ONLY - Treatment

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O N L Y
A F I L M T R E A T M E N T B Y

T A K A S H I D O S C H E R
Jumping between the past and the present, an independent young woman and her
caring boyfriend must cope with a mysterious plague that threatens to kill all
females on the planet. Their relationship is put to the ultimate test as they
try to survive the disease and the dangerous poachers that want to capture the
O N L Y woman on earth.
S U M M A R Y
After a mysterious comet passes by earth and dark ash begins to fall from the
sky, women all over the world start to get sick and die. O N L Y is the story of
a young woman named Eva and her boyfriend Will, who attempt to survive this
plague with their lives and their love. Forced to quarantine their apartment
to prevent the disease from spreading to Eva, they must learn to cope with
these extreme circumstances and avoid capture by the many dangerous men who
now want to find the few remaining women on Earth.

This story is told through two inter-woven story lines: the PRESENT and six
months previously, in the PAST.

PRESENT: The film begins with Eva and Will in their apartment. Dark ash rains
down outside their window. They look haggard, even unkempt. Eva swabs her
cheek and places it in a clear solution - a mysterious medical test to show
whether or not she is infected. The test turns purple, indicating that she is
positive. She has the disease. Will's temper flares at this result - almost as
if he blames her for being sick.

While Will sulks, Eva begins to pack. She tosses Will a hiking backpack,
before disguising herself in a beanie, sunglasses and anorak. They leave the
apartment in Will’s car, driving through the deserted city streets.

Their first destination is a grocery story to pick up more supplies. At the
store, we get further clues to how weird and different this world has become.
Tampons are free. Men are dressing up as women soliciting sex to other men.
Moreover, there are absolutely no women in the store. They have a tense
encounter with the store owner who sees through Eva’s disguise, but they are
able to flee the store without incident. That night they spend the night in a
cheap motel in separate beds. Above them, a bright comet burns in the night
sky.

PAST: Eva wakes up to a bright beautiful day, says goodbye to her roommate, and
heads to work. Meanwhile, Will is packing up his own apartment in DC, saying
his final goodbyes to his own roommate, and driving down to Atlanta. In stark
contrast to how the film began, they are an excited couple, excited to live
together and finally end their long-distance relationship. After Will arrives
at Eva’s apartment, they share a romantic evening. That night, as predicted by
meteorologists, the night is lit up by beautiful comets passing overhead.

PRESENT: The next morning in their dingy motel, Eva cuts off her beautiful hair
and tapes down her breasts - a painful but more sufficient disguise.

While grabbing their last hot meal at a small-town diner, Eva’s nose begins to
bleed - an early symptom of the disease. This draws the attention of two gruff
and dangerous-looking men, who take an interest in Eva and Will as they drive
off in haste. After an emotional breakdown on the side of the road where Eva
realizes her grim fate, they finally get to the trail head and begin hiking.
PAST: Back in their apartment, Eva decides to stay home from work to spend
another day with Will. They discuss plans for a backpacking adventure through
the Appalachian mountains - a trip Eva has always wanted to take. Their plans
are interrupted when they notice something strange outside. Dark ash has begun
to fall like snow outside their window. As they ponder what it could be, Eva’s
roommate, Cici, returns from work. Covered in dark ash, Cici’s nose begins to
bleed and she collapses to the ground.

PRESENT: It is a multi-day trek
through heavily wooded mountains,
and both characters begin to
soften. Far from the grim and
dangerous society that has
developed in the city, nature
still holds beauty and peace. Eva
is shown to be a capable woodsmen,
and is also able to remove the
painful binds around her breasts.
Out here she is free to be
herself. Though Will is tempted by
her beauty, Eva resists his
passes, still not ready to re-
engage with him physically. Will
plays his harmonica alone by the
fire, while Eva sleeps in their
tent alone.

PAST: At the hospital, Eva and
Will nervously wait to hear about
Cici, who is receiving medical
attention. In the waiting room,
they notice as more and more women
are rushed in the ER. Will
receives a call from his former
roommate, a med student in DC, who
tells him that they need to get
home and to keep Eva away from the
ash. While Eva protests leaving
Cici, Will is eventually able to convince her. Stealing two Hazmat suits, they
are able to safely make it back to their apartment, where they proceed to
block out doors, windows, and air vents, to prevent ash from getting in.

The next morning they are told to start boiling water and eating canned goods.
That afternoon Eva receives the phone call that Cici has died. As Eva
collapses in grief, Will checks the news. Women around the world are dying in
record numbers.
PRESENT: On the trail, they have discovered a swimming hole. They swim and
play, enjoying the beautiful day. They begin to rekindle their attraction over
some whiskey. Will teaches her how to shoot his gun. She enjoys the power and
force, as each shot echoes through the trees. Back at the trailhead, however, a
dusty pickup truck parks besides Will’s car. Two men exit the truck - the same
men from the diner. They remove rifles from the truck and begin to hike the
trail in pursuit. As night falls, Will and Eva drunkenly rekindle their love.
Clothes are removed as their
passion overtakes them, but
suddenly Eva begins to seize - a
progressive sign of the disease.
Will holds her close, tears in his
eyes, as Eva’s violent seizure
ends. She falls asleep in his
arms.

PAST: Months have passed while Eva
remains quarantined in the
apartment. Everyday is the same.
Boredom has long since set in.
Besides for Will, her only outside
interaction is with a secret
online chat room of other
anonymous women survivors - though
the number of people chatting
dwindles everyday. While she
daydreams about leaving the
apartment, Will is outside picking
up more food. On his way home, he
witnesses a violent murder on the
streets and is inspired to stop
into a gun store for his own
protection.

When he arrives home, he reveals
to Eva that he picked up some
medical tests - these will tell
you if you are infected or not. He
explains that the tests are not
for her but for him. It is revealed that they have not been intimate with each
other for fear that Will is a carrier. As Will is about to take the test,
sirens blast outside. Police are here to look for any women survivors - it is
now illegal to harbor any female. They must all be reported. Eva and Will rush
her behind a fake wall in the back of their closet.

She waits in fear.
PRESENT: Eva is awake early, collecting firewood by the river. Still in the
tent, Will wakes up to the sound of approaching feet. He pulls back the tent
flap to see the two men from the diner waiting outside, guns drawn. They reveal
themselves to be poachers, who are hunting down the most endangered species of
all… women. They are looking for Eva.

PAST: The police, dressed in black Hazmat suits, enter the apartment. They
question Will and begin to search the place looking for anyone that he might be
hiding. After some very tense questioning, the police leave, but not before one
of the officers notices that Will’s test has turned purple. Will is a carrier
of the disease.

PRESENT: Will is tied up and tortured by the hunters. Hearing commotion, Eva
sneaks back to camp and witnesses the brutal men in action. At night, taking
advantage of her femininity and surprise, she removes all of her clothes and
approaches the campfire in the nude. Having not seen a beautiful woman in
months, the poachers are stunned, allowing Eva to get the jump. Incapacitating
one, and holding the other at gunpoint, she is able to untie Will and flee into
the woods. With the hunters in hot pursuit, Will and Eva lose them for good by
jumping into a raging river. They surface miles downstream, safely make their
way to shore, and discover that they have arrived at the waterfall they were
searching for.
PAST: Although she escaped capture by the police, Eva is devastated by the
news that Will is a carrier and that they will never be able to be intimate
again. At her breaking point, she lashes out at him, unfairly blaming him for
keeping her trapped in the tiny apartment. Will counters as his own temper
flares. Their fight escalates until Eva tells Will to leave. Will storms out
the door, leaving Eva crying and alone.

The film climaxes as our two story-lines collide. Flashing between both the
PAST and the PRESENT, we finally learn how Eva became infected, and finally
see their love fully realized.

In the PAST, faced with the hopeless life that lay ahead of her, Eva decides
to take matters into her own hands. Dressed in her Hazmat suit, she leaves the
apartment and begins climbing the stairs to the roof of the building. As the
sun sets, she decides that she will undo the hood of her suit and purposefully
infect herself. Will gets there just in time to see the ash fall around her,
infecting her with disease and sealing her fate.

In the PRESENT, overcome with emotion at reaching their goal, Will and Eva
finally consummate their love. In this moment, Eva has never been happier. The
next morning, Will wakes up to the grim reality that Eva had died in the
night. The last image we see is Will walking out of the forest by himself.
V I S I O N
O N L Y represents a deeply personal and intimate story. Yes, it is about the
end of the world. Yes, it is about the last woman on earth. Yes, it is
Americana and a journey film, woven into a non-traditional narrative. But my
hope is to explore love and raise fundamental questions of gender roles. The
film is part autobiographical, and therefore, I seek to raise many of the
questions me and partner faced on our 5 week journey across America. In many
ways, she felt like the last woman
on earth to me, and I want to
capture the messy, complex
partnership that existed due to our
isolation and preconception. It is
not perfect. It’s sloppy. Its’
painful. And yet it is full of hope
and love. The characters in O N L Y
represent this experience in a
science fiction pressure cooker.

One of the fundamental challenges is
to create a female character who
possesses the complexities and
contradictions of a modern young
woman. I have become increasingly
frustrated with the representation
of female characters in cinema, and
it is my hope to portray a character
with three-dimensional honesty in a
way that seldom occurs. At the risk
of over-romanticizing, in many ways
Eva represents my own partner. A
strong independent woman, who also
wants companionship and love. A
woman who is emotional, and
intelligent. Open and private.
Confident and self-conscious.

As a man, I have also been interested in the representation of gender roles
in modern cinema. I feel like many aspects of feminism have greatly affected
the perception of masculinity in western culture. Men are required to be
simultaneously macho and sensitive, crude and intellectual, impulsive and
thoughtful. Given the unique circumstances presented in the story, I hope to
explore the complex power shifts between Will and Eva, and the many roles they
must play for each other to survive. Will feels contradicting emotions for
Eva. In his eyes, she goes from strong and private, to open and fragile, and
finally to special and coveted. This undoubtedly changes their relationship
and the many needs they fulfill for one another.

Thematically, this film discusses several issues. The first and most obvious
theme reflects on Nature vs. Society. Our main characters flee to the untamed
wilderness to reconnect with each other and the joys in life. Our hunters
represent the encroachment of society as well as another theme: The Darkness
Within. They represent the evil that is capable within us all when desperation
and scarcity threaten survival.

However, the most powerful themes
represented in this story are
unquestionably those of Love and
Life. I hope this film challenges
our simplistic views of love -
revealing both its strengths and
its messy complexities. I also hope
this film challenges many western
views on life on how it should be
lived. Eva makes the difficult yet
poignant decision to regain
ownership of her own life.

Ultimately, she decides to
celebrate a more fulfilling yet
shortened life, rather than a long
but miserable one. She decides to
sacrifice longevity for quality. In
many ways, she makes the ultimate
sacrifice for their love and
relationship.

Every creative decision must serve
two ideals- intimacy and
authenticity. The camera will be
hand-held. The lighting will be
soft and naturally motivated. I
want to take an almost voyeuristic
approach to the shot selection and framing - as if we are peering into this
relationship and situation.

The music composition and sound design will be an exercise in understatement.
We should feel the eery quiet of this new world, while trying to subtly
underscore the emotion already present in the scene.

As critical as the screenplay is, the dialogue is malleable and must adapt to
each actor. Given the suspension of disbelief required, this is a film that
must feel painfully authentic.
C H A R A C T E R S
E V A (female, 22-30) - Independent, spontaneous and free-spirited, this
beautiful young woman will have to learn to deal with a dangerous new world
that seeks to capture and control one of the few remaining women on the planet.
However, as outside pressures threaten her freedom and her relationship, she
will have to make the ultimate choice in order to try and recapture her love
and happiness. At first glance, her beauty and slim frame might be read as
vulnerability but there is a fire, intensity, and strength in her eyes.

W I L L (male, 22-30) - Logical, mathematical, yet hopelessly in love, this young
man will be forced to confront his own fears and insecurities as his role
shifts from caring-partner to masculine care-taker. He must strike a balance
between protecting the love of his life without suffocating her in the process-
a difficult challenge in this new world that values power and force above all
else. Will's gruff appearance communicates strength and confidence, but his
dark, soft eyes betray sensitivity and compassion.

The following is a transcript of a pre-recorded conversation held before the
events depicted in this story.

When did you first notice Will?

I first noticed his eyes, or maybe it was his drawings. He was on the quiet
side, but his dark eyes had this force this energy. He can sometimes seem
drab on the surface, but he has such
a powerful energy underneath. Its
intense, sometimes dark, but I truly
admire his spirit. The truth is, I
don’t know where I would be without
him. We are different, almost
opposites, but it works. He balances
me, and I think I balance him. I can
be too wild, too crazy, too
impulsive. I also make sure that he
sees something besides his
architecture studio.

I love him deeply. He can frustrate
me, yes. He can make me angrier than
any person I have ever met. But
thats how I know its real. There is
passion. I can feel it. I would be
lucky to have his steady presence
with me. His protective balance. I
feel safe with him. Can that safety
cross into over-protectiveness?
Maybe, but it hasn't yet. He makes
me feel safe without feeling
trapped.

We both have a profound love for
nature. Maybe it comes from
different places - he is a man of science, and there is magic in that to him
- even if he will never understand all of it. I love nature because I can
feel a different spirit within it. I don’t know if there is a higher power,
but there is something else going on if we can tap into it be present.

I hate my job. A bunch of whiny pseudo-artists demanding that they got
Aquafina instead of Fiji on their press tour. Its soul crushing, never
ending, and I would quit the second I get a chance. I want to paint. Travel.
Explore. Adventure.
C O N V E R S A T I O N S
E V A
What was your family life like?

What family life? I traveled around a lot. My mom was out of the picture and
my father was my world. He taught me many things, and I think I inherited my
creativity from him. And sense of adventure. He was they type of man who
couldn’t stay in one place very long. He was a man of many skills and could
always seem to bounce back and get by. Amazingly talented at a number of
instruments, he was the type of guy who could pick things up and just play.
Eventually, however, this pseudo grifter life caught up to him. He passed
away from cancer, but I think he lived life just the way he wanted to. He
passed away when I was in college. I took a year off from school and
traveled after that happened. When I got back, I met Will.

How did you and Eva meet?

We met in college. I remember
seeing her in a drafting class. I
was studying architecture, but I
suck at drawing. She was always the
artist. In class was where I first
noticed her, but it was out at a
bar when we started talking. She
was wild, crazy, had this energy
and this glow about her. She was
fast talking, impulsive, and such a
free spirit. She was different than
me.

Although I can have that side too,
it’s much much harder for me to tap
into that. Maybe that’s why I am a
good architect. I am logical.
Precise. Responsible.

I secretly believe that maybe she
won't be with me forever. Maybe she
never was really meant to be with
anyone forever. Perhaps, I am just
a brief stop, as she floats on the
breeze. I hope not, I desperately
hope not, but I will be happy that
I got a glimpse of it. And maybe,
if I am lucky, she will agree to be with me and I can make her mine.

I am a bit of a workaholic. I spend long hours in the studio. This seems to
suit her pretty well. She hates her job, and I know that, but I don’t make
shit as an architect’s intern. We both have a lot of working left to do.
W I L L
I just finished grad school, and this was the best job I could get in Atlanta
in this economy. As much as I would not like to think about it, I will never be
a transformational architect. I never will be. I am too logical, too
structural, and while it allows for a great deal of precision I think I limit
my own thinking. Thats what Eva tells me anyway.

Eva works a job for a PR firm. On the surface, this would seem like the perfect
fit for her, but I know that she was meant to be the creative not the support
for the creatives.

I am crazy about her. Now that I have graduated grad school, I’ve bought a
ring. But I don’t know when to ask her. I think she would laugh me off right
now. I think she probably would also hate the ring. I designed it myself, but
maybe its too cold, too clinical. Shit I designed the damn thing in Autocad.

What about your family?

By all accounts on the outside, I had a normal upbringing. A stable one. My
parents provided me and my little brother with a very stable upbringing.
Although, I can see now, how loveless their marriage is. They are business
partners for each other, but nothing more.

My brother and I have a rather estranged relationship. He was older and left
very early. I did not see him very much. I think he is in Europe, or Tibet. I
don't know. Are we done here?

END OF TRANSCRIPT.

C R E A T O R

T A K A S H I D O S C H E R
W R I T E R / D I R E C T O R
T A K A S H I D O S C H E R is a writer/director from Atlanta,
GA. In 2010, he became the youngest director to sell a
film to ESPN when he sold his feature doc, A Fighting
Chance, at the age of 22. In a 2-week sneak preview, the
film launched as the #1 Film and #1 Doc on Hulu.
Since then, he has written and directed short films,
advertisements, and music videos that have been featured
on the front page of Vimeo, USA Today, and MTV Hive.
Takashi is currently working on several feature
screenplays, two of which were selected as finalists in
the 2013 and 2014 Sundance Writer's Labs.
Takashi’s work often depicts the conflict between
science and the human condition - a reflection of his
educational background in Physics and English. His
latest screenplay, a romantic drama about the last woman
on Earth, is currently in development. This film,
currently titled ONLY, will be his writing and directing
feature film debut.
A L E X C R E A S I A
V O L . U N L I M I T E D

O 323.426.5837
C 818.770.1120
[email protected]




I hope you have enjoyed the materials we have put together, and I am truly
excited to be sharing this screenplay with you.

I am in this for a love of story, and with the belief that the
responsibility of any storyteller is to positively influence culture- not
only entertain. I am confident that this is a story able to do just that.
And to take it one step further, I believe that O N L Y is a story that
needs to be told.

Please do not hesitate to contact me with any questions you may have.
While I am really passionate about the vision on these pages, I am in this
business for a love of collaboration. I would be honored to hear your
feedback and work together to make a film that is not only entertaining
but important. I can’t wait to hear what you think. So with all that
being said, I only have one more thing to say:









Sincerely,






Takashi Doscher
Writer & Director
T H A N K
Y O U
D E A R R E A D E R
Morning light dances on Will's face. Slowly, Will
opens his eyes. He smiles. Its a beautiful morning.
Eva is still sleeping, and he gently caresses her
head.
WILL (softly)
Hey you. Good morning.
But she doesn't stir. He nudges her.
WILL (CONT’D)
Eva? Its morning.
Still nothing. He shakes her. His eyes begin to
water.
WILL (CONT’D)
Eva? Eva!

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