West Side Story Score

PIANO

VOCAL

--------

Based on a conception of Jerome Robbins
Book by

Iv1usic by

Lyrics by

Arthur
Laurents

Leonard
Bernstein

Stephen
Sondheinl

Entire Original Production Directed and Choreographed by

Jerome Robbins
NOTICE: DO NOT DEFACE!
• Should you find it necessary to mark
cues or cuts, use a soft black lead pencil
only.

NOT FOR SALE
• This book is rented for the period
specified in your contract. It remains the
property of:

MUSIC THEATRE INTERNATIONAL

Music Theatre International
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New York, NY 10019
(212) 541-4684
www.MTIShows.com

Copyright © 1956, 1958 by Arthur Laurents, Leonard Bernstein,
Stephen Sondheim and JeromE' Robbins. Copyright renewed.
Music & Lyrics © 1957 by Leonard Bernstein and Stephen Sondheim. Copyright renewed.

In accordance with the terms and conditions specified in your performance license, all music, lyrics and dialogue contained herein are the
property of the Authors and are fully protected by copyright.
You are not permitted to make any cha11ges to the music, lyrics or
dialogue of the Play, including the interpolation of new material
and/or the exclusion of existing material. Any changes shall consti~
tute a wilful infringement of said copyright and will subject- you to
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Copyright Act.
This book may not be duplicated and must be returned at the conclusion of your production. This Play is the property of its Authors.
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l\!IuSIC THEATRE INTERNATIONAL

421 West 54th Street
New York NY 10019

MUSIC THEATRE INTERNATIONAL

I- - - - -

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WEST SIDE STORY
OVERTURE

1

1.PROLOGUE

14

2.JET SONG

29

2A .JET SONG CHASE

,

43

3.S0METHING'S COMING

45

3A. SOMETHING'S COMING CHASE

55

4.THE DANCE AT THE GYM BLUES

57

4A. PROMENADE

61

4B. MAMBO

,

62

4C. CHA-CHA

71

4D. MEETING SCENE

73

4E. JUMP

75

5. MARIE

78

6. BALCONY SCENE

83

7. AMERICA

95

7A. AMERICA TO DRTJGSTORE

112

8. COOL

114

8A. COOL CHASE

125

8B. UNDER DIALOGUE AND CHANGE OF SCENE

126

9.UNDER DIALOGUE

130

9A. ONE HAND, ONE HEART

133

10.TONIGHT

141

11. THE RUMBLE

157

12.1 FEEL PRETTy

166

13. UNDER DIALOGUE

181

13A. BALLET SEQUENCE

183

13B. TRANSITION TO SCHERZO

185

13C. SCHERZO

'

186

13D. SOME\Y/HERE

190

13E. PROCESSION AND NIGHTMARE

193

14. GEE, OFFICER KRUPKE

201

14A. CHANGE OF SCENE

217

15.A BOY LIKE THAT AND I HAVE A LOVE

218

15A. CHANGE OF SCENE,

230

16. T.AUNTIl'!G SCENE

232

17.FINALE

,

240

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Piano-Vocal

West Side Story

--29-

2

Jet Song
(ACTION)
Who needs Tony?

Allegro moderato

(J. = 116-128)

(deliberately)
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(ACTION)
Tony ain't been with us for over a month.
15

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(BABY JOHN)
Who wouldn't wanna belong to the Jets!

I

---

12

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(ACTION)
Well, he acts like he don't wanna belong.

I and Tony started the Jets.

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mp

Piano-Vocal

-30-

#2- Jet Song

(A-RAB)

(BABY JOHN)

Which we couldn't have done without TOhy.

He saved my ever lovin' neck!

(RIFF)

Right! He's always come through for us and he will now.

(RIFF)

29

you're

a

30

Jet,

you're

a

31

Jet

all

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way

from

your

Piano-Vocal

#2- Jet Song

--31--

(RIFF)

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--32-

(RIFF)

I 48

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51

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set

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60

for

62

61

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,.,

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63

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III

-2-34-

Piano-Vocal

#2- Jet Song

(,t\-RAB) Where you gonna find Bernardo?

(BIG DEAL) But the gym's neutral territory.

I'm only gonna challenge him.

:-...

(A-RAB)
Great, Daddy-O!

90

•

(RIFF)

So everybody dress up sweet and sharp.

Piano-Vocal

#2- let Song

-35-

(They primp and preen)
97

(ALL)f

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-36-

#2-1et Song

(ALL)
s .
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"
IJ

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-37-

(RIFF)
Meet Tony and me at ten. And walk tall!

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r

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(A-RAB)
We always walk tall!

(He runs of!>

130

I

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(ACTION)
The greatest!

(BABY JOHN)
We're Jets!
~133

134

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Meeting Scene
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(MARIA)
Yours, too

(He takes them
in his.)

(He moves her
hands to his face.)

(MARIA)
So warm.

(MARIA)
But of course,
They are the same.

(TONY)
Yours, too.

----_1":\.
239-

(TONY) It's so much.
to believe.

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I think now I never wilL

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#4d-Meeting Scene

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-78-

·West Side. Story

5

Maria
(DIESEL) We'll see him at Doc's
(TONY)
Maria...

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Applause Segue

Piano-Vocal

West Side Story

-83--

6

Balcony Scene
Very Slowly
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(TONY) Tomorrow.
(MARIA) I work at the bridal shop.

(MARIA) Wait! When will I see you? (He starts to back up.) No!
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Moderato, Tempo di "S eis"
(ROSALIA) That's a very pretty name: Etcetera.
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West Side Story

8b

Under Dialogue
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(TONY) Forget him. From here on in, everything goes my way.

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--127(TONY) (opens the door) Buenas naches, senor.

#8b-Under dialogue
(DOC) Buenas naches?! So that's why you made it a fair fight.

.

,====+===tSO:;:;::========-::==::::J::~==t=:t:--------t--1

Tony ... things aren't tough enough?

~

(TONY) Tough? Doc, I'm in love.

(DOC) How do you know?

(DOC) And you're not frightened?

(TONY) Because ... there isn't any other way I could feel.

(DOC) Why? I'm frightened enough for both of you.

--~-----

Piano-Vocal

-----

·-128---

#8b- Under dialogue

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Piano-Vocal

#8b- Under dialogue

-129-

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Piano-Vocal

'West Side Story

-·130---

9

Under Dicr}ogue
I

Andante con grazia
(MARIA) You cannot come by. My mama...

(TONY) Then tonight 1 will come by for you.

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Your Mama....

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(TONY) Then I will ...

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She will, come/unning from the kitchen to welcome you.

.

,lir

(TONY) I told her you
"vere coming.

She will look at your face
and try not to smile
And she will say:

.

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(TONY) (Holding the waist
ofdummy's dress)
Fat!

(MARIA) She is plump, no doubt.

!

14
r':\
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(9/26/01)

Piano-Vocal

#9- Under Dialogue

-131-

(She goes to a male dummy.)
Oh, I would like to see Papa
in this!
(He turns the "mama"
dummy around.)

(MARIA) (arranging anot11er

female dummy)
I take after my marna;
delicate boned.
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But Papa-

If you go to church.

about your prospects,

(TONY) (kneeling to the "father" dummy)
May I have your daughter's hand?

Papa might like you.

(MARIA) He says yes.

(TONY) Gracias!

23

(MARIA) And your marna?

1\

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(TONY) I'm afraid to ask her.

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(MARIA) Tell her she's not
getting a daughter;
she's getting rid of a son!

::...J

25
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(MARIA) She
has good taste.

(TONY) She says yes.

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26

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Piano-Vocal

-132-

(MARIA) That color is
bad for Anita.

(He continues to arrange the dummies.)
Maid of Honor!
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(She puts on a wedding veil.)
(TONY) Best man!

(MARIA) Now you see, Anita,
I told you. there was nothing
to worry about.

(MARIA) That is my Papa!

(TONY) Sorry Papa.

i

~

(He takes hat off dummy.)
Here we go Riff: womb to tomb!

(TONY) Mama's crying already.

:=>

Segue

Piano-Vocal

West Side Story

-133-

9a

One Hand, One Heart
Andante con moto

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(MARIA) I, Maria, take thee, Anton....

a tempo
47
48

(9/26/01)

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104

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-134-

(TONY) To love and to honor...

(MARIA) In sickness, and in health....

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(MARIA) To hold and to keep....

(TONY) From each sun to each moon ...

From tomorrow to tomorrow...

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55

56

(TONY) From now
to forever....

(MARIA)

Till death do us part.

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#9a - One Hand, One Heart

--135--

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life.

Piano-Vocal

B

#9a - One Hand, One Heart

-137-

(MARIA)

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Piano-Vocal

-138-

#9a - One Hand, One Heart
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103

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Piano-Vocal

-139-

#9a - One Hand, One Heart

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Piano-Vocal
rail.

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pp

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139

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Segue

Piano-Vocal

West Side Story

-141-

10

Tonight
Fast and Rhythmic
1

>

(J = 132)

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10

8

7

The

(BI;~NARDO)

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mp marc.

(RIFF)
6

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to

Jets are gon - na have their day-_ _

11

13

12

- night.

_

14

(RIFF)

7lff
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mp marc.

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The

(9/26/01)

Sharks are gon-na have their w a y - -

to

- night.---------

. Piano-Vocal

-142-

#10-Tonight

(RIFF)

16

Puer -

to

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17

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18

19

if they start a

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20

rum-ble 'em

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right.
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have

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ball.---

#10-- Tonight

to -night, _ _ we're gon - na jazz it . up and

0_.-_._----

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get

it

to - night:.--- _

the

more

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the

They're gon - na

get

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the

more

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on

the

Piano-Vocal
11

44

#10- Tonight

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Piano-Vocal
(ANITA)
,--3,

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#10-Tonight

54

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56

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to

her

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_ _ _I

We'll

- night.

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59

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63

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(TONY)

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to

(ANITA) night,

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I

11.

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71

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won't

night

.. ..

70

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be

just

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to

night,

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night!

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night,

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be

no_

morn - ing

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night,

I'll

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star.

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see

my

love

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to

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moon,

bright,

grow

95

94

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#10--Tonight

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make

and

this

end - less

Come prima, in 4

f

97

98

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night!

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102

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(RIFF)
::::-

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#10-Tonight
116

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when he's hol-Iered "Un-de"

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night

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tear up the

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we'll

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down.

(MARIA) (warmly)

117

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Piano-Vocal

--152-

star,-----

To

I
(TONY)

#10- Tonight

(dreamily again)

mp

night,

to

-=--

:>

(lights on ANITA)

~~-~-~-~_:t=f~_:;=~~~~
'Y0-night...

t=B

._
(BERNARDO)

-,-.
(Hee;'~'it=S)3~==(=~=~=t,,~~:=r_~=B=E=R~~.
>~
l~~~§E~-J-~=ft~-~.$~-

I'll see you there a-botit eight...

'.

We're gon - na rock it

to-night!!!_

E~j~~~
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·-183-

West Side Story

13a

Ballet Sequence
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Transition to Scherzo
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Adagio (twice as slow)

=

p

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dolce-e

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West Side Story

13b

Piano-Vocal

---186:>

# 13b - Transition to Scherzo

aceel. di piu

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Scherzo

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West Side Story

13c

-187-

Piano-Vocal

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Piano-Vocal

West Side Story

13d

Somewhere
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124

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138

to - geth - er with

time

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time

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to learn,

time

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11

(9/26/01)

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Piano-Vocal

#13d -Somewhere

·-191·-

poco piu mosso
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SKIT 2(DIESEL) (imitatin'g Judge) In the opinion of the court,
this child is depraved on account he ain't had a normal home.
(ACTION) Hey, so I'm depraved on account I'm deprived!
(DIESEL) So take him to a headshrinker.

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(A-RAB) (imitating psychiatrist) In my opinion, this child
don't need to have his head-shrunk at all. Juvenile delinquency is
purely a social disease!
(ACTION) Hey, I got a social disease,
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Piano-Vocal

(A-RAB)
(as PSYCH)

(DIESEL)
(BABY JOHN)

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West Side Story

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West Side Story

-··218-

15

A Boy Like That
-and--

I Have a Love
(ANITA) And you still don't know: Tony is one of them!

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