KathrynDesplanque CV March 2015
Content
K AT H RY N D E S P L A N Q U E
e-mail: [email protected] home: 2923 St Paul street, Apt. 2 Baltimore MD, 21218
work: Dept. of Art, Art History & Visual Studies. Campus Box 90764. Duke University, Durham NC, 27708
EDUCATION
2011-
Doctoral Candidate (ABD), Art History
Duke University, Durham, North Carolina.
Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850
Supervisors: Dr. Neil McWilliam and Dr. Mary D. Sheriff
Preliminary Exam Fields:
European Art, from 1700-1850 (Neil McWilliam, Mary D. Sheriff)
European Art Markets, 1700-1850 (Hans J. Van Miegroet)
History of the Print, 1500-1850 (Kristel Smentek, Sara Galletti)
2009-11
Masters, Thesis Program, Art History
Carleton University, Ottawa, Ontario.
Art World Sociability and Communication Networks: Following the Print Trail of Jean-Baptiste Greuze
Supervisors: Dr. Stéphane Roy and Dr. Mitchell Frank
2006-08
Undergraduate, Major in Art History and Studio Arts
Concordia University, Montreal, Quebec. Graduated with High Honours.
Studio concentrations: intaglio, drawing, painting, black and white photography
LANGUAGES
English (native), French (spoken, written, and read), Italian (read).
HONOURS
2015
2015
2015
2011-15
2015, ‘14
2014
2013-14
2012-13
2011-14
2010-11
2010
2009-10
2009-10
2009-10
UAAC Graduate Student Essay Prize, $250
Lewis Walpole Library Residential Fellowship
Getty Research Institute Library Research Grant, $1,500
SSHRC Joseph-Armand Bombardier Doctoral Fellowship, $20,000 per annum
Duke University Summer Research Fellowship, $5,500
D.W. Smith Eighteenth-Century Research Fellowship, $2,000
Myra and William Waldo Boone Fellowship for Canadian Graduate Students, $20, 000
Franklin Humanities Center, Center for European Studies Research Scholar, $1,000
Royster Society of Fellows Scholarship, declined, $22,000, per annum
Ontario Graduate Scholarship, $15,000
SSHRC CGS, Michael Smith Foreign Study Supplement, $6, 000
SSHRC Joseph-Armand Bombardier CGS, $17,500
Carleton University Graduate Scholarship, $5,000
Carleton University DGS Academic Excellence Scholarship, Domestic Students, $6, 000
PUBLICATIONS
In prep.
2015
“A Satirical Image against Jean-Baptiste Greuze: Reputation, Professional Association, and
the Public Woman.”
“Repeat Offenders : Reprinting Visual Satire Across France’s Long Eighteenth Century.”
Revue d’art Canadian/Canadian Art Review (2015). Forthcoming.
2015
2015
2009
“Le regard miroité, miroité: Le Voyage d’Encausse et le récit de voyage humoristique.”
Voyages, rencontres, échanges au XVIIe siècle. Biblio 17 (2015). Forthcoming.
“How to Burlesque a Burlesquer: Paul Sandby’s A New Dunciad against William Hogarth.”
In Empowering Satire. Amsterdam: John Benjamins Publishers. Forthcoming.
“Yousuf Karsh and Edward Steichen: The Art of the Celebrity Portrait.” Pamphlet Guide.
National Gallery of Art, Ottawa, ON, Canada.
PAPERS PRESENTED AT MEETINGS AND SYMPOSIA
2015
“L’autoréflexivité dans l’album comique. Les illustrateurs et les éditeurs contre eux-mêmes
dans la Restauration.”
L’Image railleuse: la satire dans l’art et la satire visuelle, 18e-21e siècles. Institut national
d’histoire de l’art. Paris, France, June 25th-27th.
2015
“Cocktails and Devilries: The Intimate and Spectacular Uses of Scrap Prints in Early
Nineteenth-Century Europe.”
Nineteenth Century Studies Association Conference, “Material Cultures/Material Worlds.”
Boston, MA, March 26th-28th.
2014
“Repeat Offenders: Reprinting Visual Satire across France’s Long Eighteenth Century.”
University Arts Association of Canada Annual Conference, “Things: Their Lives, Agency, and
Meanings.” Ontario College of Art and Design, October 23-26 th.
2014
“Polite Caricature and Impolite Art-Worlds: Caricatura and Sociability in the Académie de
France à Rome.”
Canadian Society for Eighteenth-Century Studies, “Revolutions in Eighteenth-Century
Sociability.”
Université de Québec à Montréal, October 17th.
2014
“Counterfeit Caricatures and the Agency of Things in 18th and 19th Century Paris.”
Intermezzo Workshop, Art, Art History and Visual Studies, Duke University, October 7 th.
2013
“Un miroir sur le regard miroité: Le Voyage d’Encausse et le récit de voyage
humoristique.”
Congrès NASSCFL, “Voyages, rencontres, échanges au XVIIe siècle.” Aix-Marseille Université,
June 5-8.
2013
“Les Petits Métiers de l’Atelier: The Artist as Labourer in the July Monarchy Press.”
AAHVS Graduate Student Symposium. Duke University, Durham, North Carolina, February 7.
2013
“Paul Sandby’s A New Dunciad against William Hogarth: An Exploration of Structure and
Weighting in Eighteenth-Century Visual Satire.”
2011
“Marketing the Reproductive Engraving in Late Eighteenth-Century Paris: The
Commercial Ploys of Jean-Baptiste Greuze.”
Satire Across Borders. Power of Satire Research Project. Utrecht University, January 17-18.
17th Annual Underhill Graduate Student Colloquium. Carleton University, Ottawa, ON, March 34.
2010
“Satirical Humour in Paris’ Eighteenth-Century Art World.”
International Society for Eighteenth-Century Studies 2010 Executive Meeting. Student Panel.
Kolding, Denmark, 26 August.
2010
“Enjeux professionels et sociabilité13.34+12.88 artistique dans la France du XVIIIe siècle:
une caricature anonyme contre Jean-Baptsite Greuze.”
ACFAS, 78e Congrès. “Nouvelles Perspectives en Histoire de l’Art Européen autour de 1800.
Jeunes Chercheurs et Recherches Émergentes” panel. Montreal, Québec, 14 May.
2010
“The Line between History and Genre: Jean-Baptiste Greuze’s Septime Sévère.”
2
Institute of Comparative Studies in Literature, “Art and Culture Student Conference.” Carleton
University, Ottawa, ON, 8 May.
2010
“The Social Dynamics of an Artistic Community in Eighteenth-Century France: An
Anonymous Caricature against Jean-Baptiste Greuze.”
16th Annual Underhill Graduate Student Colloquium. “Community” Panel, Carleton University,
Ottawa, Ontario, 4 March.
MUSEUM EXPERIENCE
CURATION
2013-14 “Night in the City of Light: Paris’ Cabaret, 1881-1914.”
Nasher Museum of Art Academic Focus Gallery, Duke University, Durham, NC.
Co-curated with Alexis Clark, Emilie Luse, and Laura Moure Cecchini. February 15 th-June 29th.
2013-14
“Cheap Thrills: The Highs and Lows of Paris’s Cabaret Culture, 1880-1939.”
David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC.
Co-curated with Alexis Clark, Emilie Luse, and Laura Moure Cecchini. February 18 th-May 12th.
2013-14
“Reading Between the Lines: Comical Interpretations of the Nineteenth Century.”
Perkins Library Student Wall, Duke University, Durham NC.
Curatorial Supervisor to W101 students. November 15th-February 1st.
2012-13
“A Mockery of Justice: Caricature and the Dreyfus Affair.”
David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC.
Co-curated with Alexis Clark and Emilie Luse. 12 December 2012-9 March 2013.
2010-11
2007-08
Museum Collections Research Assistant, McAllister Johnson Donation
Carleton University Art Gallery, Ottawa, Ontario
“Documentary Protocols II.”
Leonard & Bina Ellen Gallery, Montreal, QC.
Curatorial Research Assistant to Vincent Bonin. May 3-June 14, 2008.
FAMILY PROGRAMMING
2014-15
Family Programs Intern
Walters Art Museum, Baltimore, Maryland
2009
Public Programming and Education Research Assistant,
2008-09
Educational Programming Interpreter (bilingual)
Monique Baker-Wishart, National Gallery of Art, Ottawa, Ontario
Canadian War Museum, Ottawa, Ontario
2007-08
Printshop Heritage Specialist and Educational Assistant (bilingual)
Cumberland Heritage Village Museum, Ottawa, Ontario
2006-07
Tour Guide (bilingual)
Leonard and Bina Ellen Art Gallery, Montreal, Quebec
2006
Interpreter/Animator (bilingual)
National Art Gallery and Canadian Museum of Contemporary Photography, Ottawa, Ontario
TEACHING EXPERIENCE
POSTSECONDARY
2015
Instructor, Introduction to the History of Art 2, ARTHIST 102, Summer semester
Art, Art History, and Visual Studies Department, Duke University
2015
Instructor, The Visual Culture of News, Past & Present, ARTHIST 290-2, Summer semester
3
2014
2013
2013
Art, Art History, and Visual Studies Department, Duke University
Guest Lecturer, Caricature et satire graphique dans les arts visuels, UQAM, HAR 426B
“L’artiste et le connoisseur au XVIIIe siècle: une histoire de singerie,” October 14th
Instructor, Laughing Matters: Interpreting and Contextualizing Modern Caricature,
W101.36.F13, Fall semester, Thompson Writing Program, Duke University
Teaching Assistant, History of Art Markets, ARTHIST 231/ECON 344
Art, Art History, and Visual Studies Department, Duke University
2012
Writing Tutor
Writing Studio, Thompson Writing Program, Duke University, Durham, North Carolina
2012
Teaching Assistant, History of Art Markets, ARTHIST 154/ECON 179
2010
Art, Art History, and Visual Studies Department, Duke University
Guest Lecturer, Art and its Markets in Early Modern Europe (1600-1800), ARTH3809A
“Reputation and Representation: The Causes Célèbres of Jean-Baptiste Greuze,” December 6th
2010
Teaching Assistant, Art and Society: Renaissance to the Present, ARTH 1101
Art History Department, Carleton University
2009
Teaching Assistant and Guest Lecturer, Art as Visual Communication, ARTH 1105
Art History Department, Carleton University
“New Media: Internet Art,” lecture, November 26th, with Kari Cwynar
ART and TECHNICAL INSTRUCTION
2013-5
“Image Databases for Art Historians.”
National Humanities Center, Research Triangle Park, NC, March 2 nd, 2015.
Université de Lyon 2 caricature study group, November 5 th, 2014
Université de Québec à Montréal caricature study group, October 20 th, 2014
National Humanities Center, Research Triangle Park, NC, December 4 th, 2013.
Munch & Mull. Franklin Humanities Institute. Duke University. November 4 th, 2013.
Media Arts & Sciences Rendezvous. Duke University. October 31 st 2013.
2014
“Photoshop for Art Historians.”
National Humanities Center, Research Triangle Park, NC, December 9 th, 2014.
National Humanities Center, Research Triangle Park, NC, January 14 th, 2014.
2008-12
Visual Arts Instructor, Digital arts
Ottawa School of Art, Ottawa, Ontario
COMMITTEE AND WORKSHOP PARTICIPATION
2014
Caricature Masterclass with Brian Maidment
Yale Center for British Studies, September 4th-6th
2013
“Mapping Space & Time: Configuring Connections, Trade, & Travel, Past & Present”
Duke Wired! Group, May 2-4th
2011-13
PR Committee Member and Social Chair
AAHVS Graduate Student Symposium, Duke University
2010
“Decorative Arts of 18th Century France” with Helena Pickup
“Five Centuries of Prints and Printmaking” with Joanna Selborne
Courtauld Institute of Art, Summer Short Courses
2009-10
Student Representative, School for Studies in Arts and Culture
Graduate Student Association, Carleton University
4
SOFTWARE LITERACY
OFFICE COMPUTING
DIGITAL IMAGING
Microsoft Office Suite
Adobe Photoshop
Adobe Illustrator
Adobe Flash
DATA MANAGEMENT
FileMaker/Microsoft Access
Zotero
WEB TOOLS
Wordpress.com
Sakai and Blackboard
5
e-mail: [email protected] home: 2923 St Paul street, Apt. 2 Baltimore MD, 21218
work: Dept. of Art, Art History & Visual Studies. Campus Box 90764. Duke University, Durham NC, 27708
EDUCATION
2011-
Doctoral Candidate (ABD), Art History
Duke University, Durham, North Carolina.
Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850
Supervisors: Dr. Neil McWilliam and Dr. Mary D. Sheriff
Preliminary Exam Fields:
European Art, from 1700-1850 (Neil McWilliam, Mary D. Sheriff)
European Art Markets, 1700-1850 (Hans J. Van Miegroet)
History of the Print, 1500-1850 (Kristel Smentek, Sara Galletti)
2009-11
Masters, Thesis Program, Art History
Carleton University, Ottawa, Ontario.
Art World Sociability and Communication Networks: Following the Print Trail of Jean-Baptiste Greuze
Supervisors: Dr. Stéphane Roy and Dr. Mitchell Frank
2006-08
Undergraduate, Major in Art History and Studio Arts
Concordia University, Montreal, Quebec. Graduated with High Honours.
Studio concentrations: intaglio, drawing, painting, black and white photography
LANGUAGES
English (native), French (spoken, written, and read), Italian (read).
HONOURS
2015
2015
2015
2011-15
2015, ‘14
2014
2013-14
2012-13
2011-14
2010-11
2010
2009-10
2009-10
2009-10
UAAC Graduate Student Essay Prize, $250
Lewis Walpole Library Residential Fellowship
Getty Research Institute Library Research Grant, $1,500
SSHRC Joseph-Armand Bombardier Doctoral Fellowship, $20,000 per annum
Duke University Summer Research Fellowship, $5,500
D.W. Smith Eighteenth-Century Research Fellowship, $2,000
Myra and William Waldo Boone Fellowship for Canadian Graduate Students, $20, 000
Franklin Humanities Center, Center for European Studies Research Scholar, $1,000
Royster Society of Fellows Scholarship, declined, $22,000, per annum
Ontario Graduate Scholarship, $15,000
SSHRC CGS, Michael Smith Foreign Study Supplement, $6, 000
SSHRC Joseph-Armand Bombardier CGS, $17,500
Carleton University Graduate Scholarship, $5,000
Carleton University DGS Academic Excellence Scholarship, Domestic Students, $6, 000
PUBLICATIONS
In prep.
2015
“A Satirical Image against Jean-Baptiste Greuze: Reputation, Professional Association, and
the Public Woman.”
“Repeat Offenders : Reprinting Visual Satire Across France’s Long Eighteenth Century.”
Revue d’art Canadian/Canadian Art Review (2015). Forthcoming.
2015
2015
2009
“Le regard miroité, miroité: Le Voyage d’Encausse et le récit de voyage humoristique.”
Voyages, rencontres, échanges au XVIIe siècle. Biblio 17 (2015). Forthcoming.
“How to Burlesque a Burlesquer: Paul Sandby’s A New Dunciad against William Hogarth.”
In Empowering Satire. Amsterdam: John Benjamins Publishers. Forthcoming.
“Yousuf Karsh and Edward Steichen: The Art of the Celebrity Portrait.” Pamphlet Guide.
National Gallery of Art, Ottawa, ON, Canada.
PAPERS PRESENTED AT MEETINGS AND SYMPOSIA
2015
“L’autoréflexivité dans l’album comique. Les illustrateurs et les éditeurs contre eux-mêmes
dans la Restauration.”
L’Image railleuse: la satire dans l’art et la satire visuelle, 18e-21e siècles. Institut national
d’histoire de l’art. Paris, France, June 25th-27th.
2015
“Cocktails and Devilries: The Intimate and Spectacular Uses of Scrap Prints in Early
Nineteenth-Century Europe.”
Nineteenth Century Studies Association Conference, “Material Cultures/Material Worlds.”
Boston, MA, March 26th-28th.
2014
“Repeat Offenders: Reprinting Visual Satire across France’s Long Eighteenth Century.”
University Arts Association of Canada Annual Conference, “Things: Their Lives, Agency, and
Meanings.” Ontario College of Art and Design, October 23-26 th.
2014
“Polite Caricature and Impolite Art-Worlds: Caricatura and Sociability in the Académie de
France à Rome.”
Canadian Society for Eighteenth-Century Studies, “Revolutions in Eighteenth-Century
Sociability.”
Université de Québec à Montréal, October 17th.
2014
“Counterfeit Caricatures and the Agency of Things in 18th and 19th Century Paris.”
Intermezzo Workshop, Art, Art History and Visual Studies, Duke University, October 7 th.
2013
“Un miroir sur le regard miroité: Le Voyage d’Encausse et le récit de voyage
humoristique.”
Congrès NASSCFL, “Voyages, rencontres, échanges au XVIIe siècle.” Aix-Marseille Université,
June 5-8.
2013
“Les Petits Métiers de l’Atelier: The Artist as Labourer in the July Monarchy Press.”
AAHVS Graduate Student Symposium. Duke University, Durham, North Carolina, February 7.
2013
“Paul Sandby’s A New Dunciad against William Hogarth: An Exploration of Structure and
Weighting in Eighteenth-Century Visual Satire.”
2011
“Marketing the Reproductive Engraving in Late Eighteenth-Century Paris: The
Commercial Ploys of Jean-Baptiste Greuze.”
Satire Across Borders. Power of Satire Research Project. Utrecht University, January 17-18.
17th Annual Underhill Graduate Student Colloquium. Carleton University, Ottawa, ON, March 34.
2010
“Satirical Humour in Paris’ Eighteenth-Century Art World.”
International Society for Eighteenth-Century Studies 2010 Executive Meeting. Student Panel.
Kolding, Denmark, 26 August.
2010
“Enjeux professionels et sociabilité13.34+12.88 artistique dans la France du XVIIIe siècle:
une caricature anonyme contre Jean-Baptsite Greuze.”
ACFAS, 78e Congrès. “Nouvelles Perspectives en Histoire de l’Art Européen autour de 1800.
Jeunes Chercheurs et Recherches Émergentes” panel. Montreal, Québec, 14 May.
2010
“The Line between History and Genre: Jean-Baptiste Greuze’s Septime Sévère.”
2
Institute of Comparative Studies in Literature, “Art and Culture Student Conference.” Carleton
University, Ottawa, ON, 8 May.
2010
“The Social Dynamics of an Artistic Community in Eighteenth-Century France: An
Anonymous Caricature against Jean-Baptiste Greuze.”
16th Annual Underhill Graduate Student Colloquium. “Community” Panel, Carleton University,
Ottawa, Ontario, 4 March.
MUSEUM EXPERIENCE
CURATION
2013-14 “Night in the City of Light: Paris’ Cabaret, 1881-1914.”
Nasher Museum of Art Academic Focus Gallery, Duke University, Durham, NC.
Co-curated with Alexis Clark, Emilie Luse, and Laura Moure Cecchini. February 15 th-June 29th.
2013-14
“Cheap Thrills: The Highs and Lows of Paris’s Cabaret Culture, 1880-1939.”
David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC.
Co-curated with Alexis Clark, Emilie Luse, and Laura Moure Cecchini. February 18 th-May 12th.
2013-14
“Reading Between the Lines: Comical Interpretations of the Nineteenth Century.”
Perkins Library Student Wall, Duke University, Durham NC.
Curatorial Supervisor to W101 students. November 15th-February 1st.
2012-13
“A Mockery of Justice: Caricature and the Dreyfus Affair.”
David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC.
Co-curated with Alexis Clark and Emilie Luse. 12 December 2012-9 March 2013.
2010-11
2007-08
Museum Collections Research Assistant, McAllister Johnson Donation
Carleton University Art Gallery, Ottawa, Ontario
“Documentary Protocols II.”
Leonard & Bina Ellen Gallery, Montreal, QC.
Curatorial Research Assistant to Vincent Bonin. May 3-June 14, 2008.
FAMILY PROGRAMMING
2014-15
Family Programs Intern
Walters Art Museum, Baltimore, Maryland
2009
Public Programming and Education Research Assistant,
2008-09
Educational Programming Interpreter (bilingual)
Monique Baker-Wishart, National Gallery of Art, Ottawa, Ontario
Canadian War Museum, Ottawa, Ontario
2007-08
Printshop Heritage Specialist and Educational Assistant (bilingual)
Cumberland Heritage Village Museum, Ottawa, Ontario
2006-07
Tour Guide (bilingual)
Leonard and Bina Ellen Art Gallery, Montreal, Quebec
2006
Interpreter/Animator (bilingual)
National Art Gallery and Canadian Museum of Contemporary Photography, Ottawa, Ontario
TEACHING EXPERIENCE
POSTSECONDARY
2015
Instructor, Introduction to the History of Art 2, ARTHIST 102, Summer semester
Art, Art History, and Visual Studies Department, Duke University
2015
Instructor, The Visual Culture of News, Past & Present, ARTHIST 290-2, Summer semester
3
2014
2013
2013
Art, Art History, and Visual Studies Department, Duke University
Guest Lecturer, Caricature et satire graphique dans les arts visuels, UQAM, HAR 426B
“L’artiste et le connoisseur au XVIIIe siècle: une histoire de singerie,” October 14th
Instructor, Laughing Matters: Interpreting and Contextualizing Modern Caricature,
W101.36.F13, Fall semester, Thompson Writing Program, Duke University
Teaching Assistant, History of Art Markets, ARTHIST 231/ECON 344
Art, Art History, and Visual Studies Department, Duke University
2012
Writing Tutor
Writing Studio, Thompson Writing Program, Duke University, Durham, North Carolina
2012
Teaching Assistant, History of Art Markets, ARTHIST 154/ECON 179
2010
Art, Art History, and Visual Studies Department, Duke University
Guest Lecturer, Art and its Markets in Early Modern Europe (1600-1800), ARTH3809A
“Reputation and Representation: The Causes Célèbres of Jean-Baptiste Greuze,” December 6th
2010
Teaching Assistant, Art and Society: Renaissance to the Present, ARTH 1101
Art History Department, Carleton University
2009
Teaching Assistant and Guest Lecturer, Art as Visual Communication, ARTH 1105
Art History Department, Carleton University
“New Media: Internet Art,” lecture, November 26th, with Kari Cwynar
ART and TECHNICAL INSTRUCTION
2013-5
“Image Databases for Art Historians.”
National Humanities Center, Research Triangle Park, NC, March 2 nd, 2015.
Université de Lyon 2 caricature study group, November 5 th, 2014
Université de Québec à Montréal caricature study group, October 20 th, 2014
National Humanities Center, Research Triangle Park, NC, December 4 th, 2013.
Munch & Mull. Franklin Humanities Institute. Duke University. November 4 th, 2013.
Media Arts & Sciences Rendezvous. Duke University. October 31 st 2013.
2014
“Photoshop for Art Historians.”
National Humanities Center, Research Triangle Park, NC, December 9 th, 2014.
National Humanities Center, Research Triangle Park, NC, January 14 th, 2014.
2008-12
Visual Arts Instructor, Digital arts
Ottawa School of Art, Ottawa, Ontario
COMMITTEE AND WORKSHOP PARTICIPATION
2014
Caricature Masterclass with Brian Maidment
Yale Center for British Studies, September 4th-6th
2013
“Mapping Space & Time: Configuring Connections, Trade, & Travel, Past & Present”
Duke Wired! Group, May 2-4th
2011-13
PR Committee Member and Social Chair
AAHVS Graduate Student Symposium, Duke University
2010
“Decorative Arts of 18th Century France” with Helena Pickup
“Five Centuries of Prints and Printmaking” with Joanna Selborne
Courtauld Institute of Art, Summer Short Courses
2009-10
Student Representative, School for Studies in Arts and Culture
Graduate Student Association, Carleton University
4
SOFTWARE LITERACY
OFFICE COMPUTING
DIGITAL IMAGING
Microsoft Office Suite
Adobe Photoshop
Adobe Illustrator
Adobe Flash
DATA MANAGEMENT
FileMaker/Microsoft Access
Zotero
WEB TOOLS
Wordpress.com
Sakai and Blackboard
5
