x 35 in., framed.
Condition: Retouch, craquelure,
varnish inconsistencies, surface grime.
$500-700
1184
Sears Gallagher (American, 1869-
1955)
Hillside Pasture with Sheep and
Ocean View. Signed “Sears Gallaher”
l.l. Watercolor on paper/board, sight
size 12 3/4 x 18 7/8 in., framed.
Condition: Toning, not examined out
of frame.
$400-600
1185
Attributed to Hugo Scheiber
(Hungarian, 1873-1950)
Portrait of a Man with a Pipe. Signed
or inscribed “Scheiber H” l.l. Gouache
on paperboard, 13 1/2 x 10 1/4 in.,
unframed.
$700-900
1186
George Arthur Hays (American,
1854-1945)
Grazing Cows. Signed “GA Hays”
l.r. Oil on canvas, 14 x 22 in., framed.
Condition: Craquelure, surface grime.
$300-500
1187
George Arthur Hays (American,
1854-1945)
Springtime. Signed “GAHayes” l.l.,
titled, signed, and dated “.../GA Hayes
1917” on the reverse. Oil on canvas,
12 x 15 in., framed. Condition: Paint
losses, craquelure with areas of lifting,
surface grime.
$200-300
1188
George Arthur Hays (American,
1854-1945)
Summer Pasture with Watering
Cows. Signed “GA Hays” l.l., signed
and dated “-GA Hayes 07-” on the
reverse. Oil on canvas, 16 x 24 in.,
framed. Condition: Craquelure,
surface grime.
$300-500
1189
Niek van der Plas (Dutch, b. 1954)
Sunlight Along a European Canal.
Signed “VAN DER PLAS” l.r. Oil on
panel, 15 3/4 x 19 5/8 in., framed.
Condition: Good.
$300-500
1190
Attributed to John William Hill
(American, 1812-1879)
Still Life with Pineapple, Grapes,
Peaches, and Plums. Signed or
inscribed and dated “J.W. Hill. 1868”
l.r. Watercolor and ink on paper,
sight size 13 1/2 x 17 in., framed.
Condition: Foxing.
$1,000-1,500
1191
George Arthur Hays (American,
1854-1945)
A Day in October. Signed and dated
“GA HAYES 19” l.r., inscribed, titled,
signed, dated, and numbered “The
Watering Place/A Day in October/
GA Hays 19/47” on the reverse. Oil
on Masonite, 22 x 36 in., framed.
Condition: Frame abrasion, surface
grime.
$600-800
1192
George Arthur Hays (American,
1854-1945)
Sayles Hill Pasture, Woonsocket Hill
in Distance. Signed “GA Hays” l.l.,
titled, signed, and dated “...GAHays
23” on the reverse. Oil on canvas,
14 x 20 in., unframed. Condition:
Craquelure, surface grime.
$300-500
1193
William Helfferich (European, Late
20th Century)
Sunny Day at the Beach. Signed “W.
Helfferich” l.l. Oil on wood, 17 1/8 x
31 in., framed. Condition: Retouch to
l.l. corner.
$400-600
1194
Aurel Náray (Hungarian, 1883-1948)
Portrait of a Woman with a Nosegay.
Signed “Náray” l.r. Oil on Masonite, 13
5/8 x 9 3/4 in., unframed.
$300-500
1195
George Arthur Hays (American,
1854-1945)
Pasture. Signed “GA Hays” l.l., also
signed, dated, and titled “GAHays
24 Pasture...” on the reverse. Oil on
artist board, 16 x 20 in., framed (under
glass). Condition: Bowing, craquelure.
$250-350
1196
Anglo/American School, 20th
Century
River View Towards a Cathedral
Town. Signed “T. Cole” l.r. Oil on
canvas, 12 x 16 in., framed. Condition:
Minor surface grime.
$400-600
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1197
Continental School, 19th Century
Two Works Depicting Travelers in
Coastal Towns. Both unsigned and
stenciled “341ZN” on the stretcher, one
inscribed “Sr. Joao Guedes” on a label
affixed to the stretcher. Oil on canvas,
16 x 27 in., both framed. Condition:
Lined, retouch, craquelure, surface
grime.
$300-500
1198
John Linnell (British, 1792-1882)
Harvest Time. Signed and dated
“J Linnell 1857” l.l. Oil on canvas,
31 1/4 x 47 in., framed. Condition:
Craquelure, retouch, relined, scattered
paint losses l.r.
$800-1,200
1199
Donald Bracken (American, 20th
Century)
The Kids [Are] Alright. Signed and
dated “Don Bracken 2005” on the
reverse, also signed, dated, and titled
“Bracken 2005...” on the backing. Oil
on paper, sight size 4 1/4 x 6 1/2 in.,
framed. Condition: Good.
$500-700
1200
American School, 20th Century
Untitled. Embossed signature “Hyde”
l.r., numbered “91/375” l.l. Silkscreen
on paper, sight size 4 3/4 x 4 3/4 in.,
framed.
$300-500
1201
George Henry Taggart (American,
1865-1924)
Girl in a White Dress Holding an
Orange. Signed “Geo. H. Taggart” l.r.
Oil on canvas, 40 1/4 x 30 in., framed.
Condition: Canvas deformations/
bulges, abrasions, surface grime.
$400-600
1202
Frederick Leo Hunter (American,
1858-1943)
Full-rigged Vessel Under Sail.
Signed and dated “F. Leo Hunter/1934”
l.r. Oil on canvasboard, 12 x 16 in.,
in a Newcomb-Macklin Co. frame
(under glass). Condition: Possible old
retouch, mild surface grime.
$600-800
1203
Frederick Leo Hunter (American,
1858-1943)
Square-rigged Ship under
Sail. Signed and dated “F. Leo
Hunter/1934.” l.l. Oil on canvas
mounted to wood panel, 14 1/4 x 18
in., in a Newcomb-Macklin Co. frame
(under glass). Condition: Good.
$600-800
1204
Oswaldo Guayasamin (Ecuadorian,
1919-1999)
Serpent Sun, edition of 350. Signed
“GUAYASAMIN” in pencil l.r., numbered
“183/350” in pencil l.l. Etching and
aquatint, plate size 9 3/4 x 9 in.,
framed. Condition: Not examined out
of frame.
$250-350
1205
Paul F. Riba (American, 1912-1977)
Miller’s Mill. Signed “Paul Riba” l.r.,
identified on a label from Paul Meach
Galleries, Florida, affixed to the frame
backing paper. Gouache on paper/
board, sight size 11 5/8 x 9 5/8 in.,
framed. Condition: Not examined out
of frame.
$800-1,200
1206
Paul F. Riba (American, 1912-1977)
Red Glow. Signed “Paul Riba” l.r.,
identified on label from Palm Beach
Galleries, Florida, on the frame backing
paper. Gouache on paper, sight size
12 x 9 1/2 in., framed. Condition: Not
examined out of frame.
$800-1,200
1207
Elemer Vagh Weinmann (Hungarian,
1906-1990)
Village Landscape. Signed “E...Vagh
Weinmann” l.r. Oil on panel, 32 x 39
1/2 in., framed.
$400-600
1208
Albert Vagh (French, b. 1931)
Landscape with Bridge and House.
Signed “Albert E. Vagh” l.l. Oil on
canvas, 21 1/2 x 25 1/2 in., framed.
Condition: Surface grime.
$400-600
1209
George Cherepov (American, 1909-
1987)
Mountain Village Nestled Beside
an Arched Stone Bridge. Signed “J.
Cherepov” l.r. Oil on canvas, 20 x 24
in., framed. Condition: Surface grime.
$300-350
1210
Roderick Slater (American, b. 1937)
Two Works: Changing Times and
Small Notes. Both signed “R Slater”
l.r., both identified on labels affixed to
the reverse. Acrylic paint, offset print,
and found object assemblage, sizes
to 8 x 6 in., both framed. Condition:
Good.
$500-700
1211
Jean Arnould Heyermans (Belgian,
1837-1892)
Winter Scene by the River. Signed
“J. HEYERMANS” l.l., identified on the
presentation plaque. Oil on canvas,
32 x 49 in., framed. Condition: Lined,
retouch, craquelure, skinning, losses.
$800-1,200
1212
Georges Lambert (French, 1919-
1998)
Place du Tertre. Signed “GEROGES-
LAMBERT” l.r., numbered, titled,
inscribed, and signed “No. 1042/.../
Paris/GEORGES-LAMBERT” on the
reverse. Oil on canvas, 21 1/4 x 25
1/2 in., framed. Condition: Good.
$400-600
1213
John Charles Terelak (American, b.
1942)
Schooners at Dock at Sunset.
Signed and dated “J C TERELAK 99”
l.l. Oil on canvas, 16 x 20 in., framed.
Condition: Good.
$200-300
1214
Continental School, 17th Century
Portrait of a Woman. Unsigned. Oil
on panel, 13 3/4 x 10 3/4 in., framed.
Condition: Bowing and repaired
breaks to panel, retouch, losses,
craquelure.
$300-500
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Ferdinand Max Bredt (German,
1868-1921)
Seated Nude, Reading. Signed and
dated “F.M. Bredt 1913” l.r. Oil on
cradled panel, 16 1/2 x 13 1/8 in.,
framed. Condition: Scattered retouch,
fine craquelure.
$700-900
1216
Balinese School, 20th Century
Ubud Village Scene. Signed and
inscribed “iNjOMAN.GEREBIG/
UBUD...” l.c. Tempera on wood, 35
1/2 x 59 in., framed. Condition: Minor
surface grime.
$800-1,000
1217
Conger A. Metcalf (American, 1914-
1998)
Study of Lorenzo, 1993. Signed
“Metcalf” in pencil u.r. Oil and graphite
on clay-coated surface, sight size 9 3/8
x 13 1/4 in., framed. Condition: Good,
not examined out of frame.
Provenance: Acquired at Cambridge
Art Association Show, June 11, 1993.
$250-350
1218
Conger A. Metcalf (American, 1914-
1998)
Study for the Painting “Ricordi
d’Italia”. Signed and dated “Metcalf
‘93” in pencil l.l. Oil and graphite on
clay-coated surface, image/sheet size
17 1/4 x 11 3/8 in., framed. Condition:
Sheet floated in frame, flaking at l.c.
and l.r., not examined out of frame.
Provenance: Acquired at Cambridge
Art Association Show, June 11, 1993.
$400-600
1219
Two Mid-century Oil Landscapes:
William S. Copp (American, b. 1891),
Vermont, signed and dated “Copp
41” l.r., titled, signed and dated on the
stretcher, identified on an application
form from the Art Appreciation
Movement affixed to the stretcher;
Leon Vincent Wall (American,
1916-1980), Town in the Hills, signed
“Leon Vincent Wall” l.l. Both 16 x 20
in., framed. Condition: Both with
craquelure, surface grime, Town with
a related landscape sketch on the
reverse.
$200-400
1220
MacIvor Reddie (American, 1864-
1931)
Lobsterman Tending a Buoy in
Winter. Signed “MacIvor Reddie” l.l.,
marked in two places with the artist’s
name and address in Cohasset,
Massachusetts, on the frame backing.
Watercolor on paper/board, sight size
20 1/4 x 28 3/4 in., framed. Condition:
Not examined out of frame.
$300-500
1221
Dorothy Marshall Taylor (American,
20th Century)
The Hunt. Signed and dated
“Dorothy Marshall Taylor/’35” l.r., titled
and initialed “D.M.T.” on the mat.
Watercolor and gouache on paper,
sight size 8 1/2 x 5 1/2 in., framed.
Condition: Rippling, not examined out
of frame.
$250-300
1222
Myron Ward (American, 19th/20th
Century)
Plowing with Oxen. Signed “Myron
Ward” l.l. Oil on canvas, 23 1/4 x 35
1/4 in., framed. Condition: Scattered
paint losses, surface grime.
$800-1,200
1223
After Honoré Daumier (French, 1808-
1879)
Bust Caricature of a Man. Inscribed
“h.D” in the bronze. Bronze with
brown patina, height 6 in. Condition:
Slight wear to the patina, minor dust
and dirt, small notch in the bronze
along bottom proper left edge.
$200-250
1224
Robin Winters (American, b. 1950)
Two Artist-proof Prints: Mandible
and Cutaway. Both signed, titled, and
numbered on the reverse, Cutaway
dated “1989” on the reverse. Color
linocuts matted with Japanese papers,
print sheet sizes 11 7/8 x 8 3/4 in.,
unframed. Condition: Good, Cutaway
with water stain to l.l. corner of the mat
paper.
Provenance: From the estate of Joan
Sonnabend, Boston, Massachusetts.
$200-300
1225
John Appleton Brown (American,
1844-1902)
Storm, Isle of Shoals. Cropped
partial signature and date “wn 70” l.l.,
identified on a presentation plaque. Oil
on canvas, 15 1/2 x 18 1/8 in., framed.
Condition: Canvas trimmed and
mounted to Masonite, paint losses,
abrasions, surface grime.
$800-1,200
1226
After Evgeny Aleksandrovich
Lansere (Russian, 1848-1886)
Bear Hunt with Cossacks, a later
casting. Signed “E. Lansere” in Cyrillic
on the base l.l. Bronze with dark
brown patina, size to 13 x 24 x 14 3/4
in., mounted to a green marble plinth.
$2,000-3,000
1227
Louis Tanari (French, b. 1940)
Couple enlacé. Numbered and
signed “11/250/TANARI/Louis” and
“Louis” along the edge of the base,
also signed and numbered beneath
the base. Bronze with gold-colored
patina, ht. 17 in., dia. of base 7 1/4 in.
Condition: Fine scratches, spotting,
and wear to the patina.
$700-900
1228
Victor D. Salvatore (Italian/American,
1885-1965)
Portrait Bust of Abraham Lincoln.
Signed “V. SALVATORE” within the cast
l.r., marked “KUNST-FOUNDRY NY”
within the cast on the reverse. Bronze
with green patina, 4 3/8 x 1 3/4 x 1 1/2
in., mounted to a wooden plinth.
$800-1,200
1229
William Edward Norton and Studio
(Anglo/American, 1843-1916)
Coastal View with Sailboats. Signed
“W.E. Norton Atelier” l.l. Oil on canvas,
12 x 16 in., framed. Condition:
Craquelure, surface grime, abrasions,
retouch, scattered paint loss, stretcher
bar marks.
$300-500
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William T. Robinson (American,
1852-1934)
Wooded Landscape with Stone
Bridge and Stream. Signed “W.T.
Robinson.” l.r. Oil on board, sight size
5 1/2 x 8 in., framed. Condition: Minor
surface grime, scratch in l.l. quadrant.
$200-300
1231
Attributed to Arthur Sinclair Covey
(American, 1877-1960)
Two Framed Works: Factory
Interior and Producing ALUNDUM
Abrasive... Factory unsigned, ink
and watercolor on tracing paper,
image size 6 x 8 1/2 in., Alundum
signed “ARTHUR COVEY·” within
the matrix l.r., titled “...in/Arc
Type Electric Furnace/NORTON
COMPANY·WORCESTER·MASS.” on
a presentation plaque, lithographic
process, image size 13 1/4 x 17 3/4
in. Condition: Factory with a 2 in. tear
to u.l. edge affecting the image, tears
and losses to upper margin, scattered
foxing, rippling and toning to sheet,
hinged to a paper support; Alundum
with scattered foxing, mild toning, not
examined out of frame.
$400-600
1232
Albertus E. Jones (American, 1882-
1957)
Road to the Hills. Signed “Albertus
E. Jones” l.r., titled, inscribed, and
signed “.../Best Wishes/To Mary/From
Albertus E. Jones” on the reverse.
Oil on canvasboard, 11 3/4 x 16 in.,
framed. Condition: Bowing to the
support, surface grime.
$400-600
1233
Sylvia Manning (American, 20th
Century)
Two Ink Drawings of Flora: Cat-O-
Nine Tails and Untitled. Both signed
“SYLVIA” l.l. or l.r., one titled and
identified on an exhibition label from
the De Cordova Museum, Lincoln,
Massachusetts, affixed to the frame
backing. Ink on paper, sight sizes to
31 3/4 x 15 3/4 in., framed. Condition:
Not examined out of frames.
Exhibitions: New England Art, Part
VI: New Talent, Decordova Museum,
Lincoln, Massachusetts, June 27–
September 5, 1965, lent by the Shore
Galleries, Boston (Cat-O-Nine Tails).
$200-300
1234
Alfred P. Czerepak (American, 1928-
1986)
Mums. Signed and dated “Czerepak
60” l.l., inscribed and titled on the
frame backing paper. Oil on board, 21
x 14 in., framed. Condition: Surface
grime.
Provenance: Purchased from the artist
by the great-uncle of the current owner
in Eastern Point, Gloucester; then by
family descent.
$300-500
1235
Continental School, 18th Century
Style
Still Life with Flowers, Fruit, and
Porcelain in a Landscape. Unsigned.
Oil on canvas laid on Masonite, 17
1/4 x 26 1/4 in., framed. Condition:
Lined, retouch, paint loses, repairs,
craquelure, surface grime.
$250-350
1236
Barbara Corrigan (American, 1922-
2012)
Three Framed Gouache on Paper
Works: Copley Square in Snow,
Newbury Street Summer, and Ferry
Terminal, Woods Hole. Copley
signed and dated “Corrigan 1996” l.r.,
others signed and dated “Corrigan
1993” l.l. and l.r., respectively. Sight
sizes 10 x 14 3/8 in. Condition: Not
examined out of frames.
N.B. The lot is accompanied by a
catalog from a group exhibition at
the Massachusetts College of Art,
MassArts: Art in the Marketplace ‘97,
no date given, as well as a newspaper
clipping from the Sun Chronicle,
Attleboro, Massachusetts, dated
Tuesday, November 3, 1987.
$300-400
1237
Continental School, 18th Century
Style
Floral Still Life with Mushrooms,
a Bird, and Distant Landscape.
Unsigned, with a label from
Fontainebleau Art Gallery, New York,
on the frame backing paper. Oil on
canvas mounted to board, oval format,
38 1/4 x 29 in., framed. Condition:
Lined, retouch, repairs, paint losses,
craquelure, surface grime.
$300-500
1238
Bernard Lennon (American, 1914-
1992)
Beach Scene with Figures. Incised
signature “Lennon” l.r. Oil on board,
6 x 12 in., in a Paul Carter Goodnow
frame. Condition: Minor surface
grime.
$300-500
1239
Dwight Blaney (American, 1865-
1944)
House in Landscape. Signed and
dated “Dwight Blaney 1888” l.l.,
inscribed “To M.B.” l.r. Watercolor on
paper, sight size 6 x 9 3/8 in., framed.
Condition: Possible toning, not
examined out of frame.
$300-500
1240
Gerard Hordyk (Dutch, 1899-1958)
Circus Horses. Signed “Hordyk”
l.r. Watercolor and gouache on
paper, sight size 14 1/2 x 21 1/2 in.,
framed (under glass). Condition: Not
examined out of frame.
$400-600
1241
Clarence E. Braley (American, 1854-
1927)
Landscape with River. Signed “C
Braley.” l.l. Pastel on paper/board,
sight size 21 1/2 x 27 1/2 in., framed.
Condition: Toning, not examined out
of frame.
$300-400
1242
Manner of Gertrude Savageau
Freeman (American, 1868-1954)
Race Day at Deauville. Signed
and dated “G...F... 67” l.l. Pastel on
paper, sight size 11 3/4 x 15 3/4 in.,
framed. Condition: Subtle rippling, not
examined out of frame.
$600-800
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Forty-four Images of Greek and
Pagan Mythological Figures and
Portraits:
Mostly by Barry Moser (American,
b. 1940), including fifteen small-format
wood engravings and etchings of
Icarus, Pan, Bacchus, Papposilenos
[Silenius], demons and centaurs; ten
small-format wood engravings and
etchings of historical authors including
Mark Twain and Joseph Conrad;
fourteen medium- and large-format
etchings and wood engravings of
Greek mythological landscapes and
figures including bacchants and satyrs;
three small- and medium-format wood
engravings and etchings of poems
and book passages, one etching
Requiem, 1968, by Robert Ernst Marx
(American, b. 1925), and a wood
engraving of a man with African wildlife
by Gillian Tyler (American, 20th
Century); sheet sizes to 31 x 21 in.,
unframed.
$300-350
1244
Frank Simon Hermann (American,
1866-1942)
Ten European Landscape Studies,
including Brittany and Italy. Most
signed “F.S.Hermann” in pencil, initialed
“F.S.H.” in pencil, or estate stamped
“F.S. Hermann” l.r. or l.l. Gouache and
watercolor on paper, sheet sizes to 15
x 19 1/2 in., unframed.
Provenance: Through the estate of
the artist.
$400-600
1245
Arthur E. Ward (American, 1863-
1928)
Low Tide, Rockport Harbor. Signed
“Arthur E. Ward” l.l., titled on the
reverse. Oil on canvas, 16 x 20 in.,
framed. Condition: Minor surface
grime, craquelure.
$800-1,200
1246
Attributed to Albertus Van Beest
(Dutch/American, 1820-1860)
Boats in a Harbor. Inscribed “...
Van Beest” l.r. and “Dutch Fishing
Boats van Beest” on the stretcher.
Mixed media (oil, charcoal, and
graphite) on canvas (en grisaille), 12
x 20 in., stretched with Boston tabs,
unframed. Condition: Retouch, patch
reinforcements, abrasions, losses.
$300-500
1247
Attributed to Bryant Chapin
(American, 1859-1927)
Still Life with Apples. Bears signature
and date “Bryant Chapin 1905.” l.l.
Oil on canvas, 12 x 18 in., framed.
Condition: Craquelure, surface grime.
$2,000-3,000
1248
Frederick Mortimer Lamb (American,
1861-1936)
An Old Wood’s Road. Signed
“F.M. Lamb” l.r., titled in ink on the
reverse. Oil on artist board, 3 1/2 x 6
in., framed. Condition: Mild surface
grime.
$200-300
1249
Three Framed 20th Century African-
inspired Tribal Prints, one signed and
inscribed “Tijani Lawal Mayak...” l.r.
and titled “Acrobatic Dancers” l.l., one
signed illegibly within the matrix l.l., one
with no visible signature, sight sizes to
19 1/4 x 22 1/2 in., (not examined out
of frames).
$200-300
1250
Victor E. Henry (American, 20th
Century)
Interior Design Boards, Sketch
Book, and an American School
Portrait of Victor E. Henry, five
watercolor and ink drawings on
illustration board, four signed, one
unsigned, prepared for clients of
Marlborough House Interior Design,
Boston, including two for Shawmut
Bank that include fabric swatches,
one for an executive office interior for
Cahers Publishing Company; one for
the Blue Hill Country Club, and one an
unspecified client; one sketch book
with three unsigned pencil sketches,
sizes to 20 x 30 in., all unframed; and
American School, 20th Century,
Portrait of Victor E. Henry, signed
indistinctly l.l., oil on canvas, 66
x 35 1/2 in., framed. Condition:
Presentation boards with soiling and
wear, one with a missing corner, some
swatches missing; portrait with minor
surface grime.
$200-250
1251
Continental School, 19th/20th
Century
Venice - Riva degli Schiavoni.
Initialed indistinctly, possibly “A.C.,” l.r.,
titled in ink on the reverse. Watercolor
on paper, 18 x 13 1/2 in., unframed.
Condition: Toning, tack holes and
small losses at corners.
$200-250
1252
Gyorgy Kepes (American, 1906-
2001)
Frail Fragment, 1963. Signed
“g. kepes” l.l. and on the stretcher,
identified on a label from The Swetzoff
Gallery, Boston, on the reverse and
titled on the stretcher. Oil on canvas,
12 x 16 in., framed.
$700-900
1253
Joseph Margulies (American, 1896-
1984)
Two Hand-colored Aquatints: Always
with Her Bible and Provincetown...
Both signed “Joseph Margulies”
l.r., titled l.l., and numbered “Ed/50”
l.c. Plate sizes to 8 5/8 x 11 5/8 in.,
framed. Condition: Not examined out
of frames.
$400-600
1254
Three Landscape Paintings:
Henry Howard Brooks (American,
1898-1981), Landscape with
Cottages and Mountain, signed
“Henry H. Brooks” l.r., oil on
canvasboard; Candace Whittemore
Lovely (American, 20th/21st
Century), Kaui Lagoon, signed
“Candace Lovely” l.r., titled, dated,
and signed “...1989...” on the reverse,
oil on canvas; and James Emery
Greer (American, 1948-1990), Inlet
View, signed “J.E. Greer” l.r., oil on
canvasboard. Sizes to 10 x 14 in., all
framed. Condition: Surface grime,
minor losses on Inlet.
$300-500
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Three Harbor View Paintings:
Stuart Grandy (American, 20th/21st
Century), Gloucester Bay, signed
“GRANDY” l.l., identified in an
inscription on the reverse, oil on
canvasboard; American School,
20th Century, Drying Nets, signed
and dated “G... Bjoraby/8.23 ‘53” l.r.,
oil on canvasboard; and Jack Jones
(American, 1940-2011), Harbor with
Dock and Ships, signed “Jack Jones”
l.r., oil on canvas. Sizes to 14 x 18
in., all framed, Gloucester and Dock in
Goodnow frames. Condition: Minor
surface grime, Gloucester with mold on
the reverse.
$300-500
1256
Two Framed Watercolors:
Don Stone (American, b. 1929),
Fishermen at Sea, signed “Don
Stone” l.l., and Attributed to Harry P.
Sutton Jr. (American, 1897-1984),
Figure Sketching at Shore, unsigned,
inscribed “SUTTON, Harry” on the
backing. Both watercolor and graphite
on paper, sight sizes to 10 3/8 x 14 1/4
in., framed. Condition: Not examined
out of frames.
$300-500
1257
William Cather Hook (American, b.
1948)
Rock Garden, c. 1982. Signed “W.C.
Hook” l.r. Acrylic on canvas, 16 x 20
in., framed.
N.B. We wish to thank the artist for his
assistance with cataloging the lot.
$800-1,200
1258
Three Landscape Paintings:
Cecil Vezin Grant (American,
1880-1953), Rising Waters, signed
“CVGRANT” l.r., oil on canvasboard;
David H. Lowrey (American,
20th/21st Century), Bridge in a
Summer Setting, inscribed, signed,
and dated “To B. H. Coles/1982/D.H.
Lowrey” l.c., oil on canvas; and
Michael Graves (American, b. 1952),
House in an Autumn Landscape,
signed “Mike Graves” l.r., oil on canvas.
Sizes to 12 x 16 in., all framed, Rising
and House in Goodnow frames.
Condition: Minor surface grime.
$500-700
1259
Three Framed Drawings:
William McGregor Paxton
(American, 1869-1941), Standing
Nude, signed and dated “Paxton
Nov. 14, 1929” l.r., Charles Herbert
Woodbury (American, 1864-1940),
Woman with Dog, signed and dated
“Charles Woodbury Dec 1916” l.r.,
and Walter Parsons Shaw Griffin
(American, 1861-1935), Harbor View,
signed “Walter Griffin” l.r. All graphite
on paper, sight sizes to 13 1/2 x 9
1/2 in., framed. Condition: Possible
toning, Nude with pinpoint fox marks,
not examined out of frames.
$300-500
1260
American School, 20th Century
Four Nursery Rhyme Illustrations:
Hickory Dickory Dock, Little Bo
Peep, Jack and Jill, and Little Miss
Muffet. One signed “Ada Heimbach”
in pencil l.r. Tempera and graphite on
paperboard, 30 x 20 in., unframed, in a
portfolio case.
$300-500
1261
American School, Mid-20th Century
City Street, Probably New York.
Signed indistinctly l.r. Watercolor
on paper, sheet size 19 x 24 5/8 in.,
framed. Condition: Mild toning, acid
burn to edges of the sheet, hinged to
the back mat in four places along the
top edge of the reverse.
$400-600
1262
Gabriel Spat (French, 1890-1967)
La Chambre de Deputes a Paris
avec le pont de al Concorde. Signed
“...Spat” l.r., titled and inscribed on a
label affixed to the frame backing. Oil
on board, sight size 5 1/8 x 8 3/16 in.,
framed. Condition: Surface grime.
$400-600
1263
Theodore Victor Carl Valenkamph
(American, 1868-1924)
Autumn Landscape. Signed “T.V.C.
VALENKAMPH” l.r. Oil on canvas, 18
x 24 in., unframed. Condition: Minor
losses, wear along tacking edges.
$600-800
1264
Tom Otterness (American, b. 1952)
Commemorative Plaque. Signed
and dated “OTTERNESS 1980” within
the cast on the right side, identified
and numbered “8/250” on a label from
Brooke Alexander, Inc., New York, on
the reverse. Plaster on resin, 7 1/4 x 9
1/8 x 2 1/4 in., unframed. Condition:
Small chip to right edge, wear to
the surface at bottom edge, soiling,
surface grime
$800-1,200
1265
Artur Lajos Halmi (Hungarian, 1866-
1939)
The Artist’s Bedroom in Munich.
Inscribed, dated, and signed “A... 91/
HALMI” u.l. Oil on canvas, 10 1/2
x 12 in., framed. Condition: Lined,
minor retouch to edges of canvas,
craquelure, surface grime.
$300-500
1266
Jan Gelb (American, 1906-1978)
Estuary. Signed “JGelb” l.l., titled on
the stretcher, identified and dated “©
1970” on a handwritten label affixed to
the stretcher. Oil on canvas, 20 x 16
in., framed. Condition: Surface grime.
$300-500
1267
Eugenie Baizerman (American,
1899-1949)
Composition for Red Glow (light
background). Unsigned, identified
on a label from Krasner Gallery, New
York, affixed to the reverse. Oil on
canvasboard, 9 5/16 x 7 5/16 in.,
framed. Condition: Surface grime.
$300-500
1268
Umberto Romano (American, 1905-
1984)
Portrait Head. Signed and dated
“Umberto/Romano/1934” l.r. Oil on
canvas, 16 x 12 in., framed. Condition:
Paint loss along bottom edge,
craquelure, surface grime.
$300-500
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1269
Archie Blackowl (Native American,
1911-1992)
Seated Figure. Signed “A.
BLACKOWL” l.r., identified on a label
from Associated American Artists,
New York, on the frame backing paper.
Watercolor on paper, 6 x 6 in., framed.
$300-500
1270
Elsie P. Augur (American, 1876-1975)
White Violets. Signed faintly “EPA” l.r.,
identified on a label from the Lyme Art
Association affixed to the reverse. Oil
on canvasboard, 10 x 8 in., framed.
Condition: Minor retouch to edges of
canvas, surface grime.
$300-500
1271
Russian School, 20th Century
Church of the Transfiguration on
Ilyina Street, Novgorod. Signed
and dated “Trinevich E.A. 1992” in
Cyrillic l.l., also signed, dated, and
titled “Trinevich E.A...” in Cyrillic on the
reverse. Oil on canvas, 16 x 12 in.,
framed. Condition: Minor craquelure.
$300-500
1272
Elkanan E. Frydman (Argentinian,
1929-1997)
Maternity, 1989. Unsigned. Acrylic
on Masonite, 36 x 28 in., framed.
Condition: Minor surface grime.
Provenance: By descent within the
family of the artist.
N.B. The artist was born in Poland,
but immigrated to Argentina at a very
early age and considered himself to be
Argentinian.
$600-800
1273
Elkanan E. Frydman (Argentinian,
1929-1997)
Horses, 1993. Unsigned. Acrylic
on panel, 32 x 48 in., unframed.
Condition: Scattered minor abrasions,
surface accretions and grime.
Provenance: By descent within the
family of the artist.
N.B. The artist was born in Poland,
but immigrated to Argentina at a very
early age and considered himself to be
Argentinian.
$600-800
1274
William J. Maloney (American, b.
1932)
Snow at Dusk, Old State House,
Boston. Signed “William J. Maloney
OPA” l.l. Oil on canvas, 16 x 20 in.,
framed. Condition: Good.
$400-600
1275
Donald Blagge Barton (American,
1903-1990)
Dock Scene with Figures and
Small Boats. Signed “Barton” l.l. Oil
on artist board, 8 x 10 in., framed.
Condition: Good.
N.B. The lot is accompanied by an
illustrated exhibition brochure from
Alfred J. Walker Fine Art, Boston, dated
February-March, 1989.
$400-600
1276
Ignaz Marcel Gaugengigl (American,
1855-1932)
Summertime. Signed “I.M.
Gaugengigl” in the plate u.l., identified
on labels from The Copley Society and
from Alfred J. Walker Fine Art, both of
Boston, affixed to the frame backing
paper. Etching on paper, plate size
7 3/8 x 4 3/4 in., framed. Condition:
Not examined out of frame.
$200-300
1277
Charles Hoffbauer (French, 1875-
1957)
Study of a Soldier Hauling an
Unseen Load. Stamped “C.
Hoffbauer” l.r. Watercolor and charcoal
pencil on tan paper with an applied
grid, 4 x 3 in., framed. Condition:
Creasing, possible toning, not
examined out of frame.
$100-200
1278
Aldryth Ockenga (American,
20th/21st Century)
Reclining Figure. Signed “ALDRYTH
OCKENGA” l.r., identified on two
labels, including a jury entry form from
The Copley Society of Boston affixed
to the frame backing. Watercolor and
pencil on paper, sight size 6 5/8 x 11
in., framed. Condition: Subtle rippling
and handling creases, not examined
out of frame.
$100-200
1279
Gertrude Nason (American, 1890-
1965)
Sleigh Ride. Signed “Gertrude Nason”
l.r. Color linoleum block print on paper,
sheet size 6 1/4 x 4 1/4 in., matted,
unframed (shrink-wrapped). Condition:
Not examined out of wrap.
$300-400
1280
Jean G. Lightman (American,
20th/21st Century)
Floral Still Life in Yellow, Green, and
Red. Signed “Lightman” l.l. Pastel on
paper/board, sight size 15 1/2 x 17 1/2
in., framed. Condition: Not examined
out of frame.
$200-300
1281
Frank Strazzulla, Jr. (American,
20th/21st Century)
Reading in the Shade, Boston Public
Garden. Signed “Frank Strazzulla,
Jr. ...” l.l. Oil on linen, 25 x 28 in.,
framed. Condition: Good.
$200-300
1282
Lawrence R. McCoy (American, b.
1888)
In God We Trust. Signed l.r., inscribed
and titled to reverse, and identified on
several labels on the reverse including
one from the Hood Museum of Art at
Dartmouth College. Oil on canvas,
sight size 29 1/2 x 24 1/2 in., framed.
Condition: Surface grime, minor
abrasions, scattered losses.
Provenance: Sold to benefit the
acquisition fund of the Hood Museum
of Art, Dartmouth College, Hanover,
New Hampshire.
$300-600
1283
After Jasper Johns (American, b.
1930)
(Savarin) Whitney Museum of
American Art, 1977, published by
Telamon Editions Limited, West Islip,
New York. Identified within the matrix.
Color offset poster, sheet size 45 1/2
x 29 3/4 in., unmatted, unframed.
Condition: Handling creases near
upper edge (some into image).
$150-200
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1284
Joan Miró (Spanish, 1893-1983)
Galerie Maeght Peintures Murales,
1961 (Mourlot, 227). Identified within
the matrix. Color lithographic poster,
sight size 26 1/2 x 19 1/4 in., framed.
Condition: Pale foxing, not examined
out of frame.
$150-200
1285
Leonard Baskin (American, 1922-
2000)
Hung, 1968, edition of 95 (Fern &
O’Sullivan, 508). Titled, numbered,
and signed “...62/95 Baskin” in pencil
in the lower margin, signed and
dated within the plate. Etching on
paper, plate size 7 3/4 x 3 in., framed.
Condition: Not examined out of frame.
$100-125
1286
Marion Gray Traver (American, 1892-
1964)
Two Winter Landscapes: Over the
River and Snowy Field and Farm.
Signed “Marion Gray Traver.” l.l. and
l.r., respectively, River with artist’s
address stamp on the reverse. Both
oil on board, sizes to 12 x 16 in., River
framed, Field unframed. Condition:
River with scattered minor paint losses
and slight wear to the edges of the
support, Field not examined out of
frame.
$1,200-1,800
1287
Sofia Ludvigovna Zaklikovskaya
(Russian, 1899-1975)
Figure Study. Signed or inscribed
and dated “...1931” in Cyrillic on the
reverse. Gouache and ink on paper,
7 7/16 x 10 7/16 in., unmatted.
Condition: Toning, loss at u.r. corner.
$1,000-1,500
1288
Italian School, 19th/20th Century
View from a Quai Across the Bay of
Naples. Signed “A. Nonetti” l.l. Oil
on board, 9 1/2 x 12 1/4 in., framed.
Condition: Paint losses at edges,
craquelure, surface grime, signature
possibly reinforced.
$300-500
1289
Arthur Norman Davis (American,
1904-1999)
Cape Ann Wharf. Signed “A.N.
DAVIS” l.l. Oil on canvasboard, 11
7/8 x 9 7/8 in., framed. Condition:
Scattered paint losses more
pronounced in l.l. corner, surface
grime.
$300-500
1290
Sofia Ludvigovna Zaklikovskaya
(Russian, 1899-1975)
Figure Study. Signed or inscribed
and dated “...1931” in Cyrillic on the
reverse. Gouache and ink on paper,
7 7/16 x 10 7/16 in., unmatted.
Condition: Toning, loss at l.c.
$1,000-1,500
1291
Three Oil Paintings:
Lucian Arthur Geraci (American,
1923-2005), Harbor View and
Houses on the Hill, both signed
“GERACi -” l.l., oil on board, sight
sizes to 8 1/2 x 23 1/4 in., framed;
and John Nesta (American, 20th
Century), Smith’s Cove, Snow,
signed “John Nesta” l.l., titled and
dated “...1992” on the reverse, oil on
canvas, 9 x 12 in., framed. Condition:
Minor surface grime.
$600-800
1292
Ted Kautzky (American, 1896-1953)
Figures on a Rocky Coastline.
Signed and dated “Theo
Kautzky/1934” l.r. Watercolor on
paper, 20 1/2 x 29 in., framed.
Condition: Toning, not examined out
of frame.
$800-1,200
1293
Ted Kautzky (American, 1896-1953)
Valley Farm. Signed “Ted Kautzky”
l.r. Watercolor on paper, sight size 14
1/2 x 19 in., framed. Condition: Not
examined out of frame.
$800-1,200
1294
Two Floral Still Lifes:
Aimee Lamb (American, 1893-1989),
Orange Blossoms, signed and dated
“Aimee Lamb 1930” in pencil l.r.,
pastel on paper, sight size 13 1/2 x 17
1/4 in., framed; Margaret Fitzhugh
Browne (American, 1884-1972),
Silver Shillings, signed “Margaret
Fitzhugh Browne” l.l., titled on a label
affixed to the stretcher, a label from
the Philadelphia Art Alliance Exhibition
affixed to the reverse, oil on canvas,
24 1/4 x 20 in., unframed. Condition:
Blossoms not examined out of frame,
Shillings loose on stretcher bars, losses
at edges, surface grime.
$500-700
1295
German School, 20th Century
Pheasants in Tall Grass. Signed
“ROHRBACH” l.r., artist identified as
“H. Rohrbach, German b. 1921” on an
unattributed, typed label affixed to the
frame backing. Oil on canvas, 24 x 36
in., framed. Condition: Mild surface
grime.
N.B. No information was located
regarding an artist “H. Rohrbach” in
the standard references, however a
Walter Rohrbach (German, b. 1939)
was credited with a painting of three
pheasants in a landscape that was
sold in 2005 in Europe.
$150-200
1296
Ted Kautzky (American, 1896-1953)
Old Pier at Low Tide. Signed and
dated “Theodore Kautzky/1935” l.r.
Watercolor on paper, sight size 15 x
21 1/2 in., framed. Condition: Not
examined out of frame.
$800-1,200
1297
Ted Kautzky (American, 1896-1953)
Urban View, Probably New York,
Gray Day. Signed and dated “T.
KAUTZKY/1932” l.r. Watercolor on
paper, sight size 13 7/8 x 20 3/4 in.,
framed. Condition: Not examined out
of frame.
$800-1,200
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1298
Wilson DeMeza (American, 1857-
1893)
The End of a Summer Romance,
Illustration En Grisaille. Signed and
dated “W. de Meza 91” l.r. Gouache
and watercolor on board, image
size 19 3/8 x 15 7/8 in., unframed.
Condition: Toning, pinpoint fox marks,
adhesive residue along bottom edge
of sheet.
$700-900
1299
John Wesley Cotton (American,
1868-1931)
Venice Harbor Scene. Signed “JOHN
COTTON” l.r. Watercolor and graphite
on paper, sight size 10 3/16 x 13 9/16
in., framed. Condition: Slight rippling
to paper, not examined out of frame.
$600-800
1300
Larry Horowitz (American, b. 1956)
Shore View with Houses. Signed “L
Horowitz” l.r. Oil on canvas, 96 x 64
in., framed. Condition: Minor paint
losses.
$800-1,200
1301
Alan Kluckow (South African, b.
1946)
Still Life. Titled and signed “Still Life/
Alan.Kluckow./©” on the reverse.
Acrylic on Masonite, 17 1/2 x 26
1/2 in., framed. Condition: Subtle
abrasions, mild surface grime.
$700-900
1302
Continental School, 19th/20th
Century
Autumn Landscape with Barn on a
River. Unsigned. Oil on canvas, 21
1/2 x 35 1/2 in., framed. Condition:
Craquelure, surface grime, scratch l.l.
$400-600
1303
John Pike (American, 1911-1979)
New England Pool. Signed “JOHN
PIKE” l.r. Watercolor on paper, 22
x 30 1/4 in., unmatted, unframed.
Condition: Masking tape residue to the
perimeter of the reverse.
$600-800
1304
Tony Braid (American, b. 1943)
Birth of Venus After Botticelli.
Unsigned on recto, initialed and dated
“T.B. ‘79” on the reverse. Oil on
canvas mounted to board, 48 x 32
in., framed. Condition: Minor surface
grime.
$400-600
1305
Wladyslaw T. Chemielinski (Polish,
b. 1895)
Winter Street Scene, Warsaw.
Signed “WT. Chemielinski” l.r. Oil
on board, 9 1/4 x 13 in., framed.
Condition: Minor surface grime.
$700-900
1306
George Brehm (American, 1878-
1966)
Portrait of a Golfer Finishing a
Drive. Signed “·BREHM·” l.r. Oil on
canvas, 20 x 24 in., framed. Condition:
Scattered small dents, broadly brushed
areas of retouch around the edges of
the composition, surface grime.
$400-600
1307
Joseph Harry Wheater (American,
1885-1959)
The Fog Bank. Signed “Joe H
Wheater.” l.l. Watercolor and graphite
on paper, sheet size 9 3/4 x 13 7/8
in., unmatted, unframed. Condition:
Toning, discolored at edges, creases
at corners.
$400-600
1308
N. Henry Bingham (American, b.
1939)
Girl with a Dog. Signed “N. Bingham”
l.r. Oil on panel, 9 3/4 x 8 in., framed.
Condition: Minor surface grime.
$400-600
1309
Anna S. Fisher (American, 1873-
1942)
Floral Still Life. Unsigned, identified
on a plaque on recto of frame.
Watercolor on paper, sight size 10
1/8 x 14 1/4 in., framed. Condition:
Toning, not examined out of frame.
$300-400
1310
Dutch School, 17th Century Style
Still Life with Fruit and Flowers.
Inscribed “HEYDEN” l.r. Oil on canvas,
60 x 48 in., in a reproduction period
frame.
$500-700
1311
Dutch School, 19th Century
Harbor Scene. Unsigned. Oil on
canvas, 12 x 22 in., framed. Condition:
Craquelure, losses, retouch, yellowed
varnish, surface grime, patch
reinforcements on the reverse.
$400-600
1312
American School, 20th Century
ASK ALEXANDER, c. 1920. Inscribed
“AV/YAGA/BOMBAY” within the
matrix l.r., titled across the top. Color
lithographic poster, image size 41 x
27 1/4 in., framed. Condition: Not
examined out of frame.
N.B. Alexander, “The Man Who
Knows,” born Claude Alexander
Conlin (1880-1954), was a vaudeville
headliner from the early 1900s into
the 1930s. Although his advertising
posters portray him in Indian costume,
and all indicate they were printed by
Av Yaga, Bombay, these flourishes
were probably intended to add to the
performer’s mystique. Experts believe
that all the posters were actually
printed in the United States. (Reynolds,
C. Raymond, and Regina Reynolds,
100 years of magic, New York: Grosset
& Dunlap, 1976), p. 14.
1
1. http://vintage.artehouse.com/perl/options.
pl?imageID=1439&productTypeID=1 accessed July 1, 2013.
$200-250
1313
Emile Bernard (French, 1868-1941)
Ferme Bretonne. Signed “Emile
Bernard” l.c., titled and dated “...1892”
in graphite on the reverse. Ink wash
and graphite on paper, 12 5/8 x 9 5/8
in., matted, unframed. Condition:
Toning, minor handling crimps.
$300-500
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1314
George Leo Frankenstein (American,
1825-1901)
Two Landscapes from the Catskill
Series: Clouds Lying in the
Elevated Mountain Vale and Druid
Rocks. Clouds signed or inscribed
“Frankenstein” in pencil l.l., titled,
signed, and numbered “Catskill Series/
No. 9” on the reverse; Rocks signed,
inscribed, titled, and dated “Catskill
Series/No. 12” in ink, and signed,
inscribed and dated, “...September
21 1896/Geo.L.F.” in pencil on the
reverse. Mixed media on paper/board,
sight sizes to approximately 9 x 12 in.
Condition: Clouds with paint losses,
lifting, craquelure, scattered abrasions,
small crease or tear to l.l.; Rocks with
tear to u.c. edge, not examined out of
frame.
$300-500
1315
Thomas Sutherland (British, b. 1785)
After Alken
Four Framed Fox Hunt Prints:
Epsom, Ascot Heath, Ipswich, and
Newmarket. Titled u.c. and l.c.,
inscribed “Painted by Alken” l.l. and
“Engraved by Sutherland” l.r. within the
plates. Hand-colored aquatints, sight
sizes 11 5/8 x 28 1/2 in. Condition:
Gentle toning, Ipswich with staining,
not examined out of frames.
$400-600
1316
After Francis Wheatley (British,
1747-1801)
Two Framed Prints from The Cries
of London Series: Two bunches
a penny primroses, Plate 1 and
Turnips & Carrots ho, Plate 13. Both
titled l.c. and inscribed “Painted by
F. Wheatley, R.A.” l.l., also inscribed
l.r. “Engraved by L. Schiavonetti” or
“Engraved by T. Gaugain” respectively,
all within the plates. Color engravings,
sight sizes 12 x 9 1/4 in. Condition:
Both with water staining and mild
toning, not examined out of frames.
$200-250
1317
Angel Ponce de Leon (Spanish, b.
1925)
Modernist Still Life. Signed and
dated “A. Ponce de Leon 57” u.r. and
on the reverse. Oil on canvas, 28 3/4 x
19 1/2 in., framed. Condition: Surface
grime, flaking, scattered losses, minor
retouch.
$500-700
1318
William Samuel Horton (American,
1865-1936)
Two Drawings: Gondola with
Passengers and Shore Scene
with Distant Castle. Gondola with
stamped signature “WHorton” l.l.,
Shore unsigned. Both charcoal on
paper, sheet sizes to 7 3/4 x 10 in.,
framed. Condition: Toning, not
examined out of frames.
$400-600
1319
G.H. Rothe (American, 1935-2007)
Trio. Signed “G.H. Rothe” l.r., titled
l.c., numbered “195/200” l.l. Mezzotint
on paper, image size 15 5/8 x 10 7/8
in., framed. Condition: Not examined
out of frame.
$300-500
1320
American School, 20th Century
Male Nude. Unsigned. Pastel on
paper, 6 3/8 x 3 1/2 in., unmounted,
in a shadow box frame. Condition:
Good.
$200-250
1321
Edgardo Coghlan (Mexican, 1928-
1995)
View of a Mexican Village. Signed
and dated “E Coghlan 1965” l.r.
Watercolor and graphite on paper,
sight size 13 1/2 x 20 7/8 in., framed.
Condition: Not examined out of frame.
$500-700
1322
Albin Gehring-Stöckenburg
(German, 19th/20th Century)
Village with a Road Along a River.
Incised signature and date “A.
GehringStöckenburg 1926” l.l. Oil on
board, 13 1/2 x 17 1/2 in., framed.
Condition: Surface grime, minor paint
loss.
$300-500
1323
Three Works:
Al Capp (American, 1909-1979),
Sketch of Cave Girl, signed “Al Capp”
l.r., dedicated l.l., graphite on paper;
Angel Botello (Puerto Rican, 1913-
1986), Brown-Haired Girl, signed
“BoTello” l.r., numbered “11/75” l.l.,
lithograph on paper; and American
School, 20th Century, Conjunction,
signed and dated “RAAB ‘61” l.l.,
titled on the reverse, oil and ceramic
fragments on board. Sight sizes to
36 x 11 3/4 in., all framed. Condition:
Sketch has toning, both Sketch and
Girl not examined out of frames,
Conjunction has surface grime, minor
craquelure, paint loss, and lifting.
$250-350
1324
T. Bailey (American, 19th/20th
Century)
Portrait of a Sailing Ship in Stormy
Seas. Signed “T. Bailey” l.r. Oil on
canvas, 24 x 19 in., framed. Condition:
Surface grime, craquelure.
$200-250
1325
Frederic Porter Vinton (American,
1846-1911)
Barn and Fields. Incised signature
“F.P. Vinton” l.l. Oil on canvas, 17 x 22
1/2 in., framed. Condition: Surface
grime, yellowed varnish, craquelure,
scattered minor paint loss.
$300-500
1326
French School, 20th Century
Floral Still Life. Signed “A. Bertrand”
l.r. Oil on canvas, 21 3/4 x 15 5/8
in., framed. Condition: Depressions
and tear u.l., stretcher bar marks,
craquelure, surface grime.
$400-600
1327
Continental School, 19th Century
Dutch-style Winter Landscape.
Signed “K. Burt” l.r. Oil on panel, 5 x 7
in., framed. Condition: Minor surface
grime, loss u.c.
$100-200
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1328
Latin American School, 20th Century
Cuzco Dancers. Bears monogram
and inscription l.r. Oil and graphite on
canvasboard, sight size 25 1/2 x 19
1/2 in., framed. Condition: Surface
grime, support slightly warped.
$700-900
1329
Jorge Noceda Sanchez (Dominican,
1931-1987)
Emotion. Signed “Jorge N. Sanchez”
l.r., inscribed “J. Noceda Sanchez” on
the reverse. Oil on canvas, 18 x 14
in., framed. Condition: Minor surface
grime and craquelure at right edge.
$400-600
1330
Miroslav Antic (Yugoslavian/
American, 20th Century)
Still Life. Unsigned. Oil on canvas
(two panels) with a neon insert, overall
36 x 48 1/2 in., framed. Condition:
Good.
$500-700
1331
Lars Jonsson (Swedish, b. 1952)
Wellfleet. Titled, dated, and signed “...
Sept. 94 Lars Jonsson” l.r. Watercolor
on paper, sight size 11 1/2 x 15 1/2 in.,
framed. Condition: Not examined out
of frame.
$200-300
1332
Steven Trefonides (American, b.
1926)
Fishing Boats, Campobello Island,
New Brunswick. Signed and dated
“Trefonides 90” l.r., identified on the
backing. Watercolor on paper, sight
size 15 1/2 x 21 1/4 in., framed.
Condition: Not examined out of frame.
$300-500
1333
Francis J. Flanagan (American, fl.
1897-1927)
Marblehead. Signed “F.J. Flanagan.”
l.r., titled on the stretcher. Oil on
canvas, 24 x 32 in., framed. Condition:
Scattered retouch, craquelure, subtle
stretcher bar marks, rippling, surface
grime.
$400-600
1334
American School, 20th Century
Evolution. Signed “Roosevelt” l.r.,
titled l.c., numbered “12/13” l.l. Mixed
media monoprint on paper, image size
32 x 22 in., framed. Condition: Toning
and foxing to margins, not examined
out of frame.
$200-225
1335
Guy Charon (French, b. 1927)
Still Life with Open Window. Signed
“CHARON” l.l., signed “Guy Charon”
on the reverse. Oil on canvas, 29 x 23
1/2 in., framed. Condition: Surface
grime.
$500-700
1336
Luigi Corbellini (Italian, 1901-1968)
Fillette à Ses Devoirs. Signed
“Corbellini” l.r., identified in labels
affixed to the reverse. Oil on canvas,
21 1/2 x 18 in., framed. Condition:
Craquelure, losses, surface grime.
$500-700
1337
Filipino School, 19th/20th Century
Drying Rice. Signed and dated
“...Puentevella...902” l.l. Oil on
canvasboard, sight size 41 1/2 x
23 1/2 in., framed (under glass).
Condition: Not examined out of frame.
$700-900
1338
Harry Shoulberg (American, 1903-
1995)
New York Street. Signed “Shoulberg”
l.r. Oil on canvas, 10 x 14 in., framed.
Condition: Surface grime.
$500-700
1339
Paul Tatsumi Nagano (American, b.
1938)
Two Urban Park Views in Winter.
Signed and dated “© Nagano ‘87” l.l.
and l.c., respectively. Both watercolors
on paper, sheet sizes 22 3/8 x 30 in.,
framed. Condition: Floated in frames,
deckled edges at top and bottom, not
examined out of frames.
$1,000-1,500
1340
Walfred (W.T.) Thulin (American,
1878-1949)
Arts & Crafts Frame. Signed or
inscribed and dated “19WT19/Thulin”
and with a round label from The
Society of Arts and Crafts, Boston,
both on the frame backing. Carved,
painted and gilded wood in the
sgraffito style, outer dimensions 26 1/2
x 18 1/2 in. Condition: Minor losses to
gilding, split to miter at u.l. corner.
$700-900
1341
Georges Lambert (French, 1919-
1998)
Four Prints: Jeune Homme, Petit
Cirque, Mexican et Ane, and Nu
au Fauteil. All signed “GEORGES
LAMBERT” in pencil and identified
on labels affixed the reverse, Nu
numbered “11/25” l.r., etching on
paper, the others inscribed “Epreuve
d’artiste” below image, lithographs on
paper, sight sizes to 17 x 13 1/4 in.,
unmatted. Condition: Minor toning
and handling crimps.
$200-300
1342
After Jan Sluijters (Dutch, 1881-
1957)
Expressionist Landscape. Signed
indistinctly l.c., bears inscription “Jan
Slyuters...1911” in pencil on the
backing. Watercolor and graphite
on paper, sheet size 19 3/4 x 23 3/8
in., framed. Condition: Laid onto
Masonite.
$800-1,200
1343
Attributed to Giovanni Boldini
(Italian, 1842-1931)
Nude at the Piano. Signed or
inscribed “Boldini” l.r. Watercolor and
graphite, sheet size 11 3/4 x 7 5/8 in.,
framed. Condition: Toning.
Provenance: Stanton Auctions,
October 22, 2013, Lot 166.
$500-700
27
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1344
Gonzales Carbonell (Spanish, 20th
Century)
Woman Holding a Platter of
Fruit. Signed “Gonzales Carbonell”
l.l. Signed, dated, and inscribed
“Gonzalez Carbonell/9-10-63/.../
Espana” on the reverse. Oil on canvas,
24 x 20 in., framed. Condition:
Scattered dents, craquelure, varnish
inconsistencies.
$300-500
1345
Attributed to Harry B. Lachman
(American, 1886-1975)
Vue de Petit Andely. Unsigned. Oil
on canvas, 23 1/2 x 29 in., framed.
Condition: Relined, surface grime,
abrasions.
$800-1,200
1346
Louise E. Marianetti (American,
1916-2009)
Surrealist-style Composition (Lute
Player with Apple Blossoms).
Signed “LOUISE E. MARIANETTI” u.l.
Tempera on paper, sheet size 12 7/8 x
12 in., framed. Condition: Retouched
horizontal crease at center.
N.B. Accompanied by a copy of
The Private Art World of Louise E.
Marianetti, published by Bert Gallery,
Providence, Rhode Island.
$300-500
1347
Louise E. Marianetti (American,
1916-2009)
Still Life with Apples. Unsigned.
Pastel on paper, sight size 23 1/2 x
18 1/2 in., framed. Condition: Not
examined out of frame.
N.B. Accompanied by a copy of
The Private Art World of Louise E.
Marianetti, published by Bert Gallery,
Providence, Rhode Island.
$400-600
1348
Birney Lettick (American, 1919-1986)
Abstract Composition with Angels.
Signed “LETTICK 41” l.r. Oil on board,
10 x 8 in., framed. Condition: Flaking/
losses, retouch, surface grime.
$400-600
1349
Maxwell Stewart Simpson
(American, 1896-1984)
Flowers in a Glass Tumbler. Signed
“Maxwell Stewart Simpson” l.r., titled
and dated “1959” on the reverse. Oil
on canvas, 16 1/4 x 20 in., framed.
Condition: Minor surface grime.
$300-500
1350
American School, 19th/20th Century
Sheep with Shepherd on Path.
Signed “T. Higgins” l.r. Oil on canvas,
7 7/8 x 10 in., in a shadow box frame.
Condition: Surface grime, yellowed
varnish.
$400-600
1351
Attributed to Jean Francois Millet
(French, 1814-1875)
Landscape with Milkmaid and Calf.
Inscribed “J.F.M.” l.r. Conte crayon on
paper, sheet size 9 x 12 in., unframed.
Condition: Crease, toning.
$1,500-2,500
1352
Svend Rasmussen Svendsen
(Norwegian/American, 1864-1945)
Snowscape with House and
Mountains. Signed “SVEND
SVENDSEN” l.r., a label from Marshall
Field & Company Picture Galleries on
the reverse. Oil on canvas, 18 1/4 x 24
in., framed. Condition: Minor surface
grime.
$400-600
1353
Continental School, 18th/19th
Century
Portrait of a Man. Unsigned. Oil on
board, 10 3/4 x 7 3/4 in. (oval format),
in a gilt-gesso frame. Condition:
Craquelure, surface grime, discolored
varnish (milky under black light),
retouch.
$500-700
1354
American School, 19th/20th Century
Coastal Scene. Unsigned. Oil on
canvas, 20 x 36 in., framed. Condition:
Surface grime, craquelure, losses.
$400-600
1355
Attributed to Juan Clara (Spanish,
1875-1958)
Young Girl Catching a Cat by its Tail.
Signed “Juan Clara” within the cast,
foundry stamped “LB 57” within the
base. Bronze with dark brown patina,
10 1/2 x 10 x 4 1/2 in.
$500-700
1356
Moshe Rosenthalis (Israeli, 1922-
2008)
View to the Village. Signed
“MRosenthalis” l.l. Oil on board, 10 1/2
x 14 1/2 in., framed. Condition: Areas
of fine craquelure.
$600-900
1357
John A. Cook (American, 1870-1936)
Two Framed Watercolors of the
Gloucester Waterfront. Signed “J.A.
Cook” l.l. or l.r. Sight sizes to 7 1/2 x
11 in. Condition: Not examined out
of frames.
$600-800
1358
Roger Etienne (French, b. 1922)
L’ange qui cadre sa figure... Signed
“Etienne” in pencil l.r., titled in pencil
l.l. Ink and watercolor on paper, sheet
size 13 3/16 x 27 1/4 in., framed.
Condition: Floated in frame, toning,
tears in four places along bottom edge,
thumbtack hole l.c.
$300-500
1359
Five Works:
American School, 20th Century,
Still Life with Cherries and Basket,
unsigned, oil on canvas; American
School, 20th Century, New England
Village Winter View, unsigned,
oil on canvasboard; Frank Thurlo
(American, 1828-1913), Haystacks
on the Marsh, signed “F. Thurlo”
l.r., watercolor on paper; American
School, 19th Century, Brook,
North Conway, signed indistinctly
l.r., oil on board mounted to canvas;
and Charles T. Phelan (American,
b. 1840), Sheep, signed “Chas. T.
Phelan” l.r., oil on board. Sight sizes
to 11 3/4 x 18 in., all framed except
Brook. Condition: Most with surface
grime, Cherries with puncture u.l.,
retouch, Haystacks with possible
toning, not examined out of frame,
Brook with punctures, abrasions,
retouch, Sheep with retouch.
$500-700
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1360
Olivier Foss (American, 1920-2002)
Townscape. Signed “O Foss” l.l. Oil
on canvas, 32 x 25 5/8 in., framed.
Condition: Tear to c.r., paint losses,
flaking, craquelure, rippling.
N.B. The lot is accompanied by
an insurance appraisal from 1995
prepared by Charles E. Buckely of
Mont Vernon, New Hampshire.
$500-700
1361
Carl Fahringer (Austrian, 1874-1952)
Street View, Probably Turkey, with a
Seated Soldier. Signed or inscribed
“C. Fahringer” l.r., inscribed “Carl
Faringer [sic], Austrian” on the reverse.
Gouache, watercolor, and pencil on
paper, 12 1/4 x 9 3/8 in., unmatted,
unframed. Condition: Toning, handling
creases, brown paper tape remnant
to l.c. edge, old paper hinges to the
reverse.
$400-600
1362
Richard Anuszkiewicz (American,
b. 1930)
League of Women Voters, 1969,
edition of 144. Signed, numbered, and
dated “ANUSZKIEWICZ
AP/144 1969” l.r. Color screenprint on
paper, image size 18 1/2 x 37 1/4 in.,
unmatted, unframed. Condition: Mild
soiling to margins.
$300-500
1363
Eugene Alonzo Poole (American,
1841-1912)
Sheep out to Pasture, Autumn.
Signed and dated “E.A. Poole 1902” l.l.
Oil on board, sight size 11 1/2 x 17 3/8
in., framed. Condition: Good, reverse
not examined.
$600-800
1364
American School, 19th/20th Century
Landscape with House and Figure
Fishing. Unsigned. Oil on panel, 9
1/2 x 15 1/4 in., framed. Condition:
Surface grime, small scattered losses,
yellowed varnish.
$600-800
1365
Wayne Beam Morrell (American,
1923-2013)
Old Fishing Pond. Signed “Wayne
Morrell” l.r., inscribed, titled, and dated
“1980” on a Wayne Morrell Certificate
of Authenticity affixed to the reverse.
Oil on Masonite, 12 x 15 3/4 in.,
framed. Condition: Surface grime.
$600-800
1366
David Young Cameron (Scottish,
1865-1945)
Llyn Ogwne, North Wales. Unsigned
on recto. Watercolor on cream mold-
made paper, sight size 10 1/8 x 17 3/8
in., framed. Condition: Not examined
out of frame.
$600-800
1367
Continental School, 19th Century
Still Life with Flowers. Signed “A.
Delahaye 1879” l.l. Oil on canvas, 30
x 19 7/8 in., framed. Condition: Lined
with new stretcher, craquelure, surface
grime, abraded, minor retouch.
$600-800
1368
James B. Settles (American, 20th
Century)
Schooner at Dock. Signed and dated
“James B. Settles 1939” l.r. Watercolor
and gouache on paper, sight size 20
3/4 x 18 1/8 in., framed. Condition:
Not examined out of frame.
$600-800
1369
Jules Blancpain (Swiss, 1860-1914)
Portrait of an Older Man in Profile.
Signed and dated “J.E. BLANCPAIN
1887” l.r. Oil on canvas, 18 x 14 7/8
in., framed. Condition: Trimmed
canvas with retouch along edges,
lined, cross-shaped tear measuring at
extreme height 9 x 7 1/2 in., retouch,
minor surface grime, tooling in area of
the hair, fragile frame.
$700-900
1370
Manuel Robbe (French, 1872-1936)
Two Views of Parisian Flower
Sellers. Both signed “Manuel Robbe”
in pencil below the plate l.r., one
numbered “89” in pencil and with
“CERCLE LIBRAIRIE ESTAMPES”
blindstamp below the plate l.l.
Aquatints (one color) on paper, plate
sizes to 23 1/4 x 14 1/2 in., framed.
Condition: The smaller print with two
small pinpoints of foxing at l.l., the
larger with foxing across sheet and
two tears at l.l., possible toning, not
examined out of frames.
$500-700
1371
Sam Earle (American, b. 1960)
389 Main St. Signed, dated, and
titled “Earle 1992...” on the reverse u.r.,
identified in a Gallery Naga, Boston,
label affixed to the reverse. Acrylic and
mixed media on panel, 30 x 28 in.,
unframed. Condition: Surface grime.
$700-900
1372
Bernard Buffet (French, 1928-1999)
Jojo the Clown, 1968, published in
Mourlot’s Bernard Buffet: Lithographs
1952-1966, p. 167. Signed within
the matrix. Color lithograph on paper,
sight size 12 1/8 x 9 1/8 in., framed.
$300-350
1373
Louis Michel Eilshemius (American,
1864-1941)
Landscape. Signed “Elshemus” l.r.
and identified on a label affixed to
the reverse. Oil on board, 14 x 21
1/2 in., framed. Condition: Surface
grime, tear c.r., nail holes u.l. and l.l.,
scattered accretions on surface.
Provenance: Currier Museum of Art,
Manchester, New Hampshire, sold to
benefit the acquisitions fund.
$700-900
1374
Luciano Spazzali (Italian, b. 1911)
Casa Del Gatto Nero. Signed and
dated “SPAZZALI 61” l.r., identified in
an inscription on the reverse. Mixed
media on canvasboard, 27 1/2 x 15
1/2 in., framed. Condition: Surface
grime, scattered losses, medium
cracking at u.r.
$700-900
29
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1375
Joseph Margulies (American, 1896-
1984)
Alleyway of Steps (Old Menton).
Titled and signed “...JOS.
MARGULiES.” l.r. Watercolor on paper,
sight size 18 7/8 x 12 3/8 in., framed.
Condition: Not examined out of frame.
$700-900
1376
François Claudius Compte-Calix
(French, 1813-1880)
Going to Market. Signed “F. Compte-
Calix” l.r. Oil on board, 10 1/2 x 8 in.,
framed. Condition: Surface grime,
craquelure, vertical scratch/abrasion at
l.r., probably from frame.
$700-900
1377
Frederick Dickinson Williams
(American, 1829-1915)
Windy Day, Normandy Coast.
Signed and dated “F.D. Williams--
Paris” l.l. Oil on canvas, 11 x 16 1/2
in., unframed. Condition: Trimmed
canvas, paint loss and abrasions along
all edges, scattered losses, craquelure,
surface grime, retouch.
Provenance: Through the descendants
of Henry Silsbec, Essex County; estate
sale c. 1980s, Lynn, Massachusetts.
$700-900
1378
Keith Shaw Williams (American,
1906-1951)
Portrait of Telka Beal (Wife of
William Beal). Unsigned, identified
on a label affixed to the reverse. Oil
on canvas, 29 3/4 x 25 in., framed.
Condition: Lined, surface grime, minor
retouch.
$700-900
1379
Albert Van Nesse Greene (American,
1887-1971)
Two Landscapes: Field with House
and Trees and Field and Sky.
Unsigned. Pastels on paper, sight
sizes to 8 5/8 x 10 5/8 in., framed.
Condition: Not examined out of
frames.
$700-900
1380
Joseph Kaplan (Russian/American,
1900-1982)
Dock Worker. Signed “Joseph
Kaplan” l.r. Gouache on paper, sight
size 19 3/4 x 14 1/4 in., framed.
Condition: Small areas of flaking c.l.,
possible minor foxing, not examined
out of frame.
$700-900
1381
American School, 20th Century
Cubist Composition. Signed “A.
Berkman” l.l. Oil and applied letters on
canvas, 30 x 24 in., framed. Condition:
Minor surface grime.
$700-900
1382
Frederick Usher Devoll (American,
1873-1941)
Street Scene in Rain. Stamped “F.
Usher Devoll” l.l. Oil on canvasboard,
10 5/8 x 8 1/4 in., framed. Condition:
Minor surface grime.
$700-900
1383
Luciano Spazzali (Italian, b. 1911)
Figura Con Vaso Rosso. Signed and
dated “SPAZZALI 61” l.r., identified in
an inscription on the reverse. Mixed
media on Masonite, 31 1/8 x 23 3/8
in., framed. Condition: Surface grime,
scattered losses, medium cracking
at u.l.
$700-900
1384
Joseph Margulies (American, 1896-
1984)
Coast with Rocks and Sailboat.
Signed “JOSEPH MARGULIES” l.l.
Watercolor and graphite on paper,
sight size 13 5/8 x 19 5/8 in., framed.
Condition: Not examined out of frame.
$700-900
1385
Charles Sydney Hopkinson
(American, 1869-1962)
Coastal Rocks. Signed
“CSHopkinson” l.l. Watercolor on
paper, sight size 9 x 13 1/4 in., framed.
Condition: Not examined out of frame.
Provenance: Skinner, American &
European Paintings, November 18,
2005, Sale 2299, Lot 356.
$1,000-1,500
1386
Will S. Taylor (American, 1882-1968)
Fishing Village Scene. Signed “WILL
TAYLOR” l.r. Oil on canvas, 25 x 30
in., framed. Condition: Surface grime,
paint transfer to internal edge of frame.
$700-900
1387
Hobson Lafayette Pittman
(American, 1890/1899-1972)
Mountain Landscape. Signed and
dated “Pittman--’29” in pencil l.l.
Watercolor on paper, sight size 9 1/4 x
13 7/8 in., framed. Condition: Toned,
tear at u.c., not examined out of frame.
$700-900
1388
Hobson Lafayette Pittman
(American, 1890/1899-1972)
Riverboat at Dock. Signed and dated
“Hobson Pittman ‘34” in pencil l.r.
Watercolor on paper, sight size 9 3/8
x 13 7/8 in., framed. Condition: Mat
burn, mounted, residue from a possible
previous mat visible at edges of sheet
and on mount, new overmat adhered
to mount so full sheet only partially
examined.
$700-900
1389
Walter Francis Brown (American/
Italian, 1853-1929)
Cairo Street Scene. Signed
“--WALTER FR. BROWN--CAIRO”
l.l. Watercolor and graphite on paper,
sight size 23 5/8 x 12 5/8 in., framed.
Condition: Not examined out of frame.
$700-900
1390
Hayley Lever (American, 1875-1958)
Harbor View with Ship Under Sail.
Signed “Hayley Lever” in graphite l.l.,
possibly monogrammed l.r. Watercolor
and graphite on paper, sight size 13
1/4 x 17 5/8 in., framed. Condition:
Toned, not examined out of frame.
$700-900
1391
Simka Simkhovitch (Russian/
American, 1893-1949)
Autumn View of Farm with Horses.
Signed “S. Simkhovitch” l.r. Mixed
media on paper, sight size 23 3/8 x 31
3/8 in., matted. Condition: Pushpin
holes at three of four corners, overmat
adhered to backing.
$700-900
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1392
Albert Sheldon Pennoyer (American,
1888-1957)
Formal Garden and Residence.
Signed “A. Sheldon Pennoyer” l.l.
Pastel on paper, sight size 24 1/2 x
19 1/4 in., framed. Condition: Not
examined out of frame.
$700-900
1393
Warren Boucher (American, 1922-
1999)
Fishing Vessel Hauling Nets. Signed
and dated “WARREN/BOUCHER/©
91” l.r. Oil on canvas, 26 x 40
in., framed. Condition: Retouch,
craquelure, surface grime.
$400-600
1394
Jonathan Bruce (African American,
b. 1948)
Portrait of a Man. Signed and dated
“J. Bruce 76” l.r. Oil on canvas, image
size 27 1/2 x 23 1/2 in., framed.
Condition: Bubbles in varnish, light
abrasions, small losses at u.r. and l.r.
$700-900
1395
Jesse Reichek (American, 1916-
2005)
Study for the Kabbalah Series.
Unsigned, identified on the backing.
Pen and ink on paper, image/sheet size
29 3/4 x 22 in., framed in a Plexiglas
box. Condition: Deckled on three
sides, floated in frame, pinholes in the
corners, lightly toned.
$700-900
1396
Theresa Ferber Bernstein (American,
1890-2002)
Self Portrait. Signed “Theresa
Bernstein.” in pencil l.r. Color aquatint
on paper, plate size 7 1/2 x 6 in.,
framed. Condition: Creasing, not
examined out of frame.
$200-300
1397
Joseph Beuys (German, 1921-1986)
and Henning Christiansen (Danish,
1932-2008)
Celtic + ~~~~, 1971, edition of 100,
edition Joerg Schellmann, Munich.
Signed and numbered “Joseph Beuys
53/100” in pencil on a label affixed to
the inside top of box cover. Film in
tin and corked bottle within one box,
4 3/4 x 16 1/2 x 21 in., presented in
the original cardboard box. Condition:
Wear/staining to box, box containing
bottle detached from the rest of the
packaging, the ten photographs from
the set are not included with the lot.
Provenance: From the estate of Joan
Sonnabend, Boston, Massachusetts.
Literature: Beuys, The Multiples, no.
37.
$1,000-1,500
1398
Robert Hamilton (American, 1877-
1954)
Landscape with Autumn Colors.
Signed “ROBERT HAMILTON” l.l.,
identified on a Salmagundi Club label
on the backing. Oil on canvasboard,
16 x 12 in., framed. Condition: Minor
craquelure and surface grime.
$700-900
1399
Cristy Gava (Uruguayan, 1916-1985)
Building Abstraction, Piriapolis,
Uruguay. Unsigned. Oil on
cardboard, 15 1/2 x 18 1/4 in.,
unframed. Condition: Water staining,
rippling to board, creases l.r., worn
corners and edges.
Provenance: Gift of the artist through
family connections.
$700-900
1400
Jacques Villon (French, 1875-1963)
Chanteuse des Rues. Signed
“Jacques Villon” in pencil l.r., identified
on a label affixed to the backing board.
Watercolor and graphite on paper,
sheet size 6 1/4 x 4 7/16 in., framed.
Condition: Possibly light-struck, minor
repair at u.r. edge, not examined out
of frame.
Provenance: From the estate of Clara
Binswanger, June 1993, New York.
$600-800
1401
George Vaughan Curtis (Anglo/
American, 1859-1943)
A Bouquet for Mother/An En Plein
Air Portrait of Two Siblings. Signed
“George Curtis” l.r. Oil on canvas,
36 x 31 3/8 in., framed (in a liner).
Condition: Lined, retouch (primarily to
dress of taller girl and right sleeve of
the other child), craquelure.
$400-600
1402
Nico Wilhelm Jungmann (Anglo/
Dutch, 1872-1935)
Portrait of Mrs. Frances S.
Burroughs. Monogrammed “NICO/
W/J” l.l., signed “Nico Jungmann” l.r.,
and with a label from Charles Roberson
& Co., London, affixed to the strainer.
Gouache, ink wash, and graphite on
paper, 49 1/2 x 18 1/4 in., framed.
Condition: Mounted to canvas,
staining along bottom tacking edge,
paper losses along tacking edges,
minor foxing.
$700-900
1403
Northern School, 17th/18th Century
Three Prints: Two Impressions of
Christ Brought Before Pilate, and
The Deposition, later impressions.
Unsigned. Engravings, plate sizes
approximately 7 1/4 x 5 in., unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$250-350
1404
Johan Ulrik Bredsdorff (Danish,
1845-1928)
Winter Landscape with Houses
and Hills. Signed “J.U.B.” l.r. Oil on
canvas, 13 x 27 in., framed. Condition:
Surface grime.
Provenance: Scandinavian Porcelain
ApS, Copenhagen, Denmark,
September 9, 2004.
$700-900
31
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1405
After Andy Warhol (American, 1928-
1987)
Marilyn Monroe, 1998,
edition of 5,000. Identified and
numbered “Block/China/Marilyn
Monroe/©Copyright Licensed by
AWF. TM 1998 The Estate/of Marilyn
Monroe by CMG Indpls., IN/All Rights
Reserved. Made in China/Limited
Edition Plate No. 830/5000” on the
reverse. Transfer-printed porcelain
plate, dia. 10 5/8 in. Condition: Good.
$200-250
1406
George W. Mallett (American,
20th/21st Century)
Standing Male II, 1989. Signed
and dated “MALLETT 1989” on the
underside of wooden plinth. Bronze
with brown patina, 37 x 6 x 4 in.
$400-600
1407
Paul Howard Manship (American,
1885-1966)
Portrait of Gifford Beal. Dedicated,
signed, and dated “To Gifford Beal/
from his friend-Paul Manship. 1944”
within the cast on the underside.
Terra-cotta bas relief, approximately 11
3/4 x 9 x 2 in., mounted to a wooden
plinth. Condition: Restored break to
neck.
$400-600
1408
Ward Palmer Mann (American, 1921-
2005)
Smith’s Clove. Signed and dated
“Ward Mann/’72” l.r., numbered,
signed, and dated “214...” on the
reverse, titled on a label on the frame
liner. Oil on Masonite, 24 x 30 in.,
framed. Condition: Surface grime.
$300-500
1409
Manner of William Baxter Palmer
Closson (American, 1848-1926)
Impressionist Landscape with
Cottage. Unsigned, inscribed “This
is one of the very best pictures /Quite
color...” in pencil on the reverse. Oil on
fiberboard, 11 x 9 1/2 in., unframed.
Condition: Tack holes to corners.
$400-600
1410
William Gropper (American, 1897-
1977)
Rice Field. Signed “GROPPER-”
l.l. Ink and airbrush with whiting on
paper, image size 8 1/8 x 8 in., framed.
Condition: Toning, subtle rippling,
accretions from old mount along
margins.
$500-700
1411
William Glackens (American, 1870-
1938)
Girl with Hat and Hand Bag. Signed
or inscribed “Glackens” l.r., identified
on a presentation plaque. Conté
crayon on paper, 9 1/4 x 6 in., framed.
Condition: Staining, handling creases,
not examined out of frame.
$500-700
1412
Roy Frederic Heinrich (American,
1881-1943)
The Slave Market. Initialed “RFH”
l.l., identified on a label affixed to the
reverse. Gouache and ink on paper,
sight size 7 1/2 x 16 in., framed.
Condition: Losses, craquelure.
$500-700
1413
F.W. Bartholomew (British, 19th
Century)
Off Dover. Signed “F.W.
Bartholomew” l.l., identified on a
presentation plaque. Oil on canvas, 12
x 24 in., framed.
$400-600
1414
Jean Vollet (French, b. 1935)
La Seille, Saône et Loire. Signed
“Jean Vollet” l.r, titled on the reverse.
Oil on canvas, 18 x 25 1/2 in., framed.
Condition: Minor surface grime, small
area of abrasion at center.
$300-500
1415
Attributed to Stefano Novo (Italian,
1862-1927)
Portrait of a Young Woman in
Profile. Unsigned, signed or inscribed
and dated “S. Novo 96” on a fragment
of wood backing board affixed to the
frame backing. Pastel on paper/board,
sight size 19 x 12 1/2 in., framed.
Condition: Rippling, not examined out
of frame.
$150-250
1416
Two Fête Galante Subjects:
François Louis Watteau (French,
1758-1823) and Charles Louis
Simonneau the Elder (French,
1645-1728), La troupe italienne;
and After François Louis Watteau
(French, 1758-1823), Sous un habit
de Mezetin. Both identified within
the plate. Engravings on paper, plate
sizes approximately 12 x 8 1/4 in., one
matted, both unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$300-350
1417
Cesar A. Villacres (Ecuadorian,
1880-1941)
View of Paris. Signed “Villacres” l.l.
Oil on canvas, 20 3/8 x 24 1/4 in.,
framed. Condition: Surface grime.
$400-600
1418
Frederick Mortimer Lamb (American,
1861-1936)
Two Women Equestrians in a
Landscape. Signed “F.M. LAMB-”
l.l., identified on a partial label affixed
to the reverse. Oil on panel, 30 x 38
in., framed. Condition: Craquelure,
surface grime.
$300-500
1419
141 Old Master through 19th
Century Prints, sheet sizes to 20 1/4 x
14 1/2, in., some matted, all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
1420
211 Old Master through 19th
Century Prints, including two print
albums, sheet sizes to 20 1/2 x 15 1/2
in., all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
1421
Ann (McNulty) Brockman (American,
1899-1943)
Fishing Shack by the Coast. Signed
“Ann Brockman” l.r. Watercolor and
graphite on paper, sight size 14 1/4 x
21 in., framed. Condition: Rippling,
not examined out of frame.
$250-300
32 Online bidding at www.skinnerinc.com/auctions/2742T
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1422
Fernand Renard (French, b. 1912)
Still Life with Fruit on a Shelf.
Signed “Renard” l.r., numbered “125”
on the reverse. Oil on canvas, 10 7/8
x 16 1/8 in., framed. Condition: Scuff
with minor paint loss at l.r. corner, mild
surface grime.
$800-1,200
1423
Ben (Benjamin) Foster (American,
1852-1926)
A Maine Pasture. Signed “Ben
Foster” l.l., titled and inscribed on the
reverse. Watercolor on paper mounted
to board, 18 1/4 x 31 in., framed.
Condition: Restored tears, losses to
edges, fading.
$800-1,200
1424
Sixty-five Old Master through 19th
Century Prints and Drawings, sheet
sizes to approx. 15 x 13 1/4 in., some
matted, all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
1425
Terri Kelly Moyers (American, b.
1953)
Beneath the Cottonwoods. Signed
and inscribed “TERRI KELLY MOYERS
©” l.r., titled, signed, and dated “©
1990” on the canvas tacking edge on
the reverse. Oil on canvas, 20 x 24 in.,
framed. Condition: Surface grime.
$1,000-1,500
1426
William Lester Stevens (American,
1888-1969)
Dock Scene. Signed “W. LESTER
STEVENS. N.A. A.W.S.” in pencil l.l.
and l.r. Watercolor and graphite on
paper, sight size 16 x 21 in., framed.
Condition: Not examined out of frame.
$300-500
1427
105 Old Master through 19th
Century Prints, sheet sizes to approx.
22 x 16 in., all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
1428
192 Old Master through 19th
Century Prints, Drawings, and Three
Albums, sheet sizes to approx. 17 1/2
x 18 1/2 in., all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
1429
Italian School, 18th Century
Head of a Man, Perhaps After
Paolo Veronese. Inscribed “Paolo
V” l.l. Charcoal and conté crayon on
laid paper, 3 1/4 x 2 3/16 in., framed.
Condition: Tack holes to l.c. and u.c.,
paper trimmed to edges of image,
hinged to mat board support with a
gummed label.
Provenance: Sotheby & Co.,
Catalogue of Old Master Drawings,
June 26, 1969, Lot 127.
$800-1,200
1430
215 Old Master through 19th
Century Prints, sheet sizes to 17 x 24
in., all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
1431
Twenty-four Old Master through
19th Century Prints, including a
drawing, sheet sizes to 28 1/4 x 21 1/4
in., some matted, all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
1432
Carl Gustaf Simon Nelson
(American, 1898-1988)
Abstract Composition. Signed
and dated “CGNelson/48” l.c. Oil
on canvas, 30 x 25 in., unframed.
Condition: Craquelure with area of
losses and lifting l.c., scattered minor
losses, drying cracks, surface grime.
$300-500
1433
Harrison Cady (American, 1877-
1970)
Izaak Walton Centipede Goes
Fishing. Signed “HARRISON CADY”
in ink within the composition l.l., titled in
pencil beneath the image l.l., inscribed
“Copyrighted by Life. Pub Co” beneath
the image l.r., stamped “Copyright
by Life Publishing Company/...” and
“BLUES & GO AHEAD” on the reverse.
Ink and watercolor on cardboard, 17
7/8 x 20 7/8 in., framed. Condition:
Soiling and toning primarily to the
margins, hinged to the back mat in two
places on the reverse.
$600-800
1434
Ernst Barlach (German, 1870-1938)
Barmherzinger Samariter (The
Good Samaritan), 1919 (Schult, 163).
Monogrammed “EB” in the block l.l.
Woodcut on paper, image size approx.
7 x 5 in., matted, framed. Condition:
Rippling at top edge.
$200-250
1435
American School, 20th Century
Composition. Signed “Grey ‘46”
l.r. Watercolor and graphite on wove
paper, sheet size 11 1/2 x 15 1/2 in.,
framed. Condition: Mildew.
$400-600
1436
American School, 19th/20th Century
Rocky Shore with Waves. Unsigned.
Watercolor on cardboard, 5 3/8 x 7 1/2
in., framed. Condition: Toning.
$800-1,200
1437
Morgan Stinemetz (American, b.
1890)
Play Ball. Signed “Morgan Stinemetz”
in pencil l.r., titled in pencil l.l. Etching
on paper, plate size 8 7/8 x 12 in.,
framed. Condition: Not examined out
of frame.
$200-250
1438
Guillermo Grajeda Mena
(Guatemalan, 1918-1995)
Gigante. Signed “MENA” l.r., titled,
inscribed, dated, and signed “...1990
GUILLERMO GRAJEDA MENA” on the
reverse. Acrylic on chipboard, 53 x 43
in., unframed.
$600-1,200
33
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1439
Pasquale Campanella (Italian,
20th/21st Century)
ARF NAM. Signed and dated
“Campanella 1985” on the reverse. Oil
on canvas, 80 x 65 in., in an artist-
painted frame. Condition: Good.
$600-1,200
1440
Zoran Antonio Music (Italian, 1909-
2005)
Paysage siennois, 1953, published by
the Guilde de la Gravure, Paris, edition
of 220 plus proofs (Schmucking, 39).
Signed “Music” in pencil l.r., inscribed
“Epreuve d’artiste” in pencil l.l. Color
lithograph on paper, image size 13
x 19 1/4 in., unmatted, unframed.
Condition: Margins 1 inch or more with
deckled edges, glued to backing board
at edges, toning, fading.
$200-250
1441
Campbell Smith (Scottish, 1951-
1998)
Untitled (Triptych). Signed “Campbell
Smith” l.l. on center panel, also signed
and dated “Campbell Smith ‘86” l.l. on
left and right panels. Oil on canvas, 68
x 130 3/4 in., center panel framed, side
panels unframed.
$700-1,500
1442
Campbell Smith (Scottish, 1951-
1998)
Adam and Eve. Signed and dated
“Campbell Smith 1981” l.r. Oil on
canvas, 44 x 44 in., framed. Condition:
Good.
$700-1,500
1443
American School, 19th/20th Century
Black-painted Picture Frame. Rabbet
size 21 1/2 x 15 in.
$400-600
1444
Bradford Washburn (American,
1910-2007)
Mt. Huntington, Looking West at
Twilight, 1964, printed later. Signed
“Bradford Washburn” in graphite on
the verso l.r. Gelatin silver print, 17
3/4 x 22 1/8 in., unmatted, unframed.
Condition: Unmounted, good.
$500-700
1445
After Wassily Kandinsky (Russian,
1866-1944)
Plate, 1923, from DERRIÈRE
LE MIROIR, published 1960.
Monogrammed and dated within the
matrix, numbered “145/300” in pencil
l.l. Color lithograph on paper, image
size 11 1/16 x 11 1/8 in., framed.
Condition: Toning, not examined out
of frame.
$300-500
1446
Marcel Janco (Israeli, 1895-1984)
Three Artist’s Proofs: Mandolin
au dé, 1930, color screenprint with
embossing; Don Quichotte, 1940,
lithograph in black and yellow; and Les
speculants, 1960, color screenprint.
Each signed and dated in pencil l.r.,
titled in pencil l.l., and inscribed and
dedicated “Epreuve d’artiste...” l.c.
Image sizes to 20 1/2 x 25 1/4 in.,
unmatted, unframed. Condition: Most
edges deckled, some edges with minor
nicks and tears, minor toning, minor ink
losses to Mandolin, fine crease line to
image of Speculants.
$600-800
1447
Paul Cezanne (French, 1893-1906)
Portrait du Peintre A. Guillaumin
au Pendu, 1873, a posthumous
impression. Unsigned. Etching on
laid paper, plate size 6 1/8 x 4 1/2 in.,
unmatted, unframed.
$500-700
1448
Continental School, 20th Century
Brandung an nordischen felsenriffen
[Surf at a Nordic Coast]. Signed
“ACKERMANN-PASING” l.l., titled and
initialed “...A-P” on the stretcher bar.
Oil on canvas, 32 x 47 1/2 in., framed.
$800-1,200
1449
Remo Michael Farruggio (Italian/
American, 1904-1981)
Red on Green. Signed “R.
FARRUGGIO ©” l.r., titled on the
reverse. Oil and oil stick on canvas,
36 x 48 in., framed. Condition: Minor
surface accretions.
$300-500
1450
Robert Cottingham (American, b.
1935)
Roxy Arcade. Numbered and signed
“77/100 COTTINGHAM” in pencil in the
margin. Colored lithograph on paper,
sight size 17 1/2 x 17 1/2 in., framed.
Condition: Rippling, not examined out
of frame.
$250-350
1451
Attributed to Henry Hammond Ahl
(American, 1869-1953)
Spring Landscape. Inscribed
and dated “H. Ahl 1889” l.l., with a
label from E.A. Booth, Springfield,
Massachusetts, on the stretcher.
Oil on canvas, 16 x 25 in., framed.
Condition: Surface grime.
$1,500-2,500
1452
Nandor Vagh Weinmann (Hungarian,
1897-1978)
Portrait of a Female Nude. Signed
“NANDOR VAGH WEINMANN” l.r. Oil
on canvas, 25 1/2 x 21 1/4 in., framed.
Condition: Craquelure, surface grime.
$300-500
1453
Edgar A. Dickinson (Canadian,
19th/20th Century)
Sailing Vessel in Stormy Coastal
Waters. Signed and dated
“E.A.Dickinson/1904” l.l. Watercolor
and gouache on paper. sight size 12
x 19 1/4 in., framed. Condition: Not
examined out of frame.
$300-500
1454
Continental School, 19th/20th
Century
Fishing Vessels at Sea. Signed
“ADRIAN HOULVER” l.r. Oil on canvas,
22 x 30 in., framed. Condition:
Surface grime.
$300-500
1455
Joseph Margulies (American, 1896-
1984)
Dry-dock Scene. Signed “JOS.
MARGULIES” l.r. Watercolor and
graphite on paper, sight size 16 1/2 x
22 1/2 in., framed.
$800-1,200
34 Online bidding at www.skinnerinc.com/auctions/2742T
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1456
German School, 20th Century
Rathen Valley. Initialed, inscribed,
and dated “HB. Rathen 1915” l.r. Oil
on canvas, 10 1/4 x 12 1/4 in., framed.
Condition: Lined, broad washes of
retouch to sky, craquelure.
$400-600
1457
Morton Roberts (American, 1927-
1964)
Surrealist Nude on Beach, 1952.
Signed and dated l.r. Oil on board,
sight size 15 1/4 x 9 34 in., framed.
Condition: Abrasions, surface grime.
$600-800
1458
Jose Salazar Ruiz Esparza (Mexican,
1926-2006)
Portrait of a Clown, 1976. Signed
and dated “Salazar 76” l.l., artist
identified on a plaque affixed to the
front of the frame, and inscribed “33-
32 SalazaR. -76-” on the reverse. Oil
on canvas, sight size 15 3/8 x 9 1/4
in., framed. Condition: Minor surface
grime, scattered abrasions.
$500-700
1459
Charles Cerny (American/French,
1892-1965)
Bibliotheque Geographique 1952/
Still Life. Signed and dated l.l.,
identified on a plaque affixed to the
front of the frame. Oil on canvas,
sight size 18 x 12 3/4 in., framed.
Condition: Minor scattered abrasions.
$200-300
1460
Charles Herbert Woodbury
(American, 1864-1940)
River in Winter. Signed “Woodbury”
l.r. Watercolor on paper, sight size
26 x 20 in., framed. Condition: Not
examined out of frame.
Provenance: Northeast Auctions,
November 5–6, 2005, Lot 661.
$700-900
1461
Albert Henry Schroder (American,
1929-2004)
Motif #1, Rockport. Signed “A.
Schroder” l.r. Oil on board, sight size
8 1/2 x 11 1/2 in., framed. Condition:
Good.
$300-500
1462
Albert Henry Schroder (American,
1929-2004)
The Famous Blue A (‘29 Ford).
Signed “A. Schroder” l.r., titled on the
stretcher, identified on a label from
the Rockport Art Association on the
reverse. Oil on canvasboard, sight size
13 3/8 x 18 1/8 in., framed. Condition:
Minor surface grime.
$600-900
1463
Milton Elting Hebald (American, b.
1917)
Menorah with the Lion of Judah.
Signed and numbered “HEBALD
28/35” on the reverse. Bronze, 10
x 10 1/2 in., mounted to a travertine
plinth.
$300-500
1464
Antoine Bouvard, Sr. (French, 1870-
1956)
Farmhouse by a Lake. Signed
“Bouvard” l.l. Oil on canvas, 15 x 21
3/4 in., framed. Condition: Retouch,
minor surface grime.
Provenance: Christie’s New York,
Christie’s Interiors, September 3, 2008,
Sale 2021, Lot 191.
$1,200-1,800
1465
Albert Henry Schroder (American,
1929-2004)
Mansard Roof by the Sea. Signed
“A. Schroder” l.r. Acrylic on board,
sight size 13 x 22 1/4 in., framed.
Condition: Minor surface grime.
$750-1,000
1466
Edna Hibel (American, b. 1917)
Mother with Two Children/
Composition in Orange. Signed
“Hibel” l.l. Mixed media on
canvasboard, sight size 25 1/2 x 12
1/2 in., framed. Condition: Minor
abrasions, surface grime.
$500-700
1467
Albert Henry Schroder (American,
1929-2004)
Baldy’s Barn. Signed “A. Schroder”
l.r., titled on stretcher, and identified
on a label from the Rockport Art
Association affixed to the reverse. Oil
on board, sight size 10 x 17 1/4 in.,
framed. Condition: Minor surface
grime, good.
$300-500
1468
John Hauser, Jr. (American, 1859-
1913)
Indian Brave. Signed and dated
“John Hauser. Jr/93” l.r., with labels
from Di Tommaso Galleries, Scottsdale,
Arizona, and The Legacy Gallery,
Jackson, Wyoming, affixed to the
backing. Gouache and graphite on laid
paper, sight size 11 1/2 x 8 in., framed.
Condition: Not examined out of frame.
Provenance: Skinner Inc., American
& European Paintings, November 22,
1996, Sale 1746, Lot 169.
$1,200-1,800
1469
Two Works:
Joseph Kossonogi (Israeli, 1908-
1981), Inlet with Boats, signed l.l.,
possibly titled in Hebrew, watercolor on
paper, sight size 12 x 18 in., framed,
(not examined out of frame); and
Betty Carmell Savenor (American,
20th/21st Century), Boy with Teddy
Bear, signed “SAVENOR” l.r., acrylic
on canvas, 38 x 16 1/8 in., unframed,
(abrasions, possible water damage,
surface grime).
$300-600
1470
George Turland Goosey (American,
1877-1947)
Two Works: Dockside Picnic and
Village Street Scene. Both signed
“Geo. Turland.” l.l., Picnic inscribed
“Gloucester Mass. U.S.A.” on reverse.
Oil on canvasboard, sight size 11 1/2 x
15 1/2 in., framed. Condition: Surface
grime, scattered craquelure, minor
warping of canvas.
$600-800
1471
Gregori Maiofis (Russian, b. 1970)
Field Goal. Signed “Maiofis”
u.l. Acrylic on canvas, 42 x 30 in.,
unframed. Condition: Good.
$800-1,200
35
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1472
Huldah Cherry Jeffe (American,
1901-2001)
Woman with Feather Hat in a French
Cafe. Signed “huldah” l.l. and marked
“HULDAH” on a nameplate plaque
affixed to the frame. Oil on canvas,
sight size 29 1/2 x 23 1/2 in., framed.
Condition: Surface grime, scattered
minor abrasions.
$400-600
1473
Russian School, 20th Century
Sleigh Ride. Signed “A. Rilsky” l.r. and
marked to a plaque affixed to frame.
Oil on canvas, sight size 14 1/2 x 22
1/2 in., framed. Condition: Yellowed
varnish, relined, evidence of skinning,
minor craquelure, possible areas of
retouch.
$500-700
1474
Charles Warren Eaton (American,
1857-1937)
Lake Como, Italy. Signed “Chas
Warren Eaton” l.r., identified on a label
affixed to the frame backing paper.
Oil on paperboard, 6 1/4 x 8 5/8 in.,
framed. Condition: Minor losses to
edges, areas of fine craquelure, surface
grime.
$400-600
1475
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Refugees in Winter. Signed l.l.,
possibly signed in Hebrew l.r., inscribed
on the reverse. Oil on canvas, sight
size 19 x 25 in., framed. Condition:
Minor surface grime.
$500-1,000
1476
Henri Stacquet (Belgian, 1838-1906)
Woman Walking On a Country
Path, 1877. Signed and dated l.l.
Watercolor on paper, sight size 10 1/2
x 6 1/4 in., framed. Condition: Not
examined out of frame.
$300-500
1477
Chauncey Foster Ryder (American,
1868-1949)
The Edge of the River. Signed or
inscribed in pencil l.l., titled on the
reverse. Etching on paper, plate size
6 3/8 x 8 3/8 in., framed. Condition:
Not examined out of frame.
$200-250
1478
American School, 19th Century
The Boathouse. Unsigned. Oil
on artist board, 15 x 12 in., framed.
Condition: Retouch, subtle bowing,
surface grime.
$300-500
1479
Chaim Gross (American, 1904-1991)
Acrobats. Signed l.r. Watercolor
on paper, sight size 7 1/4 x 4 5/8 in.,
framed. Condition: Not examined out
of frame.
$600-800
1480
Vera Eugenia Andrus (American,
1896-1979)
Cliffs at Perce Beach, Gaspe
Peninsula, Quebec, 1936. Signed
and dated “15-Vera Andrus-Perce-
Ag-’36” l.r. Watercolor on paper,
sight size 15 3/4 x 19 7/8 in., framed.
Condition: Slight rippling of paper,
possible mat burn, not examined out
of frame.
$400-600
1481
Auguste-Denis Marie Raffet (French,
1804-1860)
Portrait of a Man. Signed “Raffet” l.r.,
with collector’s stamp marked “GE”
l.r. Ink, watercolor, and graphite on
paper, sight size 10 x 6 3/4 in., framed.
Condition: Foxing, subtle rippling, not
examined out of frame.
Provenance: Through the collection
of Gustav Engelbrecht (b. 1848),
Hambourg, Germany.
N.B. Engelbrecht began his collection
of modern drawings in 1892 (Lugt
L.1148).
$300-500
1482
South American School, 20th
Century
The Llama-Herder. Initialed “A.G.C.”
l.r. Oil on board, sight size 11 x 7
3/4 in., framed. Condition: Surface
abrasions, minor staining, surface
grime.
$300-500
1483
Charles Jones, R.C.A. (British, 1836-
1892)
A Devonshire Lane, Nr. Cockington,
S. Devon. Monogrammed “CJ” l.r.,
identified on a period label, possibly
the artist’s, affixed to the backing.
Gouache and oil on paperboard, 18 x
24 in., framed (under glass). Condition:
Not examined out of frame.
$400-600
1484
Henri Stacquet (Belgian, 1838-1906)
Coastal Village Scene. Signed l.l.
Watercolor on paper, sight size 7 3/4
x 10 5/8 in., framed. Condition: Not
examined out of frame.
$300-500
1485
Frank Carson (American, 1881-1968)
Bermuda Seascape. Signed
“Carson” l.r. Watercolor on paper,
sheet size 12 x 9 7/8 in., framed.
Condition: Hinged to backing along
top edge.
Provenance: Provincetown Art
Association Benefit Auction, 9/19/09,
Lot 57.
$400-600
1486
Jessie Goodwin Preston (American,
b. 1880)
My Favorite Doll. Signed “Jessie
Goodwin Preston” l.r., identified on
a presentation plaque and on a label
from the Louise and Alan Sellars
Collection, Marietta, Georgia, affixed to
the frame backing. Oil on canvas, 30 x
25 in., framed. Condition: Craquelure,
accretions, surface grime.
Provenance: Through the Louise
and Alan Sellars Collection, Marietta,
Georgia.
$300-500
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1487
Irving B. Haynes (American, 1927-
2005)
Two Untitled Works. Monogrammed
and dated l.r., identified on the reverse.
Acrylic on paper, 50 x 38 in., unframed.
$400-600
1488
Continental School, 20th Century
Girl in a Garden Setting. Signed,
inscribed, and dated “Hans.../Münich
19” l.l. Oil on canvas, 24 x 27 in.,
framed. Condition: Craquelure, mild
surface grime.
$400-600
1489
Elizabeth Vila Taylor Watson
(American, 1863-1949)
Portrait of a Woman in Black.
Unsigned, artist identified on a hand-
written label on the reverse. Oil on
canvas, sight size 28 3/4 x 19 5/8 in.,
framed. Condition: Scattered losses,
craquelure, minor canvas deformation,
possible areas of retouch.
$400-600
1490
Henri Stacquet (Belgian, 1838-1906)
Sunset Landscape. Signed l.l.
Watercolor on paper, sight size 6 5/8
x 12 in., framed. Condition: Subtle
rippling of paper, not examined out of
frame.
$300-500
1491
Robert Lynn Lambdin (American,
1886-1981)
Woman in Moonlight on a Ship’s
Deck. Signed “R.L. Lambdin” l.l. Oil
on canvas, 28 1/4 x 25 in., framed.
Condition: Patch reinforcement, minor
old retouch, craquelure, surface grime.
$300-500
1492
Carl Frederick Gaertner (American,
1898-1952)
Wellfleet Harbor. Signed, dated, and
inscribed “CARL GAERTNER/1948/
WELLFLEET HARBOR” in pencil l.r.
Gouache, ink, and graphite on paper,
sight size 14 5/8 x 21 1/2 in., framed.
Condition: Subtle foxing and toning,
not examined out of frame.
$300-500
1493
Vincenzo Frunzo (Italian, b. 1910)
White Wall. Signed and dated
“FRUNZO 61” l.l., titled on the
stretcher, identified on a La Jolla
Museum of Art/Art Rental Service label
affixed to the reverse. Oil on canvas,
28 1/2 x 21 1/4 in., framed. Condition:
Surface grime, minor craquelure, small
area of lifting paint in l.l. quadrant.
$300-500
1494
Irving B. Haynes (American, 1927-
2005)
Three Works: Winter Light,
Untitled [1-1240] and Untitled.
Monogrammed and dated l.r. Acrylic
on paper, frame size 58 3/4 x 43 1/4 in.
$300-400
1495
William P. Tyner (American, 1935-
1987)
Mallards Alighting. Signed “WM P.
TYNER” l.r., with a label from Wiley
Gallery, Hartford, Connecticut, affixed
to the backing. Gouache, watercolor,
and graphite on paper, sight size 21
x 28 in., framed. Condition: Not
examined out of frame.
$250-350
1496
Alfred Ernest Lang (American, 1879-)
Autumn Road with Farmer and Dog.
Signed “Alfred E Lang” l.l. Oil on
canvas, 25 x 32 in., framed. Condition:
Scattered losses and flaking, especially
in u.l. quadrant, small nail holes along
bottom edge, minor surface grime,
craquelure.
$300-400
1497
Louis Faurer (American, 1916-2001)
New York, N.Y., 1971. Titled, dated,
and signed “Louis Faurer...” in pencil
on verso at bottom. Gelatin silver
print, 13 3/4 x 9 13/16 in., matted,
unframed. Condition: Unmounted,
minor handling crimps, worn corners,
u.l. corner folded over, light surface
scratches, area of spot toning at l.l.
$300-500
1498
Henry Hammond Ahl (American,
1869-1953)
Landscape with Cattle. Signed
“Ahl” l.r. Oil on artist board, 8 x 10 in.,
framed in a liner. Condition: Bowing,
craquelure.
$400-600
1499
Irving B. Haynes (American, 1927-
2005)
Two Untitled Works. Monogrammed
and dated l.r., and identified on the
reverse. Acrylic on paper, 50 x 38 in.,
unframed.
$400-600
1500
Henry Hammond Ahl (American,
1869-1953)
Late Afternoon, Autumn. Signed
“Ahl” l.r., titled and signed or inscribed
“...Painted by Henry Hammond Ahl”
in pencil on the reverse. Oil on artist
board, 8 x 10 in., framed in a liner.
Condition: Craquelure.
$400-600
1501
Moshe Rosenthalis (Lithuanian/
Israeli, 1922-2008)
Profile of a Religious Elder, Probably
a Rabbi. Signed “M. Rosenthalis” l.l.
and on the reverse, oil on canvas, 17
3/4 x 14 1/2 in., framed. Condition:
Good.
$700-900
1502
American School, 20th Century
Three Young Women with a Guitar.
Signed “Mikeska” l.r. Oil on canvas,
20 x 28 in., framed. Condition:
Craquelure, surface grime.
$300-400
1503
Two Modern Works:
Peggy Cyphers (American, b. 1954),
The Cardplayers, 1984-85, incised
signature and date “P. Cyphers 1985”
on top panel l.r., also titled, signed,
and dated “...P. Cyphers 1984” on
the reverse, mixed-media diptych
(top panel oil on Mylar mounted to
Masonite, bottom panel oil and spray
paint on mineralized tar paper mounted
to board), 26 x 32 in., framed, (good);
and Hunt Slonem (American, b.
1951), Untitled Still Life with Sea
Turtle, signed and dated “Hunt Slonem
‘81” l.r. and numbered “H.C. 2/10”
l.l., serigraph, image size 27 5/8 x 36
in., unframed, (margin creases, tear to
Canada goose, surface abrasions).
Provenance: Estate of Jonas Aarons,
New York.
N.B. Cardplayers relates to Galaxy’s
Empire, 1986, formerly of The Dorothy
and Herbert Vogel Collection and now
with The Columbia Museum of Art,
South Carolina.
$100-200
37
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1504
Isidor Aschheim (Israeli, 1891-1968)
Portrait of a Woman Leaning on a
Chair, c. 1921. Signed l.r., identified
on a label from Denenberg Fine Arts,
Boston, on the reverse. Ink on paper,
sheet size 17 x 12 3/4 in., framed.
Condition: Losses and tears to
margins, not examined out of frame.
$400-600
1505
Twenty-five Old Master Prints,
including twenty landscape views by
Jan van de Velde the Elder (Dutch,
1568-1623); three by Esias van de
Velde (Dutch, 1587-1630); one by
Claes Janszoon Visscher (Dutch, 1587-
1652); one unidentified, mounted with
inscriptions in a soft-covered bound
volume, some signed within the matrix,
etchings on paper, plate sizes to 5 5/8
x 7 1/2 in., unframed, (scattered foxing,
repairs, hinged at top corners).
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$100-150
1506
Tommaso Piroli (Italian, 1752-1824),
After John Flaxman (British, 1755-
1826)
Compositions from the Tragedies
of Aeschylus, 1831. Engravings on
paper, plate sizes to 8 3/8 x 11 5/8 in.
Condition: Foxing, sheets with worn
and broken edges.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$100-150
1507
Thomas Rowlandson (British, 1756-
1827)
Two Works: Visit to the Uncle, 1794,
and A Visit to the Aunt, 1794, both
etchings with aquatint, sheet sizes to
10 1/2 x 11 1/2 in., both unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$200-250
1508
Théodule Ribot (French, 1823-1891)
Le déjeuner du chat (1867), no. 289
from Eaux-fortes modernes, 5th year,
June 1867. Etching, sheet size 22
1/2 x 14 1/2 in., unframed. Condition:
Toning, acid burn.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$100-150
1509
Four Dutch 17th Century Mezzotints,
including Wallerant Vaillant (Dutch
1623-1677), and Jan van Somer
(Dutch, fl. 1645-1699) after Anthony
Van Dyck, Adrien Van Ostade, and
Casparus Netscher, sheet sizes to 11
3/8 x 9 5/8 in., all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$300-500
1510
Théodore Géricault (French, 1791-
1824)
Nineteen Lithographs of Horses,
sheet sizes to 15 3/4 x 22 1/2 in., all
unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$300-500
1511
Sixteen French Art Deco
Illustrations, most signed “Jean
Portalez,” gouache and ink on paper,
sheet size 16 3/4 x 12 3/4 in., all
unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$100-150
1512
Three Old Master Engravings:
Claude Mellan (French, 1598-
1688), Crucifixion, 1665; European
School 17th/18th Century, Portrait
of Anton Maria Zanetti; After
Giovanni Martino dei Boni (Italian,
1753-1810), Engraved by Vincenzo
Giaconi (Italian, 1760-1829), Double
Portrait of Antonio Canova and
Giovanni Martino dei Boni, 1796. All
engravings on paper, plate sizes to 9
1/4 x 6 3/4 in., unmatted, unframed.
Condition: Minor discoloration on
Zanetti u.r., mounting residue on
Crucifixion on verso at corners.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$100-150
1513
Four Old Master Woodcuts:
Nicolas Le Sueur (French, 1691-
1764), L’Invention de la Croix, after
Bernardin Pinturicchio, La Chute de
Phaeton, after Joseph Cesari, and a
mythological scene after Paolo Farinati;
John Baptist Jackson (British, c.
1701-c. 1780), Algernon Sidney, after
Justus Verus. Woodcuts on paper,
plate sizes to 17 1/4 x 10 5/8 in., only
the Jackson matted, all unframed.
Condition: Scattered foxing, toning,
and tears mended with tape affixed to
versos.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$100-150
1514
After John Flaxman (British, 1755-
1826)
Acts of Mercy and Aeschylus. Mercy
complete suite of eight plates by F.C.
Lewis, etchings with aquatint in original
boards; Aeschylus pen/ink drawings
on chine collé for a French edition of
Flaxman›s, all unframed.
Provenance: M. Roy Fisher, New York;
by family descent to the present owner.
$400-600
End of Sale 2742T
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Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below
which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of
Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or
raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property,
and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship,
attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall
be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer
shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have
sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the
accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a
monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been
removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage
charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent
auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds
to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has
been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.
The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment
methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was
the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any
payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the
purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of
sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and
overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered
species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities
is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers
from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a
Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.
10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus
12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.
11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in
person, through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any
lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material
produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be
used by the purchaser, nor by anyone else, without our prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).
The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions
contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents
to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised January 8, 2014
39
40
63 Park Plaza
Boston, MA 02116
617.350.5400
Fax 617.350.5429
274 Cedar Hill Street
Marlborough, MA 01752
508.970.3000
Fax 508.970.3100
2332 Galiano Street
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305.503.4423
www.skinnerinc.com
Chairman of the Board - Stephen L. Fletcher
Richard Albright
John Deighton
Barnet Fain
Karen M. Keane
Andrew Payne
Chairman Emerita - Nancy R. Skinner
President/Chief Executive Officer - Karen M. Keane
Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey,
Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
20th Century Design - Jane D. Prentiss
American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunière
American Furniture & Decorative Arts - Stephen L. Fletcher
Deputy Director: Chris Barber
American Indian & Ethnographic Art - Douglas Deihl
Antique Motor Vehicles - Jane D. Prentiss
Asian Works of Art - Judith Dowling
Assistants: Helen Eagles, Suhyung Kim
Books & Manuscripts - Devon Gray
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Clocks, Watches & Scientific Instruments - Robert C. Cheney
Assistant: Jonathan Dowling
Couture - Melissa Riebe, Kyle Johnson
Discovery Auctions - Melissa Riebe, Kyle Johnson
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Leah Kingman, Stephanie Opolski
Fine Wines - Marie Keep
Assistant: Michael J. Moser
Historic Arms & Militaria - Joel Bohy
Jewelry - Victoria Bratberg, G.G.
Assistants: John Colasacco, G.G., Katie Simonetti
Judaica - Kerry Shrives
Musical Instruments - Director Pro Tem: Jill Arbetter
Oriental Rugs & Carpets - Lawrence Kearney
Assistant: Erika Jorjorian
Silver - Stuart G. Slavid
Toys & Dolls - Melissa Riebe, Kyle Johnson
Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,
John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep,
Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,
Robin S.R. Starr, Laura V. Sweeney
Board of Directors
Administration
Expert
Departments
41
Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261
Auction Coordinator - Melanie Trottier-Mitcheson, 508.970.3103
Boston: Auction Coordinators - Jessica R. Lincoln, 617.874.4308,
Benjamin Evans, 617.874.4329
Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269
Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268
Accounts Payable, Trade - Kevin Rota, 508.970.3283
Credit Supervisor - William Madden, 508.970.3266
Marlborough: Jessica Turner, 508.970.3240
Advertising/Production Manager - Pamela Van de Houten
Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley,
Ava Pandiani
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Ryan O’Hara
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Customer Relations - Carol McCaffrey
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Assistant: Melissa Riebe
Institutional Relations - L. Emerson Tuttle
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Managing Director - Marie C. Keep
Marketing & Public Relations - L. Emerson Tuttle, Kathryn Gargolinski, Jessica Turner
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak
Receptionists - Marlborough: Katie Fitzgerald
Boston: Bridget Spears
Regional Director—Florida - April L. Matteini, G.G.
Staff Portraits - Cheryl Richards Photography
Transportation - Eric Jones
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