Korea

Samullori is a percussion ensemble for four different
instruments: kkwaenggwari (small metal gong), jing
(large metal gong), janggu (hourglass-shaped drum),
and buk (barrel drum).
Kkwaenggwari Pungmul janggu
Soribuk J ing
Music and dance were means of religious worship and this tradition continued through the Three Kingdoms period.
More than 30 musical instruments were used during the Three Kingdoms period, and particularly noteworthy was
the hyeonhakgeum (black crane zither), which Wang San-ak of Goguryeo created by altering the seven-string zither
of J in Dynasty China. Also notable was the gayageum, a zither used in Gaya (A.D. 42-562). The 12-string
gayageum is still played in modern Korea.
Ensemble of national traditional music performing Sujecheon (Long Life as Eternal as the Heavens)
Goryeo followed the musical tradition of Silla in its early years, but came to have more diversified genres later. There
were three types of music in Goryeo - Dangak, meaning music from Tang Dynasty China, Hyangak or village music,
and Aak or court music. Some Goryeo music was inherited by J oseon and is still used in ceremonies today,
especially those involving ancestral worship. As in music, Goryeo enjoyed the dance tradition of the Three
Kingdoms initially, but later added more varieties with the introduction of court and religious dance from China's
Song Dynasty.
During the J oseon Dynasty, music was respected as an important element of rituals and ceremonies. Early in the
dynasty, two offices DEALING with musical matters were established and efforts were made to arrange musical
texts.
As a result, a canon of music called Akhakgwebeom was produced in 1493. The book classified music to be played
at court into three categories - ceremonial music, Chinese music and native songs. Especially during King Sejong's
reign, scores of new musical instruments were developed. In addition to court music, the traditions of secular
music such as Dangak and Hyangak continued.
Folk dances, including the farmers' dance, shaman dance and monk dance, became popular in the latter days of
J oseon, along with the mask dance known as Sandaenori and a puppet dance. The mask dance combined dance
with song and narrative and included shamanistic elements that greatly appealed to commoners. The performance
Percussion instruments for Samullori
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was often accented by satirical passages that mocked the nobility to the delight of the crowds watching.
As for traditional dances, Confucian and Buddhist influences were very prominent. Confucian influence was often
repressive, while Buddhism allowed a more tolerant attitude as shown in the beautiful court dances and many
shaman dances for the dead.
A large number of traditional dances withered away during J apan's colonial rule, as well as the rapid industrialization
and urbanization of Korea in the 1960s and 1970s. It was in the 1980s that people began to think about reviving
these long-forgotten dances. Of the 56 original court dances, only a few are well-known today.
Cheoyongmu (the Mask Dance) of Silla, Hakchum (the Crane Dance) of Goryeo, and Chunaengjeon (Nightingale-
Singing-in-the-spring Dance) of J oseon - All of these dances have been designated as 'Intangible Cultural
Properties' by the Government to support their continuation. Professional performers have been granted the titles of
'Human Cultural Properties,' the highest honor awarded to masters of traditional arts and crafts.
The development of modern dance in Korea was due largely to such pioneers as J o Taek-won and Choe Seung-hui
who were active during the J apanese colonial period. Following liberation, the Seoul Ballet Company was founded
in 1946 to become the first organization that staged performances of ballet
Western music was first heard in Korea with the introduction of a Christian hymnal in 1893, and began to be taught
at schools in 1904. Changga, a new type of song sung to Western melodies, flourished across the country. As the
nation experienced tumultuous changes with its forced opening to the West and the prolonged J apanese colonial
rule, changga was sung to enhance love for the nation, a desire for independence and a new cultural form. In 1919,
Hong Nanpa composed 'Bongseonhwa (Touch Me Not)' in the form of changga.
After national liberation in 1945, Korea's first Western-style orchestra was inaugurated as the Korea Symphony
Orchestra Society. Today there are nearly 50 full orchestras in Seoul and the provinces.
An increasing number of Korean musicians are performing outside Korea these days, WINNING acclaim from
concert audiences and awards at prestigious international competitions. Among the most notable performers are the
Chung Trio conductor-pianist Chung Myung-whun, cellist Chung Myung-wha and violinist Chung Kyung-wha.
Among singers, sopranos J o Su-mi, Shin Young-ok and Hong Hye-gyong have all established an impressive
presence in the international community of music. They have performed leading roles in productions at New York's
Metropolitan Opera and other famed stages in addition to recording for world-famous music companies.
In August, 1997, 'The Last Empress,' a musical depicting the last years of Korea's monarchy and Empress
Myeongseong, was staged in New York to the wide acclaim of the American press. The musical, an epic tale, was
viewed as offering a precious opportunity to PROMOTE Korean history and culture abroad.
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Vocalist J o Su-mi (left) and Conductor-pianist Chung Myung-whun
To preserve and further develop Korean traditional music and performing arts, the National Gugak Center was
established in 1951. The government established the Korea National University of Arts in 1993 to offer world class
education in the arts and to cultivate professional artists. The University has six schools: Music, Drama, Dance,
Visual Arts, Film & Multimedia and Korean Traditional Arts. Public and private arts centers, such as the Seoul Arts
Center and LG Arts Center, have introduced various performances from all over the world to Korean audiences.
Since 2004, members of the Korean Network of Performing Arts Festivals have exchanged information on
performing arts, researched festivals, co-invited overseas performances, and co-produced performing arts.
Established in 2005, the Performing Arts Market in Seoul (PAMS) has been a platform for the effective
PROMOTION of Korean performing art companies in the domestic and international arenas.
Rain - Popular singer, dancer, model and actor (left) and Ballerina Kang Sue J in with the Stuttgart Ballet
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