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‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي – ‪ -88/2/30‬ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‪www.Ficvsr.Civilica.IR -‬‬

‫ﻣﺮﻣﺖ ﻭ ﺑﻬﺴﺎﺯﻱ ﺷﺎﻫﮑﺎﺭ ﻣﻌﻤﺎﺭﻱ ﻋﺒﺎﺳﻲ ﻣﺴﺠﺪ ﻭ ﺣﻤﺎﻡ ﻋﻠﻲ ﻗﻠﻲ ﻣﺤﻠﻪ ﺑﻴﺪﺁﺑﺎﺩ‬
‫ﻣﻬﺴﺎ ﺩﺍﻭﻭﺩﻱ‬

‫ﭼﻜﻴﺪﻩ‪:‬‬
‫ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻲ ﻭ ﺑﺎﺳﺘﺎﻧﻲ ﺍﻳﺮﺍﻥ ﺩﺭ ﺍﺛﺮ ﮔﺬﺷﺖ ﺯﻣﺎﻥ ﻭ ﺣﻮﺍﺩﺙ ﻃﺒﻴﻌﻲ ﺑﻪ ﺳﻮﻱ ﻧﺎﺑﻮﺩﻱ ﭘﻴﺶ ﻣﻲ ﺭﻭﻧﺪ ﮐﻪ ﺍﮔﺮ ﺍﻳﻦ‬
‫ﺳﺮﻣﺎﻳﻪ ﮔﺮﺍﻥ ﺑﻬﺎ ﺭﺍ ﺑﺘﻮﺍﻥ ﺣﻔﻆ ﻧﻤﻮﺩ ﺩﺭﺁﻣﺪ ﻫﺎﻱ ﻫﻨﮕﻔﺘﻲ ﺍﺯ ﻃﺮﻳﻖ ﺻﻨﻌﺖ ﺗﻮﺭﻳﺴﻢ ﻭ ﺟﻬﺎﻧﮕﺮﺩﻱ ﻋﺎﻳﺪ ﺍﻳﺮﺍﻥ ﻣﻲ‬
‫ﺷﻮﺩ‪ .‬ﺣﻤﺎﻡ ﻗﺪﻳﻤﻲ ﻣﺤﻠﻪ ﺑﻴﺪﺁﺑﺎﺩ ﻭﺍﻗﻊ ﺩﺭ ﻣﺮﮐﺰ ﺷﻬﺮ ﺗﺎﺭﻳﺨﻲ ﺍﺻﻔﻬﺎﻥ ﻭ ﺩﺭ ﻣﺠﺎﻭﺭﺕ ﺑﻨﺎﻱ ﺑﺴﻴﺎﺭ ﺑﺎ ﺷﮑﻮﻩ ﻣﺴﺠﺪ‬
‫ﺳﻴﺪ ﻭﺍﻗﻊ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺣﻤﺎﻡ ﻭ ﻣﺴﺠﺪ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ ﺑﺎ ﺗﻤﺎﻡ ﺩﺍﺷﺘﻪ ﻫﺎﻱ ﺧﻮﺩ ﺑﻴﺶ ﺍﺯ ﺻﺪ ﺳﺎﻝ ﺑﻪ ﻓﺮﺍﻣﻮﺷﻲ ﺳﭙﺮﺩﻩ‬
‫ﺷﺪﻩ ﺑﻮﺩﻧﺪ ﺍﻣﺎ ﺑﺎ ﻫﻤﺖ ﻣﻴﺮﺍﺙ ﺍﻳﻦ ﺑﻨﺎﻱ ﺗﺎﺭﻳﺨﻲ ﺑﻬﺴﺎﺯﻱ ﻭ ﻣﺮﻣﺖ ﺷﺪﻩ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﺍﻳﻦ ﻣﻘﺎﻟﻪ ﺑﻪ ﺁﻥ ﻣﻲ ﭘﺮﺩﺍﺯﻳﻢ‪.‬‬
‫ﻭﺍﮊﮔﺎﻥ ﻛﻠﻴﺪﻱ‪ :‬ﺑﻨﺎﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ‪ ،‬ﺑﻬﺴﺎﺯﻱ ﻟﺮﺯﻩ ﺍﻱ‪ ،‬ﺑﻬﺴﺎﺯﻱ ﺑﺎﻓﺖ ﻫﺎﻱ ﻓﺮﺳﻮﺩﻩ‪ ،‬ﻣﻘﺎﻭﻡ ﺳﺎﺯﻱ‬
‫‪-١‬ﻣﻘﺪﻣﻪ‪:‬‬
‫ﺑﺮﺧﻼﻑ ﺳﺎﺧﺘﻤﺎﻧﻬﺎﻱ ﺭﻭﺳﺘﺎﺋﻲ ﻳﺎ ﺷﻬﺮﻱ ﺁﺟﺮﻱ ﻭ ﺧﺸﺘﻲ ﻛﻪ ﺩﺭ ﺯﻟﺰﻟﻪ ﻫﺎﻱ ﻣﺨﺮﺏ ﺗﺎﺏ ﻣﻘﺎﻭﻣﺖ ﻧﺪﺍﺭﻧﺪ‪ ،‬ﺑﻨﺎﻫﺎﻱ‬
‫ﺑﺎﺳﺘﺎﻧﻲ ﻣﻤﻜﻦ ﺍﺳﺖ ﺑﺘﻮﺍﻧﻨﺪ ﺯﻟﺰﻟﻪ ﻫﺎﻱ ﻧﺴﺒﺘﺎ ﻗﻮﻱ ﺭﺍ ﻫﻢ ﺗﺎ ﺣﺪﻭﺩﻱ ﺗﺤﻤﻞ ﻛﺮﺩﻩ‪ ،‬ﺑﺎ ﺗﺤﻤﻞ ﺧﺴﺎﺭﺍﺗﻲ ﭘﺎﻳﺪﺍﺭﻱ ﻛﻠﻲ‬
‫ﺧﻮﺩ ﺭﺍ ﺣﻔﻆ ﻛﻨﻨﺪ‪ .‬ﺍﻣﺎ ﺑﻌﻴﺪ ﺍﺳﺖ ﻛﻪ ﺍﻳﻦ ﺑﻨﺎﻫﺎ ﺑﺘﻮﺍﻧﻨﺪ ﺩﺭ ﺯﻟﺰﻟﻪ ﻫﺎﻱ ﺑﺴﻴﺎﺭ ﻣﺨﺮﺏ ﻫﻢ ﭘﺎﻳﺪﺍﺭ ﺑﻤﺎﻧﻨﺪ ﻭ ﺩﺭ ﻫﺮ ﺣﺎﻝ‬
‫ﻣﻘﺎﻭﻣﺖ ﺑﻨﺎﻫﺎﻱ ﺑﺎﺳﺘﺎﻧﻲ ﺩﺭ ﻣﻘﺎﺑﻞ ﺯﻟﺰﻟﻪ ﺑﻪ ﺭﺍﺣﺘﻲ ﻗﺎﺑﻞ ﺗﺨﻤﻴﻦ ﻧﻴﺴﺖ ﻭ ﻧﻤﻲ ﺗﻮﺍﻥ ﺩﺭﺟﻪ ﺍﻃﻤﻴﻨﺎﻥ ﻣﺸﺨﺼﻲ ﺭﺍ ﺩﺭ‬
‫ﺍﻳﻦ ﻣﻮﺭﺩ ﺑﺪﺳﺖ ﺍﻭﺭﺩ‪ .‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﻫﻤﻴﺖ ﻓﺮﻫﻨﮕﻲ ﻓﻮﻕ ﺍﻟﻌﺎﺩﻩ ﺑﻨﺎﻫﺎﻱ ﺑﺎﺳﺘﺎﻧﻲ ﻭ ﻋﺪﻡ ﺍﻃﻤﻴﻨﺎﻥ ﻗﻄﻌﻲ ﺑﻪ ﺭﻓﺘﺎﺭﺷﺎﻥ ﺩﺭ‬
‫ﻫﻨﮕﺎﻡ ﺯﻟﺰﻟﻪ ﻻﺯﻡ ﺍﺳﺖ ﺁﻧﻬﺎ ﺭﺍ ﺗﻘﻮﻳﺖ ﮐﺮﺩ‪ .‬ﺯﻣﻴﻦ ﻟﺮﺯﻩ ﻭﻳﺮﺍﻧﮕﺮ ﺑﻢ ﻣﻮﺟﺐ ﺑﺮﻭﺯ ﺗﻠﻔﺎﺕ ﺍﻧﺴﺎﻧﻲ‪ ،‬ﻭﻳﺮﺍﻧﻲ‬
‫ﻭﺧﺴﺎﺭﺍﺕ ﻋﻈﻴﻢ ﺑﻪ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻲ ﮔﺮﺩﻳﺪ‪ ،‬ﺷﺎﻳﺪ ﺍﻳﻦ ﺣﺎﺩﺛﻪ ﻣﺎﻧﻨﺪ ﻳﻚ ﺷﻮﻙ ﻋﻈﻴﻢ ﺑﻴﺶ ﺍﺯ ﭘﻴﺶ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ‬
‫ﻭﺩﺳﺖ ﺍﻧﺪﺭﻛﺎﺭﺍﻥ ﺭﺍ ﺑﻪ ﻓﻜﺮ ﺭﺍﻫﻜﺎﺭﻫﺎﺋﻲ ﺟﻬﺖ ﻛﺎﻫﺶ ﺧﺴﺎﺭﺍﺕ ﺍﺣﺘﻤﺎﻟﻲ ﺩﺭ ﻫﻨﮕﺎﻡ ﺯﻟﺰﻟﻪ ﺑﻪ ﻭﻳﮋﻩ ﺩﺭ ﺑﻨﺎﻫﺎﻱ‬
‫ﺗﺎﺭﻳﺨﻲ ﻓﺮﻭﺑﺮﺩ ﻭ ﺍﺯ ﺁﻥ ﺗﺎﺭﻳﺦ ﺗﺎﻛﻨﻮﻥ ﺩﺭ ﻧﻘﺎﻁ ﻭ ﺳﺎﺯﻣﺎﻥ ﻫﺎﻱ ﻣﺨﺘﻠﻒ ﻛﺎﺭﻫﺎﺋﻲ ﺻﻮﺭﺕ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪ .‬ﺩﺭ ﺍﻳﻦ‬
‫ﻣﻘﺎﻟﻪ ﺭﺍﻫﻜﺎﺭﻫﺎﺋﻲ ﺟﻬﺖ ﻛﺎﻫﺶ ﺁﺳﻴﺒﻬﺎﻱ ﻭﺍﺭﺩﻩ ﺑﻪ ﺑﻨﺎﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﻣﻲ ﺑﺎﺷﺪ‪ .‬ﺑﺎ ﺑﻬﺴﺎﺯﻱ ﻭ ﻣﺮﻣﺖ ﺑﻪ ﻣﻮﻗﻊ ﺍﻟﺒﺘﻪ ﺑﺎ‬
‫ﺷﻨﺎﺧﺖ ﺯﻣﺎﻥ ﺑﺎﺯﺭﺳﻲ ﺑﻨﺎﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﻣﻲ ﺗﻮﺍﻥ ﺗﺎ ﺣﺪ ﺯﻳﺎﺩﻱ ﺍﺯ ﺁﺳﻴﺒﻬﺎﻱ ﻭﺍﺭﺩﻩ ﻛﺎﺳﺖ‪.‬‬
‫‪ -٢‬ﻣﻘﺎﻭﻡ ﺳﺎﺯﻱ ﺑﺎﻓﺘﻬﺎﻱ ﻓﺮﺳﻮﺩﻩ ﻭ ﺗﺎﺭﻳﺨﻲ‪:‬‬
‫ﺗﺪﺍﺧﻞ ﺑﺎﻓﺘﻬﺎﻱ ﺗﺎﺭﻳﺨﻲ ﻭ ﻓﺮﺳﻮﺩﻩ ﻭ ﻧﺤﻮﻩ ﺩﺧﺎﻟﺖ ﺩﺭ ﺁﻧﻬـﺎ ﻣﺪﺗﻬﺎﺳـﺖ ﻛـﻪ ﻣـﻮﺭﺩ ﺑﺤـﺚ ﻣـﺪﻳﺮﺍﻥ ﺳـﺎﺯﻣﺎﻥ ﻣﻴـﺮﺍﺙ‬
‫ﻓﺮﻫﻨﮕﻲ ﻭ ﺷﺮﻛﺘﻬﺎﻱ ﻣﺨﺘﻠﻒ ﻋﻤﺮﺍﻥ ﻭ ﺑﻬﺴﺎﺯﻱ ﺍﺳﺖ‪.‬‬
‫ﺩﺭ ﺍﻳﻦ ﻣﻴﺎﻥ ﺑﻲﺗﻮﺟﻬﻲ ﺑﻪ ﺍﺭﺯﺵﻫﺎﻱ ﻛﺎﻟﺒـﺪﻱ‪ ،‬ﺗـﺎﺭﻳﺨﻲ ﻭ ﻫـﻮﻳﺘﻲ ﺑﺮﺧـﻲ ﺑﺎﻓـﺖﻫـﺎ ﺍﺯ ﺳـﻮﻱ ﺑﺮﺧـﻲ ﺷـﺮﻛﺖﻫـﺎﻱ‬
‫ﻣﺪﺍﺧﻠــﻪﻛﻨﻨــﺪﻩ ﺩﺭ ﺍﻣــﺮ ﻧﻮﺳــﺎﺯﻱ ﻭ ﺑﻬﺴــﺎﺯﻱ ﻫﻤﭽﻨــﻴﻦ ﺗﻌﻠــﻞ ﺳــﺎﺯﻣﺎﻥ ﻣﻴــﺮﺍﺙ ﻓﺮﻫﻨﮕــﻲ ﻭ ﮔﺮﺩﺷــﮕﺮﻱ ﺩﺭ ﺗﻌﻴــﻴﻦ‬

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‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي – ‪ -88/2/30‬ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‪www.Ficvsr.Civilica.IR -‬‬

‫ﻣﺤﺪﻭﺩﻩﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﻭ ﺗﺪﻭﻳﻦ ﺿﻮﺍﺑﻂ ﻭ ﺳﻴﺎﺳﺖﻫﺎﻱ ﺟﺪﻳﺪ ﺩﺭ ﻧﺤﻮﻩ ﻣﺪﺍﺧﻠﻪ ﺩﺭ ﺁﻧﻬﺎ‪ ،‬ﺑـﻴﺶ ﺍﺯ ﭘـﻴﺶ ﺍﻳـﻦ‬
‫ﻋﻨﺎﺻﺮ ﺍﺭﺯﺷﻤﻨﺪ ﺭﺍ ﺩﺭ ﺍﻧﺰﻭﺍ ﻓﺮﻭ ﺑﺮﺩﻩ ﺍﺳﺖ‪.‬‬
‫ﺗﻌﻠﻞ ﺳﺎﺯﻣﺎﻥ ﻣﻴﺮﺍﺙ ﻓﺮﻫﻨﮕﻲ ﺩﺭ ﺍﻳﻦ ﺍﻣﺮ ﻣﻮﺟﺐ ﺑﺮﻭﺯ ﺍﺗﻔﺎﻗﺎﺗﻲ ﻧﻈﻴﺮ ﺁﻧﭽﻪ ﺩﺭ ﺍﺻـﻔﻬﺎﻥ ﻭ ﺑـﺮﺍﻱ ﺧﺎﻧـﻪ ﺻـﻔﻮﻱ ﺑـﺮﻭﺯ‬
‫ﻛﺮﺩ ﻣﻲﺷﻮﺩ‪ .‬ﻫﻤﭽﻨﻴﻦ ﺑﺮﺧﻮﺭﺩ ﺍﺟﺒﺎﺭﻱ ﺍﺯ ﺳﻮﻱ ﺍﻳﻦ ﺳﺎﺯﻣﺎﻥ ﺑﺎ ﻣﺮﺩﻡ ﺑﺮﺍﻱ ﺣﻔﻆ ﺧﺎﻧﻪﻫﺎ ﻭ ﺑﻨﺎﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﺧـﻮﺩ ﺑـﻪ‬
‫ﺷﻜﻞ ﻣﻮﺯﻩﺍﻱ ﻣﻮﺟﺐ ﺑﺮﺧﻮﺭﺩ ﻗﻬﺮﻱ ﺁﻧﺎﻥ ﻣﻲﺷﻮﺩ‪.‬‬
‫‪ -٣‬ﺷﺎﺧﺼﻪ ﻫﺎﻱ ﺍﻭﻟﻮﻳﺖ ﺑﻬﺴﺎﺯﻱ‪:‬‬
‫ﺩﻭ ﭘﺎﺭﺍﻣﺘﺮ ﺩﺭ ﺗﻌﻴﻴﻦ ﺍﻳﻦ ﺍﻭﻟﻮﻳﺖﻫﺎ ﺩﺭ ﻧﻈﺮ ﮔﺮﻓﺘﻪ ﻣﻲﺷﻮﺩ‪ .‬ﻭﺳﻌﺖ ﻭ ﺍﺑﻌﺎﺩ ﺑﺎﻓﺖ ﻓﺮﺳﻮﺩﻩ ﺑﻪ ﻧﺴﺒﺖ ﻛﻞ ﺑﺎﻓﺖ ﺷﻬﺮﻱ‬
‫ﻭ ﺟﻤﻌﻴﺖ ﺑﺎﻓﺖ ﻓﺮﺳﻮﺩﻩ ﺑﻪ ﻧﺴﺒﺖ ﺟﻤﻌﻴﺖ ﻛﻞ ﺑﺎﻓﺖ ﻫﻤﭽﻨﻴﻦ ﻭﺿﻌﻴﺖ ﻟﺮﺯﻩﺧﻴﺰﻱ ﻣﻨﻄﻘﻪ ﻓﺎﻛﺘﻮﺭﻫﺎﻱ ﺍﺻﻠﻲ ﺩﺭ‬
‫ﺍﻧﺘﺨﺎﺏ ﺍﻳﻦ ﺷﻬﺮﻫﺎ ﻫﺴﺘﻨﺪ‪ .‬ﻟﺮﺯﻩﺧﻴﺰﻱ ﻣﻨﺎﻃﻖ ﻣﺨﺘﻠﻒ ﺑﺮﭘﺎﻳﻪ ﻣﻄﺎﻟﻌﺎﺕ ﭘﻬﻨﻪﺑﻨﺪﻱ ﺯﻟﺰﻟﻪ ﻛﻪ ﺗﻮﺳﻂ ﺳﺎﺯﻣﺎﻥ‬
‫ﺯﻣﻴﻦﺷﻨﺎﺳﻲ ﺍﻧﺠﺎﻡ ﺷﺪﻩ ﺑﻪ ﻣﻨﺎﻃﻖ ﺑﺴﻴﺎﺭ ﭘﺮﺧﻄﺮ‪ ،‬ﭘﺮﺧﻄﺮ‪ ،‬ﻣﺘﻮﺳﻂ ﻭ ﻛﻢﺧﻄﺮ ﺗﻘﺴﻴﻢﺑﻨﺪﻱ ﻣﻲﺷﻮﺩ‪ .‬ﺑﺮ ﻫﻤﻴﻦ ﭘﺎﻳﻪ ﺑﺮﺍﻱ‬
‫ﺗﻌﺪﺍﺩﻱ ﺍﺯ ﺷﻬﺮﻫﺎﻱ ﻭﺍﺟﺪ ﺷﺮﺍﻳﻂ ﻃﺮﺡ ﺗﻔﺼﻴﻠﻲ ﻭﻳﮋﻩ ﺗﻬﻴﻪ ﻭ ﺗﺼﻮﻳﺐ ﺷﺪ‪ .‬ﻃﺮﺡﻫﺎﻱ ﻭﻳﮋﻩ ﺗﻬﻴﻪ ﺷﺪﻩ ﺩﺭ ﺍﺑﻌﺎﺩ‬
‫ﻣﺨﺘﻠﻔﻲ ﻭ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺿﻮﺍﺑﻂ ﻣﻘﺮﺭﺍﺕ ﻻﺯﻡ ﺑﺮﺍﻱ ﺗﻀﻤﻴﻦ ﻧﻮﺳﺎﺯﻱ ﻭ ﺑﻬﺴﺎﺯﻱ ﺑﺎﻓﺖﻫﺎﻱ ﻳﺎﺩ ﺷﺪﻩ ﺍﺟﺮﺍﻳﻲ ﻣﻲﺷﻮﻧﺪ‪.‬‬
‫ﺑﻨﺎﻫﺎﻱ ﻣﻌﻤﺎﺭﻱ ﺗﺎﺭﻳﺨﻲ ﺗﻨﻬﺎ ﺍﺛﺮﻫﻨﺮﻱ ﺻﺮﻑ ﻧﻴﺴﺘﻨﺪ ﺑﻠﻜﻪ ﺩﺭﺯﻣﺎﻥ ﺗﻮﻟﺪ ﻭ ﺣﻀﻮﺭﺷﺎﻥ ﺑﻪ ﺩﻟﻴﻞ ﻣﻌﻄﻮﻑ ﺑﻮﺩﻥ ﺑﻪ‬
‫ﺯﻧﺪﮔﻲ ﺍﻧﺴﺎﻧﻲ ﻭ ﺣﻴﺎﺕ ﺑﺸﺮﻱ ﺩﺍﺭﺍﻱ ﻓﺮﻫﻨﮓ ﻭ ﺯﺑﺎﻥ ﺧﺎﺹ ﺧﻮﺩ ﺷﺪﻩ ﺍﻧﺪ ﻭﺍﻳﻦ ﻣـﻮﺿﻮﻉ ﺩﺭﮔﺮﻣﺎﺑﻪ ﻫﺎ ﻧﻤﻮﺩ‬
‫ﺑﻴﺸﺘﺮﻱ ﻳﺎﻓﺘﻪ ﺍﺳﺖ ‪.‬‬
‫ﺣﻤﺎﻡ ﻫﺎ ﺍﺯ ﺟﻤﻠﻪ ﺍﺑﻨﻴﻪ ﻣﻬﻢ ﺷﻬﺮﻱ ﺑﻮﺩﻩ ﮐﻪ ﻣﻌﻤﻮﻻ ﺩﺭ ﻣﺮﺍﮐﺰ ﻣﺤﻼﺕ ﻭ ﻳﺎ ﺩﺭ ﻣﺠﺎﻭﺭ ﺭﺍﺳﺘﻪ ﻫﺎﻱ ﺑﺎﺯﺍﺭ ﻭ ﻳﺎ ﮔﺬﺭ‬
‫ﻫﺎﻱ ﺍﺻﻠﻲ ﺍﺣﺪﺍﺙ ﻣﻲ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﺷﮑﻞ ‪١‬ﻓﻀﺎﻱ ﺑﻴﺮﻭﻧﻲ ﺣﻤﺎﻡ ﻋﻠﻲ ﻗﻠﻲ ﺍﻗﺎ‬
‫‪-٤‬ﻟﺰﻭﻡ ﻣﻘﺎﻭﻡ ﺳﺎﺯﻱ ﺑﻨﺎﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﺑﻮﻳﮋﻩ ﻣﺴﺠﺪ ﻫﺎ‪:‬‬

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‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي – ‪ -88/2/30‬ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‪www.Ficvsr.Civilica.IR -‬‬

‫ﻣﻄﺎﻟﻌﺎﺕ ﺍﻧﺠﺎﻡ ﻳﺎﻓﺘﻪ ﺑﻪ ﻣﻨﻈﻮﺭ ﺍﺭﺯﻳﺎﺑﻲ ﻣﺘﺪ ﺗﻘﻮﻳﺖ ﻭ ﺑﺎﺯﺳﺎﺯﻱ ﻭ ﻣﻘﺎﻭﻡ ﺳﺎﺯﻱ ﻣﺴﺎﺟﺪ ﺍﺳﻼﻣﻲ ﺑﺎ ﻋﻨﺎﻳﺖ ﺑﻪ‬
‫ﻟﺰﻭﻡ ﺣﻔﺎﻇﺖ ﺍﺯ ﺁﺛﺎﺭ ﺍﺭﺯﻧﺪﻩ ﺗﺎﺭﻳﺨﻲ‪ ،‬ﻃﺮﺡ ﻣﻘﺎﻭﻡ ﺳﺎﺯﻱ ﻣﺴﺎﺟﺪ ﺩﺭ ﭼﻬﺎﺭﭼﻮﺏ ﺭﻋﺎﻳﺖ ﺍﺻﻮﻝ ﻓﻦ‬
‫ﻭﺍﻗﺘﺼﺎﺩ ﺗﻮﺟﻪ ﻛﺎﺭﺷﻨﺎﺳﺎﻥ ﺭﺍ ﺑﻪ ﺧﻮﺩ ﻣﻌﻄﻮﻑ ﺩﺍﺷﺖ‪ .‬ﻫﺪﻑ ﻣﻘﺎﻭﻡ ﺳﺎﺯﻱ ﺳﺎﺧﺘﻤﺎﻥ ﺩﺭﻣﻘﺎﺑﻞ ﺯﻟﺰﻟﻪ ﺑﺮﺍﺳﺎﺱ ﺁﺧﺮﻳﻦ‬
‫ﺩﺳﺘﺎﻭﺭﺩﻫﺎ ﻭ ﺗﻜﻨﻮﻟﻮﮊﻱ ﻧﻮﻳﻦ ﻭ ﺑﺎ ﺍﻧﺠﺎﻡ ﻗﺎﺏ ﺑﻨﺪﻱ ﻛﻞ ﺳﺎﺧﺘﻤﺎﻥ ﻭﺍﻳﺠﺎﺩ ﻳﻚ ﺳﻴﺴﺘﻢ ﻳﻜﭙﺎﺭﭼﻪ ﭘﺎﻳﺪﺍﺭ ﻣﻲ ﺑﺎﺷﺪ‪.‬‬
‫‪ -١-٤‬ﺳﺎﺯﻧﺪ ﻣﺴﺠﺪ‪:‬‬
‫ﺷﻬﺮ ﺍﺻﻔﻬﺎﻥ ﺩﺭ ﺭﺩﻳﻒ ﺍﻭﻟﻴﻦ ﺳﻜﻨﺎﮔﺎﻩ ﻫﺎﻱ ﺑﺸﺮ ﻭ ﭘﺮ ﺍﺯ ﺁﺛﺎﺭ ﺗﺎﺭﻳﺨﻲ ﻣﺘﻌﻠﻖ ﺑﻪ ﺩﻭﺭﻩ ﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﻗﺒﻞ ﻭ ﺑﻌﺪ ﺍﺯ‬
‫ﺍﺳﻼﻡ ﺍﺳﺖ‪ .‬ﺷﻬﺮﻱ ﺑﺎ ﺳﺎﺧﺘﻤﺎﻥ ﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﻭ ﺑﺎ ﻃﺮﺍﺣﻲ ﻣﻌﻤﺎﺭﻱ ﺷﺎﺧﺺ ﻛﻪ ﺍﻟﺒﺘﻪ ﺯﻟﺰﻟﻪ ﺧﻴﺰ ﻧﻴﺰ ﻣﻲ ﺑﺎﺷﺪ‪ .‬ﺁﺛﺎﺭ‬
‫ﺗﺎﺭﻳﺨﻲ ﺍﻳﻦ ﺷﻬﺮ ﺗﻨﻬﺎ ﺑﻪ ﺧﺎﻃﺮ ﺷﺮﺍﻳﻂ ﺧﺎﺹ ﻣﻨﻄﻘﻪ ﻭ ﺧﺴﺎﺭﺕ ﻫﺎﻱ ﻭﺍﺭﺩﻩ ﻣﻮﺭﺩ ﻣﻄﺎﻟﻌﻪ ﻗﺮﺍﺭﻧﮕﺮﻓﺘﻪ ﺑﻠﻜﻪ ﺑﺨﺎﻃﺮ‬
‫ﺳﭙﺮﻱ ﻛﺮﺩﻥ ﺩﻭﺭﺍﻥ ﻃﻮﻳﻠﻲ ﺍﺯ ﻋﻤﺮ ﺧﻮﺩ ﺩﺭ ﻣﻘﺎﺑﻞ ﺯﻟﺰﻟﻪ ﻣﻮﺭﺩ ﺗﻮﺟﻪ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﻧﺪ‪ .‬ﻛﻪ ﺗﻮﺟﻪ ﺑﻪ ﻣﻮﺍﺭﺩ ﺯﻳﺮ ﺩﺭ‬
‫ﺑﺮﺭﺳﻲ ﭘﺎﻳﺪﺍﺭﻱ ﺳﺎﺯﻩ ﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﺁﻥ ﻻﺯﻡ ﺍﺳﺖ‪ :‬ﻣﺤﻞ ﺍﺳﺘﻘﺮﺍﺭ‪،‬ﺧﺼﻮﺻﻴﺎﺕ ﺍﺻﻠﻲ‪،‬ﺳﻴﺴﺘﻢ ﺳﺎﺯﻩ ﺍﻱ‪،‬ﻫﻨﺪﺳﻪ ﺳﺎﺯﻩ‬
‫ﻭﺧﺎﺭﺝ ﺍﺯ ﻣﻮﺍﺭﺩ ﻳﺎﺩﺷﺪﻩ ﻣﺴﺠﺪ ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻤﻮﻧﻪ ﻣﻄﺎﻟﻌﺎﺗﻲ ﻣﺴﺠﺪ ﻫﺎﻱ ﺗﺎﺭﻳﺨﻲ ﺑﺎ ﺩﻭﺭﻩ ﻫﺎﻱ ﻣﺨﺘﻠﻒ ﺳﺎﺧﺖ ﻣﻲ‬
‫ﺗﻮﺍﻧﺪ ﺑﻪ ﻋﻨﻮﺍﻥ ﻧﻤﻮﻧﻪ ﻣﻨﺎﺳﺒﻲ ﺟﻬﺖ ﺭﻭﻧﺪ ﻳﺎﺑﻲ ﻛﻠﻲ ﻣﺴﺎﺟﺪ ﺩﻳﮕﺮ ﻣﻲ ﺗﻮﺍﻧﺪ ﺑﻜﺎﺭﮔﻴﺮﻱ ﺷﻮﺩ‪ .‬ﻧﺤﻮﻩ ﮔﺮﺩﺵ ﻛﺎﺭ‬
‫ﺑﺸﺮﺡ ﺯﻳﺮ ﺍﻧﺠﺎﻡ ﭘﺬﻳﺮﻓﺖ‪:‬‬
‫‪ -1‬ﺗﻌﻴﻴﻦ ﺧﺼﻮﺻﻴﺎﺕ ﻓﻴﺰﻳﻜﻲ‪ ،‬ﻣﻜﺎﻧﻴﻜﻲ ﻭﺷﻴﻤﻴﺎﻳﻲ ﻣﺼﺎﻟﺢ ﻣﺼﺮﻓﻲ ﺩﺭﺳﺎﺧﺘﻤﺎﻥ ﺑﻪ ﻫﻤﺮﺍﻩ ﺁﺯﻣﺎﻳﺶ ﻫﺎﺋﻲ ﺍﺯ ﻧﻤﻮﻧﻪ‬
‫ﻫﺎﻱ ﻣﺼﺎﻟﺢ ﻣﺼﺮﻓﻲ ﺷﺎﻣﻞ ﻣﻼﺕ‪ ،‬ﺁﺟﺮ‪ ،‬ﺳﻨﮓ ﻭ … ﻭ ﻫﻤﭽﻨﻴﻦ ﺩﺍﻧﻪ ﺑﻨﺪﻱ ﻣﻼﺕ‪.‬‬
‫‪ -2‬ﺗﻌﻴﻴﻦ ﭘﺎﺭﺍﻣﺘﺮﻫﺎﻱ ﺍﺻﻠﻲ ﺯﻟﺰﻟﻪ ﺩﺭ ﻣﺤﻞ ﺍﺳﺘﻘﺮﺍﺭ ﺳﺎﺧﺘﻤﺎﻥ‪ ،‬ﻣﻮﺍﺭﺩ ﮊﺋﻮﻓﻴﺰﻳﻜﻲ ﻣﻨﻄﻘﻪ‪ ،‬ﺗﻌﺪﺍﺩ ﺯﻟﺰﻟﻪ ﻫﺎﻱ ﻭﻗﻮﻉ‬
‫ﻳﺎﻓﺘﻪ ﺩﺭﮔﺬﺷﺘﻪ ﺑﺮﺣﺴﺐ ﺷﺪﺕ ﺁﻧﻬﺎ ﺑﺮﺍﻱ ﻳﻚ ﺩﻭﺭﻩ ﺑﺎﺯﮔﺸﺖ ﺯﻟﺰﻟﻪ‪ ،‬ﺷﺘﺎﺏ ﻫﺎﻱ ﻣﺎﻛﺰﻳﻤﻢ ﺑﺮﺍﻱ ﺯﻟﺰﻟﻪ ﻃﺮﺡ‬
‫‪ -3‬ﺗﻌﻴﻴﻦ ﺧﺼﻮﺻﻴﺎﺕ ﺍﺻﻠﻲ ﺩﻳﻨﺎﻣﻴﻜﻲ ﺳﺎﺧﺘﻤﺎﻥ ﻣﻮﺟﻮﺩ ﺑﺎ ﻓﺮﻛﺎﻧﺲ ﻫﺎﻱ ﻃﺒﻴﻌﻲ ﻭ ﻣﺪﻫﺎﻱ ﺍﺭﺗﻌﺎﺵ ﺩﺭ ﺟﻬﺎﺕ ‪y,x‬‬
‫ﻛﻪ ﺑﻮﺳﻴﻠﻪ ﺗﻜﻨﻴﻚ ﻫﺎﻱ ﺍﺭﺗﻌﺎﺷﻲ ﺑﺪﺳﺖ ﻣﻲ ﺁﻳﺪ ﻭ ﺣﺎﺻﻞ ﻛﺎﺭ ﻓﺮﻛﺎﻧﺲ ‪4/8HZ‬ﻭ‪6HZ‬ﺑﺮﺍﻱ ﺟﻬﺎﺕ‪N-S,E-‬‬
‫‪ W‬ﻣﻲ ﺑﺎﺷﺪ‪.‬‬
‫‪ -٤‬ﺁﻧﺎﻟﻴﺰ ﭘﺎﺳﺦ ﺩﻳﻨﺎﻣﻴﻜﻲ ﺳﺎﺯﻩ ﻣﻮﺟﻮﺩ ﺑﻪ ﻣﻨﻈﻮﺭ ﺍﺭﺯﻳﺎﺑﻲ ﻇﺮﻓﻴﺖ ﺳﺎﺯﻩ ﺑﻪ ﻃﻮﺭﻳﻜﻪ ﺳﺎﺯﻩ ﺗﺤﺖ ﺍﺛﺮ ﺷﺘﺎﺏ‬
‫ﻫﺎﻱ‪0.12g‬‬
‫‪ 0.14 g‬ﺑﺮﺍﻱ ﻳﻚ ﺩﻭﺭﻩ ﺑﺎﺯﮔﺸﺖ ﻳﻚ ﺻﺪﺳﺎﻟﻪ ﺑﺎﻳﺪ ﺭﻓﺘﺎﺭ ﺍﻻﺳﺘﻴﻚ ﺩﺍﺷﺘﻪ ﻭﺑﺎ ﺗﺤﻤﻞ ﺧﺴﺎﺭﺕ ﻫﺎﻱ ﻛﻢ ﺩﺭﺳﻴﺴﺘﻢ‬
‫ﺳﺎﺯﻩ ﺍﺻﻠﻲ ﻭ ﺗﺤﻤﻞ ﺧﺴﺎﺭﺕ ﻫﺎﻱ ﻧﺴﺒﺘﹰﺎ ﺯﻳﺎﺩ ﺩﺭﺍﻟﻤﺎﻥ ﻫﺎﻱ ﺩﺭﺟﻪ ﺩﻭﻡ ﻛﻪ ﻗﺎﺑﻞ ﻣﺮﻣﺖ ﻭ ﺗﻌﻤﻴﺮ ﺑﺎﺷﻨﺪ‪ .‬ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ‬
‫ﺩﻳﺪﮔﺎﻩ ﻫﺎﻱ ﻓﻮﻕ ﺍﻧﺘﻈﺎﺭ ﺑﺮﺍﻳﻦ ﺑﻮﺩ ﻛﻪ ﺯﻟﺰﻟﻪ ‪0/20 g‬ﻭ ﺑﺎ ﺩﻭﺭﻩ ﺑﺎﺯﮔﺸﺖ ‪ 200‬ﺳﺎﻟﻪ ﻣﻲ ﺗﻮﺍﻧﺪ ﺧﺴﺎﺭﺕ ﺑﺎﺷﺘﺎﺏ‬
‫ﻫﺎﻱ ﺟﺪﻱ ﺑﻪ ﺑﺨﺶ ﻫﺎﻱ ﮔﻨﺒﺪ‪ ،‬ﺍﻳﻮﺍﻥ‪ ،‬ﮔﭻ ﺑﺮﻱ ﻫﺎ‪ ،‬ﻧﻌﻞ ﺩ ﺭﮔﺎﻩ ﻫﺎ ﻭﺍﺭﺩﻧﻤﺎﻳﺪ‪ .‬ﻫﺪﻑ ﺍﺻﻠﻲ ﻗﺎﺑﻞ ﻣﺮﻣﺖ ﻭ ﺗﻌﻤﻴﺮ‬
‫ﺑﻮﺩﻥ ﺍﻳﻦ ﺧﺴﺎﺭﺍﺕ ﻣﻲ ﺑﺎﺷﺪ‪.‬‬
‫‪-٢-٤‬ﻣﻌﺮﻓﻲ ﻣﺠﻤﻮﻋﻪ‪:‬‬

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‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي – ‪ -88/2/30‬ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‪www.Ficvsr.Civilica.IR -‬‬

‫ﻣﺠﻤﻮﻋﻪ ﺗﺎﺭﻳﺨﻲ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ ﺍﺯ ﺍﺛﺮﺍﺕ ﻫﻨﺮﻱ ﻣﻌﻤﺎﺭﻱ ﻭ ﺷﻬﺮ ﺳﺎﺯﻱ ﺩﻭﺭﺍﻥ ﭘﺮ ﻋﻈﻤﺖ ﺻﻔﻮﻳﻪ ﺍﺳﺖ ﮐﻪ‬
‫ﺩﺭ ﻣﺤﻠﻪ ﺑﻴﺪ ﺁﺑﺎﺩ ﻭﺍﻗﻊ ﮔﺮﺩﻳﺪﻩ ﻭ ﺷﺎﻣﻞ ﺑﺎﺯﺍﺭ ﻭ ﭼﻬﺎﺭ ﺳﻮﻕ –ﻣﺴﺠﺪ‪ -‬ﻣﮑﺘﺐ ﺧﺎﻧﻪ ‪-‬ﺣﻤﺎﻡ‪ -‬ﺯﻭﺭ‬
‫ﺧﺎﻧﻪ ﻭ ﮐﺎﺭﻭﺍﻧﺴﺮﺍ ﻭ ﺩﮐﺎﮐﻴﻦ ﮐﺴﺒﻪ ﻣﺨﺘﻠﻒ ﺑﻮﺩﻩ ﻭ ﻣﺘﺂﺳﻔﺎﻧﻪ ﺑﻪ ﻣﺮﻭﺭ ﺯﻣﺎﻥ ﻗﺴﻤﺘﻬﺎﻳﻲ ﺍﺯ ﺍﻳﻦ ﻣﺠﻤﻮﻋﻪ ﺗﺨﺮﻳﺐ ﻭ‬
‫ﺑﺠﺎﻱ ﺁﻥ ﺑﻨﺎﻫﺎﻱ ﺟﺪﻳﺪ ﺍﺣﺪﺍﺙ ﮔﺮﺩﻳﺪﻩ ﺍﺳﺖ ﻭ ﺳﺎﻳﺮ ﻗﺴﻤﺖ ﻫﺎﻱ ﺑﺎﻗﻲ ﻣﺎﻧﺪﻩ ﻧﻴﺰ ﺍﺣﺘﻴﺎﺝ ﻣﺒﺮﻡ ﺑﻪ ﻣﺮﻣﺖ ﻭ ﺍﺣﻴﺎﺀ‬
‫ﺩﺍﺷﺘﻪ ﮐﻪ ﺧﻮﺷﺒﺨﺘﺎﻧﻪ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺍﺭﺯﺷﻬﺎﻱ ﺧﺎﺹ ﺗﺎﺭﻳﺨﻲ ﻫﻨﺮﻱ ﺍﻳﻦ ﻣﺠﻤﻮﻋﻪ ﻣﺮﻣﺖ ﺁﻥ ﺑﺎ ﺍﻋﺘﺒﺎﺭﺍﺕ ﻣﺎﻟﻲ‬
‫ﺷﻬﺮﺩﺍﺭﻱ ﻣﻨﻄﻘﻪ ﻳﮏ ﻭ ﺗﻮﺳﻂ ﺳﺎﺯﻣﺎﻥ ﻧﻮ ﺳﺎﺯﻱ ﻭ ﺑﻬﺴﺎﺯﻱ ﺷﻬﺮ ﺍﺻﻔﻬﺎﻥ ﺩﺭ ﺳﺎﻝ ‪ ۸۲‬ﺷﺮﻭﻉ ﻭ ﺩﺭ ﺳﺎﻝ ‪ ٨٣‬ﺑﺎﺗﻤﺎﻡ‬
‫ﺭﺳﻴﺪﻩ ﺍﺳﺖ‪.‬‬

‫ﺷﮑﻞ ‪ ٢‬ﻣﺴﻴﺮﻫﺎﻱ ﺗﻬﻮﻳﻪ ﻫﻮﺍ ﻭ ﻧﻮﺭﮔﻴﺮ‬
‫ﺍﺣﺪﺍﺙ ﺣﻤﺎﻡ ﺍﺯ ﺟﻤﻠﻪ ﮐﺎﺭ ﻫﺎﻱ ﻋﺎﻡ ﺍﻟﻤﻨﻔﻌﻪ ﻣﺤﺴﻮﺏ ﻣﻲ ﺷﺪﻩ ﻭ ﺍﻣﺮﺍ ﻭ ﺻﺎﺣﺐ ﻣﻨﺼﺒﺎﻥ ﺑﻪ ﺍﺣﺪﺍﺙ ﺣﻤﺎﻡ ﺩﺭ ﻣﺮﮐﺰ‬
‫ﺷﻬﺮ ﻭ ﻳﺎ ﺑﺎﺯﺍﺭ ﺍﻗﺪﺍﻡ ﻣﻲ ﮐﺮﺩﻧﺪ‪ .‬ﺑﺰﺭﮔﺎﻥ ﻣﺤﻼﺕ ﻣﺨﺘﻠﻒ ﻧﻴﺰ ﺩﺭ ﻣﺮﮐﺰ ﻣﺤﻠﻪ ﻭ ﻳﺎ ﮔﺬﺭ ﻫﺎ ﺑﺮﺍﻱ ﺍﻫﻞ ﻣﺤﻞ ﺣﻤﺎﻡ ﻣﻲ‬
‫ﺳﺎﺧﺘﻨﺪ‪.‬‬
‫ﺣﻤﺎﻡ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ ﮐﻪ ﺣﻤﺎﻣﻲ ﻭﻗﻔﻲ ﺑﻮﺩﻩ ﺭﺍ ﻓﺮﺩﻱ ﺑﻪ ﻫﻤﻴﻦ ﻧﺎﻡ ﺳﺎﺧﺖ‪ .‬ﺑﺎﻧﻲ ﺍﻳﻦ ﺑﻨﺎﻫﺎ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ ﺍﺯ ﺧﻮﺍﺟﮕﺎﻥ‬
‫ﺣﺮﻡ ﺷﺎﻩ ﺳﻠﻴﻤﺎﻥ ﻭ ﺷﺎﻩ ﺳﻠﻄﺎﻥ ﺣﺴﻴﻦ ﺻﻔﻮﻱ ﺑﻮﺩﻩ ﺍﺳﺖ‪.‬‬
‫‪-٣-٤‬ﻣﺨﺘﺼﺮﻱ ﺍﺯ ﻣﺴﺠﺪ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ‪:‬‬
‫ﻣﺴﺠﺪ ﻋﻠﻴﻘﻠﻲ ﺁﻗﺎ ﻳﻜﻲ ﺩﻳﮕﺮ ﺍﺯ ﺁﺛﺎﺭ ﻧﻔﻴﺲ ﺍﻭﺍﺧﺮ ﻋﺼﺮ ﺻﻔﻮﻱ ﺍﺳﺖ ﻛﻪ ﺑﻪ ﻫﻤﺖ ﻭ ﭘﺎﻳﻤﺮﺩﻱ ﺍﻓﺮﺍﺩ ﻧﻴﻜﻮﻛﺎﺭ‬
‫ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻣﺴﺠﺪ ﺑﻪ ﻟﺤﺎﻅ ﻭﺟﻮﺩ ﺧﻄﻮﻁ ﺯﻳﺒﺎﻱ ﺛﻠﺚ ﻭ ﻧﺴﺘﻌﻠﻴﻖ ﻣﺮﺑﻮﻁ ﺑﻪ ﻋﺼﺮ ﺻﻔﻮﻳﻪ ﻭ ﻗﺎﺟﺎﺭ ﻭ‬
‫ﻛﺎﺷﻴﻜﺎﺭﻱ ﻧﻔﻴﺲ ﻳﻜﻲ ﺍﺯ ﺑﻨﺎﻫﺎﻱ ﺍﺭﺯﺷﻤﻨﺪ ﺍﺻﻔﻬﺎﻥ ﺑﻪ ﺷﻤﺎﺭ ﻣﻲ ﺭﻭﺩ‪.‬‬

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‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي – ‪ -88/2/30‬ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‪www.Ficvsr.Civilica.IR -‬‬

‫ﺩﺭ ﻣﻘﺎﺑﻞ ﻣﺴﺠﺪ ﺣﻤﺎﻡ ﻋﻠﻴﻘﻠﻲ ﺁﻗﺎ ﻭﺍﻗﻊ ﺷﺪﻩ ﻛﻪ ﻗﺴﻤﺖ ﺍﻋﻈﻢ ﺁﻥ ﻭﻳﺮﺍﻥ ﮔﺮﺩﻳﺪﻩ ﻭ ﻣﻘﺪﺍﺭﻱ ﺍﺯ ﻛﺎﺷﻴﻬﺎﻱ‬
‫ﻧﻔﻴﺲ ﺁﻥ ﺑﻪ ﻛﺎﺥ ﭼﻬﻠﺴﺘﻮﻥ ﺍﻧﺘﻘﺎﻝ ﻳﺎﻓﺘﻪ ﺍﺳﺖ‪.‬‬

‫ﺷﮑﻞ ‪ ٣‬ﻭﺭﻭﺩﻱ ﻣﺴﺠﺪ ﻣﺠﻤﻮﻋﻪ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ‬
‫‪-٤-٤‬ﺗﺮﮐﻴﺒﺎﺕ ﻣﻌﻤﺎﺭﻱ ﻣﺴﺠﺪ‪:‬‬
‫ﺩﺭ ﺟﻠﻮ ﻣﺴﺠﺪ ﻋﻠﻴﻘﻠﻲ ﺁﻗﺎ ﻣﺎﺩﻱ ﻓﺪﻥ ﻳﺎ ﻓﺪﺍ ﻋﺒﻮﺭ ﻣﻲ ﻛﻨﺪ ﻭ ﺳﺮﺩﺭ ﻣﺴﺠﺪ ﺑﻪ ﻃﺮﻑ ﻣﻐﺮﺏ ﺍﺳﺖ‪ .‬ﻣﺴﺠﺪ ﺻﺤﻦ‬
‫ﻧﺴﺒﺘﹰﺎ ﻛﻮﭼﻚ ﻭ ﺯﻳﺒﺎﻳﻲ ﺩﺍﺭﺩ ﻭ ﺷﺒﺴﺘﺎﻥ ﺯﻳﺒﺎ ﻭ ﻧﻔﻴﺲ ﻣﺴﺠﺪ ﺩﺭ ﺷﺮﻕ ﺣﻴﺎﻁ ﻗﺮﺍﺭ ﺩﺍﺭﺩ‪.‬‬
‫ﺩﺭ ﺟﻨﻮﺏ ﺍﻳﻮﺍﻥ ﻣﺤﺮﺍﺏ ﺯﻳﺒﺎﻳﻲ ﺍﺳﺖ ﻛﻪ ﺍﺯﺍﺭﻩ ﺁﻥ ﺳﻨﮓ ﻣﺮﻣﺮ ﻭ ﺩﻳﻮﺍﺭﻫﺎﻱ ﺑﺎﻻ ﺑﺎ ﻛﺎﺷﻴﻜﺎﺭﻱ ﻣﻌﺮﻕ ﺗﺰﺋﻴﻦ ﺷﺪﻩ‬
‫ﺍﺳﺖ‪.‬‬
‫‪-٥-٤‬ﺗﺰﺋﻴﻨﺎﺕ ﻭ ﮐﺘﻴﺒﻪ ﻫﺎﻱ ﻣﺴﺠﺪ‪:‬‬
‫ﺷﺒﺴﺘﺎﻥ ﺁﻥ ﺑﺎ ﻛﺎﺷﻴﻬﺎﻳﻲ ﺍﺯ ﻧﻮﻉ ﮔﺮﻩ ﻛﺎﺭﻱ ﺗﺰﺋﻴﻦ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻛﺘﻴﺒﻪ ﺳﺮﺩﺭ ﺑﻪ ﺧﻂ ﺛﻠﺚ ﻗﻬﻮﻩ ﺍﻱ ﺭﻧﮓ ﺑﻪ ﺧﻂ ﻋﻠﻲ‬
‫ﻧﻘﻲ ﺍﻣﺎﻣﻲ ﻭ ﺗﺎﺭﻳﺦ ‪ ١١٢٢‬ﻫﺠﺮﻱ ﻗﻤﺮﻱ ﺍﺳﺖ‪.‬ﺩﺭ ﺍﻳﻦ ﻛﺘﻴﺒﻪ ﺑﻪ ﻧﺎﻡ ﺷﺎﻩ ﺳﻠﻄﺎﻥ ﺣﺴﻴﻦ ﻭ ﻋﻠﻴﻘﻠﻲ ﺁﻗﺎ ﺍﺷﺎﺭﻩ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬

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‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي – ‪ -88/2/30‬ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‪www.Ficvsr.Civilica.IR -‬‬

‫ﺷﮑﻞ ‪ ٤‬ﺗﺰﺋﻴﻨﺎﺕ ﺳﺮ ﺩﺭ ﻣﺴﺠﺪ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ‬
‫ﻭ ﺑﺮ ﻛﺘﻴﺒﻪ ﺷﺒﺴﺘﺎﻥ ﻣﺴﺠﺪ ﺑﺎ ﺧﻂ ﻧﺴﺘﻌﻠﻴﻖ ﺳﻔﻴﺪ ﺑﺮ ﺯﻣﻴﻨﻪ ﻛﺎﺷﻲ ﻻﺟﻮﺭﺩﻱ ﺍﺷﻌﺎﺭﻱ ﻧﻮﺷﺘﻪ ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﻣﻔﺎﺩ ﺍﻳﻦ ﺍﺷﻌﺎﺭ‬
‫ﺣﺎﻛﻲ ﺍﺯ ﺍﻳﻦ ﺍﺳﺖ ﻛﻪ ﺷﺒﺴﺘﺎﻥ ﺩﺭ ﺳﺎﻝ ‪ ١٢٩٧‬ﻫﺠﺮﻱ ﻗﻤﺮﻱ ﺯﻣﺎﻥ ﺳﻠﻄﻨﺖ ﻧﺎﺻﺮﺍﻟﺪﻳﻦ ﺷﺎﻩ ﻗﺎﺟﺎﺭ ﺑﻪ ﻣﺴﺠﺪ ﺍﻟﺤﺎﻕ‬
‫ﺷﺪﻩ ﺍﺳﺖ‪ .‬ﺧﻄﺎﻁ ﺍﻳﻦ ﻛﺘﻴﺒﻪ ﻋﺒﺪﺍﻟﺠﻮﺍﺩ ﻭ ﺍﺳﺘﺎﺩ ﻛﺎﺷﻴﻜﺎﺭ ﺁﻥ ﻣﺤﻤﺪ ﺍﺳﻤﺎﻋﻴﻞ ﺍﺳﺖ‪.‬‬

‫ﺷﮑﻞ ‪ ٦‬ﺩﺭﺏ ﻗﺪﻳﻤﻲ ﻧﺰﺩﻳﮏ ﺣﻤﺎﻡ ﻋﻠﻲ ﻗﻠﻲ ﺁﻗﺎ‬

‫ﺷﮑﻞ ‪ ٥‬ﮐﺘﻴﺒﻪ ﺷﺒﺴﺘﺎﻥ ﻣﺴﺠﺪ‬

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‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي – ‪ -88/2/30‬ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‪www.Ficvsr.Civilica.IR -‬‬

‫ﺷﮑﻞ ‪ ٧‬ﺩﺭﺏ ﻭﺭﻭﺩﻱ‬
‫‪-٥‬ﻧﺤﻮﻩ ﻣﺮﻣﺖ ﻭ ﺑﻬﺴﺎﺯﻱ‪:‬‬
‫ﺍﺯ ﺁﻧﺠﺎ ﮐﻪ ﺍﻳﻦ ﺑﻨﺎ ﭘﺲ ﺍﺯ ﺍﺣﺪﺍﺙ ﺩﺭ ﺩﻭﺭﻩ ﻫﺎﻱ ﺑﻌﺪﻱ ﻧﻴﺰ ﻣﻮﺭﺩ ﺍﺳﺘﻔﺎﺩﻩ ﻗﺮﺍﺭ ﻣﻴﮕﺮﻓﺘﻪ ﺗﻌﻤﻴﺮﺍﺕ ﻭﻳﺎ ﺍﻟﺤﺎﻗﺎﺗﻲ ﺑﻪ‬
‫ﺻﻮﺭﺕ ﻧﺎ ﺩﺭﺳﺖ ﺩﺭ ﺑﻨﺎ ﺻﻮﺭﺕ ﭘﺬﻳﺮﻓﺘﻪ ﺍﺳﺖ ﮐﻪ ﺩﺭ ﻫﻨﮕﺎﻡ ﻣﺮﻣﺖ ﺗﻤﺎﻣﻲ ﺁﻧﻬﺎ ﺍﺻﻼﺡ ﺷﺪﻩ ﻭ ﺑﺎ ﻻﻳﻪ ﺑﺮﺩﺍﺭﻱ ﺑﻴﻦ‬
‫ﺳﻪ ﺗﺎ ﭘﻨﺞ ﻻﻳﻪ ﭘﺲ ﺍﺯ ﺭﺳﻴﺪﻥ ﺑﻪ ﺍﻭﻟﻴﻦ ﻻﻳﻪ ﺗﺰﺋﻴﻨﺎﺕ ﺩﻭﺭﻩ ﻫﺎﻱ ﻣﺨﺘﻠﻒ ﺣﻤﺎﻡ ﻗﺎﺑﻞ ﺩﺳﺘﺮﺳﻲ ﺑﺎﺷﺪ‪.‬‬

‫ﺷﮑﻞ ‪ ٨‬ﻭﺿﻌﻴﺖ ﻗﺒﻞ ﺍﺯ ﻣﺮﻣﺖ ﺣﻤﺎﻡ‬
‫‪-٦‬ﻧﺘﻴﺠﻪ ﮔﻴﺮﻱ‪:‬‬
‫ﺑﺎﮔﺬﺭﻱ ﺑﺮﻓﻀﺎ ﻭ ﺷﺮﺍﻳﻂ ﻣﻮﺟﻮﺩ ﺩﺭﺣﻤﺎﻡ ﻣﻲﺗﻮﺍﻥ ﺑﻪ ﻧﻘﺶ ﻓﺮﻫﻨﮕﻲ ﻭﺍﺟﺘﻤﺎﻋﻲ ﺍﻳﻦ ﻣﺤﻴﻂ ﻧﻴﺰ ﭘﻲ ﺑﺮﺩ‪ .‬ﻣﻜﺎﻧﻲ ﻛﻪ‬
‫ﻣﺠﻤﻮﻋﻪﺍﻱ ﺍﺯﻓﻌﺎﻟﻴﺖﻫﺎ ﺍﺯﻗﺒﻴﻞ ﻧﻈﺎﻓﺖ‪ ،‬ﺩﻳﺪ ﻭﺑﺎﺯﺩﻳﺪ‪ ،‬ﮔﻔﺖ ﻭﮔﻮ ﺩﺭﻣﻮﺭﺩ ﻣﺴﺎﻳﻠﻲ ﭼﻮﻥ ﺳﻴﺎﺳﺖ‪ ،‬ﺧﺎﻧﻮﺍﺩﻩ‪ ،‬ﺗﺠﺎﺭﺕ‬
‫ﻭ‪ ...‬ﺭﺍ ﺑﺎ ﺭﻩ ﺁﻭﺭﺩﻱ ﺍﺯ ﺁﺩﺍﺏ ﻭ ﺭﺳﻮﻡ ﺩﺭﺑﺮﻣﻲ ﮔﺮﻓﺘﻪ ﻭ ﮔﻮﺷﻪ ﺍﻱ ﺍﺯ ﻓﺮﻫﻨﮓ ﻣﺮﺩﻡ ﺭﺍ ﻣﺘﺠﻠﻲ ﻣﻲ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬

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www.Ficvsr.Civilica.IR -‫ ﻣﺸﻬﺪ ﻣﻘﺪس – ﺗﺎﻻر اﺑﻦ ﺳﻴﻨﺎ‬-88/2/30 – ‫ﻧﺨﺴﺘﻴﻦ ﻫﻤﺎﻳﺶ ﻋﻤﺮان و ﻣﻘﺎوم ﺳﺎزي‬

:‫ﻣﻨﺎﺑﻊ‬-٧
،٢٠٠٨ ،‫ﺑﺮﻭﺷﻮﺭ ﺳﺎﺯﻣﺎﻥ ﻓﺮﻫﻨﮕﻲ ﺗﻔﺮﻳﺤﻲ ﺷﻬﺮﺩﺍﺭﻱ ﺍﺻﻔﻬﺎﻥ‬
١٣٨٧،‫ﮐﺘﺎﺏ ﺑﺮﺭﺳﻲ ﺍﻗﻠﻴﻤﻲ ﺍﺑﻨﻴﻪ ﺳﻨﺘﻲ ﺍﻳﺮﺍﻥ – ﺩﮐﺘﺮ ﻭﺣﻴﺪ ﻗﺒﺎﺩﻳﺎﻥ‬
١٣٨٢ ،‫ﺩﻭﺍﺯﺩﻩ ﺩﺭﺱ ﻣﺮﻣﺖ ﻭﺯﺍﺭﺕ ﻣﺴﻜﻦ ﻭ ﺷﻬﺮﺳﺎﺯﻱ ﺳﺎﺯﻣﺎﻥ ﻣﻠﹼﻲ ﺯﻣﻴﻦ ﻭ ﻣﺴﻜﻦ‬
١٣٨٤ ،‫ﻣﻌﻤﺎﺭﻱ ﻣﺴﻜﻮﻧﻲ ﺍﻳﺮﺍﻧﻲ ﮔﻮﻥ ﻫﺸﻨﺎﺳﻲ ﺑﺮﻭﻧﮕﺮﺍ‬- ‫ﻏﻼﻣﺤﺴﻴﻦ ﻣﻌﻤﺎﺭﻳﺎﻥ‬
‫ ﺍﻳﺮﺍﻥ ﺑﻢ‬1383 ‫ﺑﻴﺎﻧﻴﻪ ﻭ ﺗﻮﺻﻴﻪ ﻫﺎﻱ ﻛﺎﺭﮔﺎﻩ ﺑﻴﻦ ﺍﻟﻤﻠﻠﻲ ﺑﻢ ﺍﻭﻝ ﺍﺭﺩﻳﺒﻬﺸﺖ‬
‫”ﺩﻳﻨﺎﻣﻴﻚ ﺧﺎﻙ“ ؛ ﺩﻛﺘﺮ ﺳﻴﺪ ﻣﺠﺪﺍﻟﺪﻳﻦ ﻣﻴﺮﺣﺴﻴﻨﻲ‬
،‫ ﻣﺤﻤﺪﺭﺿـﺎ ﺩﻫﻘـﺎﻧﻲ‬،‫”ﺑﺮﺭﺳﻲ ﺍﺛﺮﺍﺕ ﺗﻮﭘﻮﮔﺮﺍﻓﻲ ﺑﺮ ﭘﺎﺳﺦ ﻟﺮﺯﻩﺍﻱ ﺁﺑﺮﻓﺖ“؛ ﭘﺮﻭﮊﻩ ﻛﺎﺭﺷﻨﺎﺳﻲ ﺍﺭﺷﺪ ﺧـﺎﻙ ﻭ ﭘـﻲ‬
.١٣٧٥ ‫ ﺩﻳﻤﺎﻩ‬،‫ﺩﺍﻧﺸﮕﺎﻩ ﺻﻨﻌﺘﻲ ﺷﺮﻳﻒ‬
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