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Shuhui Shi 0882775 CDM1G
Kort over mezelf Shuhui Shi 23 jaar Geboren in Alphen a/d Rijn Verhuisd naar Rotterdam
Mijn familie Shujun Moeder Vader
School GLR VMBO GLR MBO
(Grafisch vormgeving Specialisatie Mode & Trends)
WORKING DRAWING Developper: Shuhui Shi Class: V3M2 Student Number: 49839 Product Name: Laptop bag
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www.100hoogrotterdam.nl
Tel: 010 225 08 22
Tel: 010 424 88 88
iPad mini There’s less of it, but no less to it.
CLOTHING *+",$-# !"#$%&'$() VICTOR DE WITTE
.'") MAAK JOUW ONTWERP WAAR!
UNDERSEA Edition 1e Uitgave April 2013 Nederland !6,00 België !6,00 www.originature.nl
Semester 1 Design Basics Marketing Creative Tools Behind Interactive Media
HOW MANY
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HOURS
STUDENT CMD ILLUSTRATIONS, DOODLES, PHOTOGRAPHY, VACATIONS, ANIME AND GRAPHIC DESIGN
SPENT ON WATCHING
SCHOOL
40.9%
SLEEP/REST
221
EPISODE
220
EPISODE
219
EPISODE
218
EPISODE 227
EPISODE
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HOURS.
EPISODE 225
DAYS. THE DURATION
14.3
EPISODE 228
33.3%
MY AVARAGE WEEK
EPISODE 224
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ROUGHLY SAID,
z
EPISODE 229
MINUTES IN TOTAL. WHEN CONVERTED IT’S
21.5
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8.5%
SPARE TIME
MINUTES, WHICH MEANS I SPENT
THE AVERAGE OF THOSE HOURS IS
JOURNEY ENDS 28/01/2014
HOMEWORK
8.3%
EPISODE 222
20
OF EACH EPISODE IS
860
40
EPISODES IN
FOOD
6.3%
HOW MANY HOURS DO I SPENT ON WATCHING ONE PIECE IN A WEEK OR MONTH? WELL, I’VE KEPT A 40 DAY LONG JOURNAL TO FIND THAT OUT. THE JOURNAL DESCRIBED THE DATE AND TIME WHEN WATCHING, WHICH EPISODE AND A SHORT SUMMARY ABOUT EACH EPISODE. ALL MY FINDINGS ARE EXPLAINED HERE IN THIS INFOGRAPHIC!
43
1.5%
1.2%
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ONE PIECE
CHURCH
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AN OVERVIEW OF VARIOUS TIMES WHEN I WAS WATCHING ONE PIECE
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WATCHING ONE PIECE IN THE EVENING
WATCHING ONE PIECE AT NIGHT
24:00 20:00 15:00 10:00 05:00 00:00
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EPISODE 188
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120
SAT
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100
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JOURNEY STARTS 20/12/2013 HOW EXCITING, AWESOME AND / OR FUNNY WAS AN EPISODE? THE HIGHER THE BAR, THE MORE EXCITING IT WAS.
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Helvetica is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger with Eduard Hoffmann. Helvetica was developed in 1956 by Max Miedinger with Eduard Hoffmann at the Haas!sche Schriftgiesserei (Haas Type Foundry) of Münchenstein, Switzerland. Haas set out to design a new sans-serif typeface that could compete with the successful Akzidenz-Grotesk in the Swiss market. Originally called Neue Haas Grotesk, its design was based on Schelter-Grotesk and Haas! Normal Grotesk. The aim of the new design was to create a neutral typeface that had great clarity, no intrinsic meaning in its form, and could be used on a wide variety of signage. When Linotype adopted Neue Haas Grotesk (which was never planned to be a full range of mechanical and hot-metal typefaces) its design was reworked. After the success of Univers, Arthur Ritzel of Stempel redesigned Neue Haas Grotesk into a larger family. In 1960, the typeface!s name was changed by Haas! German parent company Stempel to Helvetica (meaning Swiss in Latin) in order to make it more marketable internationally. Helvetica is among the most widely used sans-serif typefaces. Versions exist for the following alphabets/scripts: Latin, Cyrillic, Hebrew, Greek, Japanese, Korean, Hindi, Urdu, Khmer and Vietnamese. Chinese faces have been developed to complement Helvetica. Helvetica is a popular choice for commercial wordmarks, including those for Societe Generale, 3M, BMW, ECM, Jeep, J. C. Penney, Kawasaki, Lufthansa, McDonald!s, Microsoft, Mitsubishi Electric, Motorola, Panasonic, Target, current logo of Speedway LLC, Texaco, and Verizon Wireless. Apple Inc. has used Helvetica widely in iOS (previously iPhone OS), and the iPod. The iPhone 4 uses Helvetica Neue Ultra Light. Helvetica is widely used by the U.S. government; for example, federal income tax forms are set in Helvetica, and NASA uses the type on the Space Shuttle orbiter. Helvetica is also used in the United States television rating system. The Canadian government also uses Helvetica as its identifying typeface, with three variants being used in its corporate identity program, and encourages its use in all federal agencies and websites. New York City!s Metropolitan Transportation Authority (MTA) uses Helvetica for many of its subway signs, but HelveticaZDVQRWDGRSWHGDVWKHRIÀFLDO IRQWIRUVLJQDJHXQWLO 7KHVWDQGDUGIRQWIURP XQWLO ZDV6WDQGDUG0HGLXPDQ$N]LGHQ]*URWHVNOLNHVDQVVHULIDVGHÀQHGE\8QLPDUNҋV1HZ -"."&/+0%1&+%&2+#34&5%&3%+6& *HQLV DV HOHFWXU DXW ODP York City Transit Authority Graphic Standards Manual. The MTA system is still rife with a proliferation of Helvetica-like fonts, including Arial, in addition to some YHQWLQYHOHQLKLWDWLVDWHPTXDWH 37& 8,0%& *+37,0%"3& ,3& old remaining in Medium and a few anomalous signs in Helvetica Narrow. Washington!s WMATA uses Helvetica on its signage for Metrorail. FXSWDWTXLsigns LGHOLJHQGL XWDHStandard, UH 9:6,$,0%& The Chicago Transit Authority uses Helvetica on its signage for the Chicago "L!. The former state /:))3(:6+7& owned operator,%& of the British railway system developed its own SRUHSWDWXU" )LF WHP YLWDWLR Helvetica-based Rail TXLV Alphabet font, which was also adopted by the National Health )3%& Service and3+%& the British :9%3%& *+37&Airports 3+%& Authority. Additionally, it was also adopted ;HUDH PRORUH LPHQLKL by Danish railway company DSB for a time period.[31] North American rail company Amtrak used Helvetica typeface OORUHUXPHVWYROXSLHWXUHSHUXP ,%& 8:)+9%3*++0%& 9)3& ;3& on its now defunct “pointless arrow” logo. New QLHQHWLXQWRRFFDHFWHPXWXWH Brunswick and British Columbia provincial highways uses the typeface on the numbers on the highways. CNN used Helvetica as its main font for much of .+;& 3+%,& ;"& 3+%& ,%& *+";& its history; they recently to Univers. The NBA on TNT used Helvetica from 2002–05; NBA on ABC used the font during the 2003-04 NBA season. CBS pratibeatur, aperovi switched duntiis pla ,8,0"73#0"3& ,<&Men!s ,603%& Sports programs have beenYROHQLW using Helvetica since 2006, particularly during its broadcasts of the NCAA Division I Basketball Tournament and the NFL. YROXP ODP TXL FRUHP 7KH86DGDSWDWLRQRI7KH2IÀFHXVHVHelveticaLQLWVJUDSKLFV8.WHOHYLVLRQFKDQQHO&KDQQHOXVHGWKHW\SHIDFHZKHQLWUHEUDQGHGLQDV´ÀYHµ7KH 3)"%"(+;%&&;"/,&,6:8"%3%+7& elis et vende veritiur? Sant channel retired the logo in 2008. The PBS 1970 1971 Logo uses Helvetica Bold. In 2007, Linotype GmbH held the Helvetica NOW Poster Contest to celebrate DFFXVYROHVSDLSVDSHUHP *+"3;9,&3)"*+"&6,1&*+3;"%, the 50th anniversary of the typeface. Winners were announced in January 2008 issue of the LinoLetter. In 2007, director Gary Hustwit released a documentary ÀOPHelvetica 3OH[LÀOP'9' WRFRLQFLGHZLWKWKHÀIWLHWKDQQLYHUVDU\RIWKHW\SHIDFH,QWKHÀOPJUDSKLFGHVLJQHU:LP&URXZHOVDLG´Helvetica was a real step from the 19th century typeface... We were impressed by that because it was more neutral, and neutralism was a word that we loved. It should be neutral. It shouldn!t have a meaning in itself. The meaning is in the content of the text and not in the typeface.” The documentary also presented other designers who asso&'()*"+%,'(+-"%+(./01,02*0%(+3*0%(-"#0"'*1( ciated Helvetica with authority and corporate0"$"-"1(+1(+*2+,()*,(0*1+0%4 dominance, and whose rebellion from Helvetica!s ubiquity created new styles. From April 2007 to March 2008, the 5'0"11"(2,-,0%()*"(6-+02,1(,.+6/3(+*%("2*1( Museum of Modern Art in New York City displayed an exhibit called “50 Years of Helvetica”, which celebrated the many uses of the typeface. In 2011 the Disseny 2/-*7%+1"( 8/-*7%+( 11"%"6,+( 2/-*7%+( %,'/-*7( Hub Barcelona displayed an exhibit called Helvetica. A New Typeface? The exhibition included a timeline of Helvetica!sFRQVROLGDWLRQRYHUWKHODVWÀIW\\HDUV %+'*14 4FRVJE FU PGmDUFN VU SF FYDFQFSJP NJOUF FU ZLWKDYLHZWRXQGHUVWDQGLQJLWVUROHLQWKHKLVWRU\RIGHVLJQDVZHOODVLWVDQWHFHGHQWVDQGLWVVXEVHTXHQWLQÁXHQFH7KHLWLQHUDU\VWDUWHGRXWZLWKDVHOHFWLRQ 7/3( '/-/( ,1( ,%( 2/-/( 8,-")*/( /..*7%*3"6*1( of local works, highlighting the top-quality design of current and past creations whose common denominator is their use of Helvetica. In 2011, one of Google!s +*%( $+3."2".%"+( .*1+0%"1( 3,3,3/3( ,$,0"',( April Fool!s Day jokes centered around the use Helvetica. If a user attempted to search for the term “Helvetica” using the search engine the results would be WFMJUof FBUFN FYQMJCV TEBFQFSVN RVJB WPMVU ,-"#0+'9( /7%+%( -+6/33/( displayed in the font Comic Sans. Neue Haas Grotesk is the2/-,.%*1( most ,-,11*1+'( recent digitisation of Helvetica!s precursor, completed by type designer Christian Schwartz )*,( +( 2,-( "2"%( +*2+,( 0,.*')*"( in 2004. This project, which he referred to as8/-/3*'( a restoration, was completed in 2010. The updated design includes a version optimized for on-screen display, as 8/-/3,'( 7/3,$,0( 2"#0"1( +*%( ,1( 2*1( *%( "*1( ZHOODVDVW\OHIRUSULQWHGWH[WERWKRIZKLFKSUHVHUYHWKHRULJLQDOHVVHQFHRIWKHW\SHIDFH,PSURYHGIHDWXUHVLQFOXGHFRUUHFWHGREOLTXHVWDEXODUÀJXUHVVW\OLVWLF "--*7%+%"6*1(+*%,')*"(0/6"1(+*%(*%(7+3.$"-"6*19( updates, and an extended character set. AlsoDVTBOEBFDUFWPMVQUBTEPMMFOJNBYJNVTEB called Helvetica Linotype, Helvetica World supports Arabic, Cyrillic, Greek, Hebrew, and Vietnamese scripts. The family consists of four fonts in 2 weights and 1 width, with complementary italics. The Arabic glyphs were based on a redesigned Yakout font family from Linotype. Latin kerning and spacing were redesigned to have consistent spacing. John Hudson of Tiro Typeworks designed the Hebrew glyphs for the font family, as well
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Waarom CMD? Breed Meer verdiepen in interactie en multimedia Onderzoeken Rationeel ontwerpen
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Einde DANKJE WEL VOOR HET LUISTEREN!
Kort over mezelf Shuhui Shi 23 jaar Geboren in Alphen a/d Rijn Verhuisd naar Rotterdam
Mijn familie Shujun Moeder Vader
School GLR VMBO GLR MBO
(Grafisch vormgeving Specialisatie Mode & Trends)
WORKING DRAWING Developper: Shuhui Shi Class: V3M2 Student Number: 49839 Product Name: Laptop bag
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www.100hoogrotterdam.nl
Tel: 010 225 08 22
Tel: 010 424 88 88
iPad mini There’s less of it, but no less to it.
CLOTHING *+",$-# !"#$%&'$() VICTOR DE WITTE
.'") MAAK JOUW ONTWERP WAAR!
UNDERSEA Edition 1e Uitgave April 2013 Nederland !6,00 België !6,00 www.originature.nl
Semester 1 Design Basics Marketing Creative Tools Behind Interactive Media
HOW MANY
!"#"#$%!"$%&''(
HOURS
STUDENT CMD ILLUSTRATIONS, DOODLES, PHOTOGRAPHY, VACATIONS, ANIME AND GRAPHIC DESIGN
SPENT ON WATCHING
SCHOOL
40.9%
SLEEP/REST
221
EPISODE
220
EPISODE
219
EPISODE
218
EPISODE 227
EPISODE
EPISODE 226
HOURS.
EPISODE 225
DAYS. THE DURATION
14.3
EPISODE 228
33.3%
MY AVARAGE WEEK
EPISODE 224
1
z
EPISODE 223
ROUGHLY SAID,
z
EPISODE 229
MINUTES IN TOTAL. WHEN CONVERTED IT’S
21.5
z
8.5%
SPARE TIME
MINUTES, WHICH MEANS I SPENT
THE AVERAGE OF THOSE HOURS IS
JOURNEY ENDS 28/01/2014
HOMEWORK
8.3%
EPISODE 222
20
OF EACH EPISODE IS
860
40
EPISODES IN
FOOD
6.3%
HOW MANY HOURS DO I SPENT ON WATCHING ONE PIECE IN A WEEK OR MONTH? WELL, I’VE KEPT A 40 DAY LONG JOURNAL TO FIND THAT OUT. THE JOURNAL DESCRIBED THE DATE AND TIME WHEN WATCHING, WHICH EPISODE AND A SHORT SUMMARY ABOUT EACH EPISODE. ALL MY FINDINGS ARE EXPLAINED HERE IN THIS INFOGRAPHIC!
43
1.5%
1.2%
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ONE PIECE
CHURCH
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24:00 20:00 15:00 10:00 05:00 00:00
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Semester 2 Navigation & Structure Identity Information Design
Helvetica is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger with Eduard Hoffmann. Helvetica was developed in 1956 by Max Miedinger with Eduard Hoffmann at the Haas!sche Schriftgiesserei (Haas Type Foundry) of Münchenstein, Switzerland. Haas set out to design a new sans-serif typeface that could compete with the successful Akzidenz-Grotesk in the Swiss market. Originally called Neue Haas Grotesk, its design was based on Schelter-Grotesk and Haas! Normal Grotesk. The aim of the new design was to create a neutral typeface that had great clarity, no intrinsic meaning in its form, and could be used on a wide variety of signage. When Linotype adopted Neue Haas Grotesk (which was never planned to be a full range of mechanical and hot-metal typefaces) its design was reworked. After the success of Univers, Arthur Ritzel of Stempel redesigned Neue Haas Grotesk into a larger family. In 1960, the typeface!s name was changed by Haas! German parent company Stempel to Helvetica (meaning Swiss in Latin) in order to make it more marketable internationally. Helvetica is among the most widely used sans-serif typefaces. Versions exist for the following alphabets/scripts: Latin, Cyrillic, Hebrew, Greek, Japanese, Korean, Hindi, Urdu, Khmer and Vietnamese. Chinese faces have been developed to complement Helvetica. Helvetica is a popular choice for commercial wordmarks, including those for Societe Generale, 3M, BMW, ECM, Jeep, J. C. Penney, Kawasaki, Lufthansa, McDonald!s, Microsoft, Mitsubishi Electric, Motorola, Panasonic, Target, current logo of Speedway LLC, Texaco, and Verizon Wireless. Apple Inc. has used Helvetica widely in iOS (previously iPhone OS), and the iPod. The iPhone 4 uses Helvetica Neue Ultra Light. Helvetica is widely used by the U.S. government; for example, federal income tax forms are set in Helvetica, and NASA uses the type on the Space Shuttle orbiter. Helvetica is also used in the United States television rating system. The Canadian government also uses Helvetica as its identifying typeface, with three variants being used in its corporate identity program, and encourages its use in all federal agencies and websites. New York City!s Metropolitan Transportation Authority (MTA) uses Helvetica for many of its subway signs, but HelveticaZDVQRWDGRSWHGDVWKHRIÀFLDO IRQWIRUVLJQDJHXQWLO 7KHVWDQGDUGIRQWIURP XQWLO ZDV6WDQGDUG0HGLXPDQ$N]LGHQ]*URWHVNOLNHVDQVVHULIDVGHÀQHGE\8QLPDUNҋV1HZ -"."&/+0%1&+%&2+#34&5%&3%+6& *HQLV DV HOHFWXU DXW ODP York City Transit Authority Graphic Standards Manual. The MTA system is still rife with a proliferation of Helvetica-like fonts, including Arial, in addition to some YHQWLQYHOHQLKLWDWLVDWHPTXDWH 37& 8,0%& *+37,0%"3& ,3& old remaining in Medium and a few anomalous signs in Helvetica Narrow. Washington!s WMATA uses Helvetica on its signage for Metrorail. FXSWDWTXLsigns LGHOLJHQGL XWDHStandard, UH 9:6,$,0%& The Chicago Transit Authority uses Helvetica on its signage for the Chicago "L!. The former state /:))3(:6+7& owned operator,%& of the British railway system developed its own SRUHSWDWXU" )LF WHP YLWDWLR Helvetica-based Rail TXLV Alphabet font, which was also adopted by the National Health )3%& Service and3+%& the British :9%3%& *+37&Airports 3+%& Authority. Additionally, it was also adopted ;HUDH PRORUH LPHQLKL by Danish railway company DSB for a time period.[31] North American rail company Amtrak used Helvetica typeface OORUHUXPHVWYROXSLHWXUHSHUXP ,%& 8:)+9%3*++0%& 9)3& ;3& on its now defunct “pointless arrow” logo. New QLHQHWLXQWRRFFDHFWHPXWXWH Brunswick and British Columbia provincial highways uses the typeface on the numbers on the highways. CNN used Helvetica as its main font for much of .+;& 3+%,& ;"& 3+%& ,%& *+";& its history; they recently to Univers. The NBA on TNT used Helvetica from 2002–05; NBA on ABC used the font during the 2003-04 NBA season. CBS pratibeatur, aperovi switched duntiis pla ,8,0"73#0"3& ,<&Men!s ,603%& Sports programs have beenYROHQLW using Helvetica since 2006, particularly during its broadcasts of the NCAA Division I Basketball Tournament and the NFL. YROXP ODP TXL FRUHP 7KH86DGDSWDWLRQRI7KH2IÀFHXVHVHelveticaLQLWVJUDSKLFV8.WHOHYLVLRQFKDQQHO&KDQQHOXVHGWKHW\SHIDFHZKHQLWUHEUDQGHGLQDV´ÀYHµ7KH 3)"%"(+;%&&;"/,&,6:8"%3%+7& elis et vende veritiur? Sant channel retired the logo in 2008. The PBS 1970 1971 Logo uses Helvetica Bold. In 2007, Linotype GmbH held the Helvetica NOW Poster Contest to celebrate DFFXVYROHVSDLSVDSHUHP *+"3;9,&3)"*+"&6,1&*+3;"%, the 50th anniversary of the typeface. Winners were announced in January 2008 issue of the LinoLetter. In 2007, director Gary Hustwit released a documentary ÀOPHelvetica 3OH[LÀOP'9' WRFRLQFLGHZLWKWKHÀIWLHWKDQQLYHUVDU\RIWKHW\SHIDFH,QWKHÀOPJUDSKLFGHVLJQHU:LP&URXZHOVDLG´Helvetica was a real step from the 19th century typeface... We were impressed by that because it was more neutral, and neutralism was a word that we loved. It should be neutral. It shouldn!t have a meaning in itself. The meaning is in the content of the text and not in the typeface.” The documentary also presented other designers who asso&'()*"+%,'(+-"%+(./01,02*0%(+3*0%(-"#0"'*1( ciated Helvetica with authority and corporate0"$"-"1(+1(+*2+,()*,(0*1+0%4 dominance, and whose rebellion from Helvetica!s ubiquity created new styles. From April 2007 to March 2008, the 5'0"11"(2,-,0%()*"(6-+02,1(,.+6/3(+*%("2*1( Museum of Modern Art in New York City displayed an exhibit called “50 Years of Helvetica”, which celebrated the many uses of the typeface. In 2011 the Disseny 2/-*7%+1"( 8/-*7%+( 11"%"6,+( 2/-*7%+( %,'/-*7( Hub Barcelona displayed an exhibit called Helvetica. A New Typeface? The exhibition included a timeline of Helvetica!sFRQVROLGDWLRQRYHUWKHODVWÀIW\\HDUV %+'*14 4FRVJE FU PGmDUFN VU SF FYDFQFSJP NJOUF FU ZLWKDYLHZWRXQGHUVWDQGLQJLWVUROHLQWKHKLVWRU\RIGHVLJQDVZHOODVLWVDQWHFHGHQWVDQGLWVVXEVHTXHQWLQÁXHQFH7KHLWLQHUDU\VWDUWHGRXWZLWKDVHOHFWLRQ 7/3( '/-/( ,1( ,%( 2/-/( 8,-")*/( /..*7%*3"6*1( of local works, highlighting the top-quality design of current and past creations whose common denominator is their use of Helvetica. In 2011, one of Google!s +*%( $+3."2".%"+( .*1+0%"1( 3,3,3/3( ,$,0"',( April Fool!s Day jokes centered around the use Helvetica. If a user attempted to search for the term “Helvetica” using the search engine the results would be WFMJUof FBUFN FYQMJCV TEBFQFSVN RVJB WPMVU ,-"#0+'9( /7%+%( -+6/33/( displayed in the font Comic Sans. Neue Haas Grotesk is the2/-,.%*1( most ,-,11*1+'( recent digitisation of Helvetica!s precursor, completed by type designer Christian Schwartz )*,( +( 2,-( "2"%( +*2+,( 0,.*')*"( in 2004. This project, which he referred to as8/-/3*'( a restoration, was completed in 2010. The updated design includes a version optimized for on-screen display, as 8/-/3,'( 7/3,$,0( 2"#0"1( +*%( ,1( 2*1( *%( "*1( ZHOODVDVW\OHIRUSULQWHGWH[WERWKRIZKLFKSUHVHUYHWKHRULJLQDOHVVHQFHRIWKHW\SHIDFH,PSURYHGIHDWXUHVLQFOXGHFRUUHFWHGREOLTXHVWDEXODUÀJXUHVVW\OLVWLF "--*7%+%"6*1(+*%,')*"(0/6"1(+*%(*%(7+3.$"-"6*19( updates, and an extended character set. AlsoDVTBOEBFDUFWPMVQUBTEPMMFOJNBYJNVTEB called Helvetica Linotype, Helvetica World supports Arabic, Cyrillic, Greek, Hebrew, and Vietnamese scripts. The family consists of four fonts in 2 weights and 1 width, with complementary italics. The Arabic glyphs were based on a redesigned Yakout font family from Linotype. Latin kerning and spacing were redesigned to have consistent spacing. John Hudson of Tiro Typeworks designed the Hebrew glyphs for the font family, as well
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