Research Methods
Content
RESEARCH METHODS CHAPTER 3 RESEARCH QUESTION AND ANSWERS 3.1 ANALYSIS OF IMR AND OTHER DISCUSSION
SEQUENCE: protagonists dancing and boozing the night outside, the political party activists is aggressive and shouting against the protagonists youngsters and while trying to attack them police came there and stops the fights. And protagonists give money (bribes) to police. That is the end of the sequence. The institution mode of representation of film is Bollywood and subjectivity formation is about cultural and ethnicity how the film portrays in cultural contexts. The female spectatorships and identity is very much structured and dominant to spectrum of ethnicity in these sequences. This sequence and of course the movie focus on the Indian cultural and nationalists artefacts and tells that how the people mostly young male and female captivating the cultural traditions and patriotism in contemporary debate of culture in this sequences. The dominant of present young generation how focus the social and political debates of realistic approaches. This spectrum of audience in social and political contexts is sketched to narrative realism in contemporary politicians and youth aspects. The IMR in these sequences is very much acclaimed towards the socio realistic conflicts. This sequence claims the integral part of politics and cultural implementation Of contemporary Indian culture in India. The gaze of gender is subjected into formation of cultural and social consistency. There is also a religious untouchable shade has been exposed in this movie. For example when a political activist Laxman pandey (Atul kulkarni) shouting and fighting against young protagonist who are partying at night time. And shows angry on Pakistani aslam (kunal kapoor) by his crucial dialogue “bloody Pakistani” but three of his friends protect him. So this shows the ethnicity exposure issues. the evaluation of this movie has been sketched into different opinions from audiences and claims the critics. Especially the political and social problems have been raised in these sequences. The film has the highest ethnicity controversy and realistic approaches rely on real life of India airforce pilot, protest for truth and perspective discussion of youth and lifestyle behaviours. Mostly if we see in Delhi, Mumbai northern part of
India. There is a political parties and activists Like BJP, Shivsena are most controversy against and an deep patriotistic approaches in India. such as they don’t like people who is boozing and partying in late night, who involvement in international lifestyle and trade and cutlure. They have a rule and followers of Indian culture. Eventhough they are involved in many issues like political parties and they bit violent followers. For them they focus on cultural conflicts and socio political issues. Shortly to say they are against youth western culture in india So in this sequences perfectly shows the how the western culture have been involved into youth generation in india such like the sequence depicts the there is no seriousness and patriotism from contemporary Indian youth and there is no culture and awareness among youth in india. so ideology and idealisation was focused on the subjectivity in this movie. The movies has focused on three realistic paths of Indian air force officer killed in crash, and cultural aspects of current youth with background of Indian revolutionary characters sketched on the real protagonists. The innerval meaning of this sequence is shows the meaning and qualitative approaches of contemporary culture in India is modifies and manipulating in present generation among youth and ethnicity and religious spectacle of Indian and Pakistan. To say that during the India gets freedom from British rule. Due to political aspects and religious conflicts Pakistan had separated from India. that time many issues and conflicts and war have been happening till now. So on this sequence the aspects showed well and other political problems like “Bribe” is shown in this sequences when DJ(Amir khan) is giving money to police when they came to solve the fight against activists and protagonist. In India everything is politics now from birth to death the Bribe is major problems in India. for example education, entertainment and intervals of the movie is sketched between casts and audiences. Outrival of this sequence shows the angle and placement of camera is following from protagonists characters and its is simply structured into fourth kind and when the laxman pandey(atul kulkarani) attempt and shouts against a protagonists the no western music and spoils culture the when protagonists partying at night the dialogues and expression of charecters shows the emotional impacts and creates an cultural dominancy and contemporary youth activism in india with social and political influences and conflicts rely on it. I would strongly to agree a words of Lecture from “Professor Spencer Murphy, Coventry university in module film and visual culture about his arguments like a spectacle and narration of movie aspects between a screen and eye of the audiences and camera placement of in a room and exposing characters that is very interesting and make sense but when applying that theory in this sequence of the
film it shows the impact of audiences and really fit into it. so overall this topic of the cultural identity and patriotic structured into the theme. The IMR in this film sequence is very much observed and classifys the ideology of socio political concept conflicts and realistic approaches. The movie exaggerates the patriotic among youth in the contemporary culture in India. The movie focus on the political signs of Indian revolutionary during British rule in india which the real present character is implemented from past revolutionary charecters Bhagat singh and others respectively. but in this sequence the IMR and idealization is focused on the socialism and realism of India’s cultural spectatorships and ethnography. The ethnography is nothing but study about group of people in cultural aspects. The ethnography is perfectly sketched in this sequence. (M.Prasad, 1998) In this book author has researched on ideology of “The bollywood movie situated cinema in a cultural contexts already inclined towards realist representation, in an era that saw the expansion of consumption supported by modern advertising”. and also which provided the emrgence of psychoanalysis a tool tat could rectify and invent in a turn that could ratherly be the manifestation of a histrocial necessity. Not only religious also the race has been portrayed in this sequence. There is lacan of global generation at present shows in ethnicity and religious aspects. for example when the political activists shows his anger against a Pakistani. So this is ridiculous things was been categorized in spectacle of this sequences. In overall movie the realism is rely on social and political conceptualization in india. The theory of IMR in this sequence and overall film there is to create a social and political awareness among youth subjectivity to create a patritiotism among youth in activism in india. The cultural identity and socialism is perfectly charecterized among present generation in India. The realism is somewhat charecterized based of real story about a pilot who died in a crash and protest events, these sequence political activists against globalization are really focused and implemented in this social commercial films. In a thesis from mentioned that” As Hindi film critic Dr. Chakravorty describes it,” RDB is an moral, social and political allegory“. On the regards with provided moral, the theory suggest that the history behind the film has an nationalistic struggle with the idealism and humanitarianism along with the politics, lack of social responsibility and religious fundamentalism. This identically says the discussion about the social, political and economical issues in India through the media by
RDB with the perfect quality screenplay and songs to throw light on the Indian situation. The music in the movie is wonderfully narrated and structured by nothing other academy award winner “A.R.Rahman”. the music which has melodious and western style reach to global level. Each song in the movie bring out the national patriotic things and cultural citizenship among youth behaviours and brings the psychological impacts and implantation of social relations and conflicts. The characterization of social and contemporary political issue is well recognized in the film in realistic approaches. The songs “Lukka chuppi”, Rang de basanti and sarfrosh, brings the social and cultural ethics in India. of course the songs fascinated and become one of the best songs of the year in India before and after the film release. The marketing and advertising of the movie which makes the big expectations among audiences. The movie promotions and critics in media were very much in Hypothesis during before and after film releases. Movie was been taken in mostly in Delhi capital of India.
In overall conclusion of this topic movie optimize the social relations and political conflicts of the movie in realistic approaches with social commercial film which is fascinated through music, direction and other technical aspects take the movie into global level audiences with construction of cultural and patriotic activism among youth and of course people who are in abroad Indian origins this movie bring out the feel of Indian cutlural and patriotism contexts among global audiences. So overall the literature review shows and gives idea for research methods and answers for research methods how the bollywood has structured into cultural identity a and having sketch to social and political level for global audiences. So lets us see the next chapter about research methods by answering the questions and analysing with realistic issue and film rang de basanti how social and political debates constructed in contemporary bollywood narration by movie “Rang de basanti”.
How contemporary bollywood constructed into narration of social and political conflicts in a film? Structured in RDB?
1.
The bollywood from present is targeting international markets and for global audiences. So majorly the movies in bollywood exposing of present on the social and cultural implementation India with nationalistic and commercial values constructs the audiences into a patriotic and race, and gender spectatorships which brings the post modernistic view among global audiences through its ethical value and structures of commercialism in it. So in this research methods i like argue about a movie “Rang de basanti” how it structures and describes social and political contexts among audiences. The denotative meaning of bollywood is into social and political conflicts. the characteristics of bollywood is structures with social consistency in movies like “Rang de basanti”. In the journal of “Rang de basanti-consumption, Citizenships and public sphere social and political issue of rang de basanti into realistic approaches compared to murder case with evidence. But in this research methods in focus of the analysis of real issue with this movie and how bollywood effective into social and political contexts in india.the
research method will be following the analysis of bollywood in socio political context.
3.1 CONSTRCUTION OF BOLLYWOOD IN SOCIAL VIEW.
I like to talk about a Real issue which is implemented and shown similar to rang de basanti. So this issue somewhat makes a perspective of a religious shade of nationalistic and culturist in Hinduism. Why because of there is many activist and conflicts and protest was been during before and after independence period. Potentially to say there is majority of religions are Hindu and Muslim people in India. During independence in India the Pakistan was separated due to political and religious conflicts. During pre indepence in India there is many Hindu activists in Hindu spreads the religious controversy and making some conflicts against Muslim community and against the nationalism which is said as terrorisms. Actually the religious conflicts was perfectly described in movie” HEY RAM” casting and directed by “Kama Hassan” which the story focused on periodic film around the a man who is affected by a group of revolutionary and community in pre and post independence time was totally makes a protagonist into negative character and been revolution against Muslim and nationalistic leader Mahatma Gandhi who is Muslim and support of his community. not only this also many films like for example “Bombay” directed by “Manirathnam” Indian film maker, movie which portrays the young couple who is struggling and affected by Hindu muslim riots during “Babar masjid demolition in 1992” in northern part of India. And ofcourse the movie has got many critics and makes an controversial impacts in religious wise,political wise in india. the movie brings out the social and political conflicts in India. It focused on the religious conflicts and contemporary political situation in india.
The realism has been rely on social impacts with strong reinforcement to bollywood. The movie “Rang de basanti” describes like this is in narration of social and political activism. And also the reallistic things constructed and implemented in the film. While applying the discourse analysis theory in this sequence strucutred into the realistic social and political approaches to audiences in india. The religious perspective and
patriotic approaches was been criticized and functioned into lacan of religious and cultural understanding of hindu-muslim activists and it is somewhat a ridiculous conditions in India. This sequence shows you the perspectivness of contemporary political annd religious subjectivity. The way of dressing sense and behaviour of protagonists shows the western affects and youth behavioursim psychologically in the consumerism of western contemporary culture in india. actually to say the movie was clearly structured into political debates in india like protests, contemporary youth activisms. So the bollywood was very much structured into contemporary social debates in India with real events. Mehra take this movie into politicians and political situation in cultural India by its screenplay and Dialogues.
When considering the economical factors on the financial budget in the RDB, this film is majorly concerned about the viewers satisfaction there by which created noticeable impact on the Indian society. A detailed study on the characters and behaviour patterns of the film is been done during the first month of the film, which increase the public and the government attention towards the corruption and bureaucracy reduction. Towards which this film is totally a mindblowing attempt by the director towards the viewers point and also the writer D’Silva saud that the film “has struck a chord somewhere”.
On the favour of the director the discussion and the instigation about the political thoughts were provoked in the social awakingness for many. And also few discussions regarding citizen support and contribution to the non governmental organisation and excersing simple citizen duties of paying taxes and votes. On the other hand rest of the Indian films which was basically concentrated on the entertainment was highly fledged towards the viewers angle. On the comparison with the Jignostic overtones with the other Indian films, The contribution of these young actors were very well related to the I.ndians in the film RDB.
3.2 ANALYSIS OF RDB IN BOLLYWOOD The movie Rang de Basanti organise and analyse The socialistic view among audiences. The movie “rang de basanti” characterize the makes the audience into social respnosblity and shows the contemporary political debates of india. especially the movie shapes youth audience into western lifestyle and social subjectivity in first acts and slowly makes into activism and protest against contemporary political and cultural debates. The movies like RDB in bollywood was very much in consider of social reposnsiblity to show the social and political conflicts and agenda among global audiences. In thesis from “Dilip.M,(2008), author mentioned clearly analyse the Movie in a social view that “This young audience is the group fueling the demand for realist films in India. This new trend is refreshing as the previous audiences of Hindi cinema favored melodrama, sentimentalism and escapism in comparison to the more mellow fare of the 2000s. However, today in 2007 not only has it become pres-tigious for filmmakers to make popular films on socially relevant themes but it is also considered high-status for film stars to be a part of a socially relevant project due to the social tag attached to them. Thus, audiences who were moved by RDB and wanted to make a difference now felt more encouraged to blog, rationally discuss and debate about the film and other related issues on the Internet as well as in real life. This desire to make a “difference and change society also ultimately manifested in acts of citizenship when community of audiences and youngsters took to the streets to protest and lobby on various public interest issues.” The power of Bollywood in this demonstration also realised the citizenship and the expand of public sphere by this youth activism. In BBC online the writer “Pandohar.J (2006), Rang De Basanti -Paint It Saffron,(ONLINE), http://www.bbc.co.uk/films/2006/01/27/rang_de_basanti_2006_re view.shtm, 28-03-2011” has mentioned in his review of film “rang de basanti “that Successfully weaving historical facts with contemporary themes and characters”, this welcomes the direction and writing of Mehra that it's thanks to Mehra's smart writing and direction that you are instantly drawn into Rang De Basanti's absorbing plot, which flits smoothly from past to present. While Khan is on usual form, it's Patten who earns top points as the amiable foreigner who amuses the locals with her excellent command of Hindi. But it's
the strong performances from the ensemble cast that impress foremost, all of whom are totally convincing as disillusioned youngsters learning the importance of personal sacrifice.” This statistically proves upcoming ideology about the qualifying performance in the Bollywood film.In the psychological analysis of the movie become the strong impact and shows the how bollywood it delivers its ethics and spectatorships into media. The RDB shows the citizenship value in India in and determines that these types of movies in bollywoods subjects the cultural and patriotic identity in both contemporary social and political contexts in india.
“The motivation of research method is brings the bollywood focus of social and contemporary political value in India. The narration of social realms brings the potential youth activism into issue of political conflicts. Thus makes sense the movie is reach the denotative meaning in social and political issue and spectacle of bollywood focus into contemporary cultural and patriotic identity in India. The movie is focused to both gender gaze and cultural analysis of spectatorships reach to global level but connotative meaning it brings the technical and commercial in movies like musical sequences, casting and direction methods. 3.3 RESEARCH ANALYSIS FROM INTERVIEWS METHODS This topic of “research analysis from interview” in this project will analyse the data interview from celebrities and personalities of movie RDB, in source from electronic sources and articles about how the RDB structured into the bollywood social consistency and quantity reach to global level. As first analysis from interview article in BBC online from actress Alice Pattern who done a British documentary filmmaker Sue in the movie RDB. Interviewed by Film critic journalist Jaspreet pandohar about view of bollywood and movie RDB in it. “Pandohar.J (2006), 28March2011.”. In this alice said about a bollywood in her view in the qualtitative method that answering a question how easy and cooperation in Bollywood movies and how popular from your view? She replied that she has never got interest or thought about Hindi movies but though he watched a few movies from past. But she said that bollywood is that way and structure of culture in India. and it has huge reputation specially British country and all over the world, Its a upcoming and developing Industry. So on her opinion bollywood is interesting adventure and mind refreshing facts which include of culture spectatorships and political values.
So as per main important reply for question how the director had implemented political contexts in movie and opinion about a bollywood industry. So in her view that her character in the movie as documentary film maker and to recruit the five youngsters for movie movie resembles a characters of revolutionaries which present protagonist characters not identify it from past till they realise to know the past characters of revolutionaries from thiers great grandfather and forefathers. There are parallels all the way through the film of the pre-independence and contemporary situation in India. And she defined and described about a movie in a brief that “Rang de basanti” means which” basanti”is saffron colour in Indian flag it mentioning the Sacrifice”. So analysing her words in the interview article This shows how bollywood exposed and structured in among global audiences and reputation in global level. Her words about bollywood structures cultural and social value into global level. And another interview from “Filmmaker Rakyesh Om prakash” is that how he determines the RDB into the consumption of movies into social view that how he conceptualizes the reinforcement and value of bollywood in his words. “Administration,(2006), Rakyesh mehra and Rang de basanti, [Bollywooders online], http://bollywooders.com/bollywood-news/rakeysh-mehra-and-rang-debasanti/, 28 March 2011,”mentioned that he feels it is useless to make a film unless it gives a social message for the masses. Yes, of course, it is beyond any doubt that Rang De Basanti was a great piece of cinema, a classic in itself but from where did the director get the inspiration for this modern day classic?” Revealing this top level secret. Mehra mentioned that “the inspiration for all his films come from his own real life experiences only. I belong to a middle class family, where one spends his entire life mainly doing two things only – struggling or experiencing the hard truths of life and dreaming. I have found and used cinema as a unique medium to express both my own experiences and dreams.” So on his words shows that the movie focused in bollywood and filmmakers of the movies focusing the ideology was structured in the bollywood industry with its ethical composition of characters in movie like RDB implemented and manipulated into realistic theory’s and imaginative formulas into global level consistency and subjectivity of social message. To answer of contemporary bollywood into social and political relevance composed and structured by the analyzing the interview article from Director and actress alice patten interview that bollywood makes is social and political factors moulded into ethics by reach to global audiences. While analysing the one of the comments from audiences reviewed and commented about a movie in the website. ” Rediff Movies,(2006), RANG DE BASANTI-Readers respond, [Rediff.com online],
http://in.rediff.com/movies/2006/jan/31readers.htm, 28 March 2011 From this Mr Sanjay prabkhar “this will be one of the best movies I have watched, when I listened to the songs of the movie and some speculations about the movie I thought it could be another war movie with some Pakistan bashing dialogues, but, it was not. This movie is about contemporary India, it is about the past, present, corruption, bribe, beer, MIG, youth, rebels. In other words it's about I-N-D-I-A. Let me not tell you the nitty-gritty of the story and stuff, but I would like to tell the message, its very straight. In the past, a band of youth dared to attack the British Empire and died to start a revolution and they are still alive in our memory. The movie tries to retrace the same steps to chase away another deadlier enemy of the nation, Corruption.” So while analysing this how RDB was moulded and increases its public by its social values and effectively visualize in audience perspectives like I strongly agree lecture from Spencer Murphy In the module about a placement of camera and a analysis of audience eye and screen, the hypothesis of movie in construction of camera movement and psychological analysis of audience. So while applying this method in this movie and analysing the interview and comment it shows that how Bollywood is concpetualzing into its ethnography and how the citizen of India view on their ethnicity in nationalistic and culturist commodity in the movies like RDB. The effective meaning of movie how it generously recognize its ethical perception and attitudes to it mind respond to movie.
2) Analyse and discuss the construction of realism exposed in RDB movie structured the Bollywood? Compare or analyse with socio-political issues? Analyse with the movie RDB? On finding the answer for the research question Bollywood slowly raise its ethics into realistic approaches and compression of cultural identity and value of ethnographical construction in the context of political influence in it. Interestingly to say fact of realistic movies in Bollywood is hypothetical way of construction in the analysis. The Bollywood movies in which has in content of social and political supremacy with its conscious of ethics in realism approaches. Like to say the Movie RDB has it realistic effect into contemporary social and political issue in current situation. Like any movies in Bollywood the cinematic political thought represents the condition and the message and thought of socialism and realism makes the movie into global by its
ethics of culture, traditions. The Bollywood exposed into realistic theorys with examples of movies Like RDB, Lagaan, My name is Khan. The movie RDB which generates the construction of social and political activism and makes strong cultural and patriotic movie which reinforcement and boosting to full classification of Bollywood entry to global level. In the movie the musical, style and way of western culture was sketched into real lifestyle of present youth generation in India. the movie RDB contains each and every sequence of contemporary social and political debates in India. of course ploted into story of Historical construction of characters in past and story of ‘kavita gadgil’ Indian Airforce pilot who dies in the plain crash due to failure of engine and parts and the government action in her case. And real events like protest, focus of contemporary politicians. Each every sequence signifies the real and situation of activism and youth in India. how the unique portion of citizenships responds to issue or case in india. this is somewhat make sense how the movie RDB constructed and expose the realism and commericialim in sequences with its social narrative story of realistic approaches about contemporary youth generation in india.
3.4 REALISM EXPOSURE OF RDB ANALYSIS IN BOLLYWOOD The realism in cinema which arguably theorises the film is in another art form which should signifies or shows the reality approaches the world in realistic facts, which has contents of social, political and economical aspects and focus communicative to society. But though these kind of aspects categorise and express the movie in representation of natural context and characters. As to clearly say that whether realism is kind of transparent object of real world or its representation of world in reality. (Williams, 1980). Further author (Williams, 1980 pp.1) explained “realism in perhaps best be grasped through the relationship the realism canthe view of problem about the subject of opposition between mere appearances meaning of reality of things as we perceive them in daily life and experience and ‘true reality; meaning is an essential truth, one which we cannot normally see or perceive. This makes sense out of it agree with author argument about the analysis of spectator in the realism and
which intend to varies and to describe what they trying to convey, The real world in the intend of visual objects or illusion in realistc theory in denotative to express some themes. He explained in the form of question how the realism in movies expresses in direct and indirect method. Interestingly to say author had explained philosophically about the movie that
The representation of Socio political context in Bollywood constructed into the objective and mirror image of social and nationalism. The spectatorships and IMR of Bollywood is constructed into the social text and contexts. The visual perspective of Bollywood is descriptive into culture and nationalism to showcase for citizenships promotions. During the time of freedom in 1947 in India the Prime Minister Nehru had an fore seeing idea of Bollywood industry into consumerism and consumption of social structure and popular culture into realism of socialistic view and ideology. And also the construction of film theory into the propaganda divides india into the states and languages barriers. This makes sense to make an awareness and making Indian society to be proud (Thoraval, (2000).
So while analysing this however directors like Shyam benegal, Mehboob khan had organised and strucutre the Hinid movies into sociopolitical realist bollywood in the form of popular culture. It slowly modifies into commericial cinemas in the period of Rajkappor movies, Amitabh bachan. The bollywood totally classify into Postmodernist and globalized construction of realism in specific manner. So in this way I strongly agree with author (Dilip.M 2008) ”Rang de basanti consumption citizenships and the public spehere” discussed clearly in her research that Family oriented melodramas therefore ruled the roost in this epoch..Although these feel-good films managed to win over the box office and the masses they were not indicative of the social conditions of the times unlike older films. These films with their emphasis on fantasy sequences and consumerist lifestyles were only interested in entertaining audiences by transporting them into the world of the make believe. Aesthetic realism was therefore not an area of concern for audiences who wanted to
experience the good life via the medium of film. Commercial Hindi cinema in order to meet this demand of its audiences employed lavish productions and consequently cinema was perceived to be a gross exaggeration of reality. So this shows how bollywood constructed into approaches the theory of realism.
So in method of Realism in the movie RDB positioned into the contemporary debate of culture and socio political structure. The view of RDB was potraying the realism of current situations in Indian with influence and backdrop of realistic issues. For this research project about a real issue in Bollywood While analysing the thesis from “Dilip.M, (2008)author states that The Shiva Sena is a major political party in the Indian state of Maharashtra. The Shiv Sena is closely associated with the RSS and the BJP and is also constantly embroiled in controversies for allegations of party organized violence against Muslims as well as against proponents of western culture. The actor Shah Rukh Khan's statements on the Indian Premier League snub to Pakistani cricketers has riled Shiv Sena with the party on Friday saying that the Bollywood star's upcoming film My name is Khan will not be allowed to be screened. Shiv Sena activists on Friday tore off posters of My name is Khan in Thane place in Mumbai protesting Shah Rukh's statement that Pakistani cricketers should be allowed to participate in IPL."Let us see how he dares to take in Pakistani players. We will see to it. We will not tolerate anybody praising Pakistanis. Balasaheb has already given instructions on the issue. You will see what Shiv Sena will do in the coming days," said Shiv Sena leader Sanjay Raut. On the other hand the controversy of the political party were well known to the activities that are against the western culture to whom the consumerism in india are of more religious concern especially the Hinduism and opposing the Muslim government.
To describe, say “they are also the reason and responsible for Babar masjid demolition in India 1992, which took place in the northern india a place called godhra and ayodhya. Due to this Demolition act in India there has been too much of Political and public protest towards the Hindu Muslim issue that has been Ideally fought post Independence of India. So for now Hindu-Muslim controversy is been big
social problem in Indian politics which led to the commercial damage that majorly dominance that are making worst impacts in both of the religious controversies and I strongly to say Hinduism is the main reason and responsible for 1992 Hindu- Muslims riots. This is because of political influence such like money power. so the most affected in this issues are public. The dominance of Hindu nationalism is making the India into critical and worst impacts by targeting Muslim community but not every Hindu party activists. Actually this is happening from past during the pre and post independence. Mostly Bollywood movies will release in Pakistan will consume the Bollywood movies because of language which is mixed of Urdu and Hindi and obviously before Independence in India, the Pakistan was one of the states in India. After independence in India, Pakistan separated by Father of Indian nation ‘Mahatma Gandhi’ due to majority of population of Muslim society and the community seeking for individual state that time and there is many problematic issues of worst HinduMuslim community clash and riots like I said before. And of course strongly to say Hindu Community is main reason for separating Pakistan from India. This project does not blaming any religious or community is describing the fact and truth of happened and happening in India. The strong religious clash of Hindu-Muslim community is the impact of terrorism and war, riots which directly and indirectly by politically, socially between India-Pakistan and ofcourse Muslim communitys in India. And Mumbai is one of the most sensitive place in this subjects. This impact the RDB film could not able to release in pakistan. So producer of the movie UTV states that in the website Ronnie Screwvala, CEO, UTV, which has produced 'Rang De Basanti' says, “This comes as news to us. But we all are aware that 'Rang De Basanti' appeals to our conscience at various levels and we are proud to have produced it. RDB is emerging as a contemporary classic. This in fact can be gauged from the way it has influenced our society and shaped our attitudes towards things that are happening around us. Meanwhile, the film's director Rakeysh Mehra is making sure that the film's cast does make time to be present for the channel's launch in mid-October. Interestingly, the owners of 'Jung' are now also trying their efforts to get the film released in Pakistan (Anonymous, 'Rang De Basanti' inspires new Pakistani news channel, 2006 ).”
This shows how the movie RDB has impact the reality in socio political contexts in India. The strong religious and culture barriers was very much effective in India.I ike to discuss the RDB with real issue which happened in India. Ofcourse the movie RDB which is implemented the cover story of Indian
air force pilot Mr Abhijeet Gadgil, The son of a former military pilot, he was
a flight lieutenant in the Indian Air Force (IAF). He was only 27, and he had just been married. Abhijit Gadgil was on a routine sortie in his MiG-21 on the night of September 17, 2001. Just 33 seconds after takeoff from runway number 5 of the Suratgarh air base in the north Indian desert state of Rajasthan, his plane stalled. The MiG plunged down at 470 kilometers per hour, straight as an arrow, digging a massive hole into the sand as it disintegrated on impact. Later his mother kavita gadgil who blames the poor maintenance and training of ministry of defence and importing the poor quality of Russian jet crash and poor training. So this is due to because of
worst politicial influences. Abhiijit mother later started a foundation of Abhijit air safety in memorial of her son. Not only her son also many of them died due to the poor training and maintenance of Indian air force.
that, “still unconvinced about the airworthiness of the aircraft, Ms Gadgil has found a way to deal with her tragedy. She has formed a group of people who seek what she calls a rational explanation for the continuing MiG crashes. Speaking to the BBC, Ms Gadgil said the Abhijit Air Safety Foundation was formed on 21 December 2002, an anniversary of the day her son was commissioned into the Indian air force. More than 100 people, including doctors and engineers have already joined the group, Ms Gadgil said. She added: will be creating pressure groups and we want the government to make public the results of all the MiG crash inquiries. My son's death is just a statistic now as so many fighter pilots have gone down after his death, she said. The real cause of the accidents is not being revealed." So In this movie RDB focus the central part of concept and idea that the realms of issue about a Indian airforce pilot.
His mother Kavita gadgil said to BBC
So this real story was implemented in the movie with the song” Lukka chuppi” narrative sequence with youth protesting near the India gate for judgement and truth for backdrop issue of Indian Air force pilot Ajay character in a movie implemented the Abhijit gadgil and police blaming assaulting the charecters in the movie. The youth protesting the method of peace like Father of nation Mahatma Gandhiji, protest against contemporary politicians. Why iam saying this because National leader Gandhi who fight against British for Independence in India protesting method of peace. So conntatively analysing this in a real the The movie brings out the realms of contemporary worst politicians who involved in the case and reason of Formelate pilot Abhijit Gadgil (Sen, 2003). So author Dilip.M suggests that RDB “One recent film that successfully
employed this trend to connect with Indian audiences was the Hindi blockbuster RDB. This film directed by Rakyesh Om Prakash Mehra was widely appreciated both by the press and public for the realism in its style and narrative. This factor also went on to help RDB enjoy much commercial success and social appeal in India (2008, P83).” So this shows the structure of how the movie identified to approaches the socially and nationalistic patriotism in India. Mehra strcutres the Patriotism awareness among youth and activism. And movie RDB makes special identification in Bollywood constructs social and political contexts. How it deserves it ethical values into realistic method takes the Bollywood into global level.
SEQUENCE: protagonists dancing and boozing the night outside, the political party activists is aggressive and shouting against the protagonists youngsters and while trying to attack them police came there and stops the fights. And protagonists give money (bribes) to police. That is the end of the sequence. The institution mode of representation of film is Bollywood and subjectivity formation is about cultural and ethnicity how the film portrays in cultural contexts. The female spectatorships and identity is very much structured and dominant to spectrum of ethnicity in these sequences. This sequence and of course the movie focus on the Indian cultural and nationalists artefacts and tells that how the people mostly young male and female captivating the cultural traditions and patriotism in contemporary debate of culture in this sequences. The dominant of present young generation how focus the social and political debates of realistic approaches. This spectrum of audience in social and political contexts is sketched to narrative realism in contemporary politicians and youth aspects. The IMR in these sequences is very much acclaimed towards the socio realistic conflicts. This sequence claims the integral part of politics and cultural implementation Of contemporary Indian culture in India. The gaze of gender is subjected into formation of cultural and social consistency. There is also a religious untouchable shade has been exposed in this movie. For example when a political activist Laxman pandey (Atul kulkarni) shouting and fighting against young protagonist who are partying at night time. And shows angry on Pakistani aslam (kunal kapoor) by his crucial dialogue “bloody Pakistani” but three of his friends protect him. So this shows the ethnicity exposure issues. the evaluation of this movie has been sketched into different opinions from audiences and claims the critics. Especially the political and social problems have been raised in these sequences. The film has the highest ethnicity controversy and realistic approaches rely on real life of India airforce pilot, protest for truth and perspective discussion of youth and lifestyle behaviours. Mostly if we see in Delhi, Mumbai northern part of
India. There is a political parties and activists Like BJP, Shivsena are most controversy against and an deep patriotistic approaches in India. such as they don’t like people who is boozing and partying in late night, who involvement in international lifestyle and trade and cutlure. They have a rule and followers of Indian culture. Eventhough they are involved in many issues like political parties and they bit violent followers. For them they focus on cultural conflicts and socio political issues. Shortly to say they are against youth western culture in india So in this sequences perfectly shows the how the western culture have been involved into youth generation in india such like the sequence depicts the there is no seriousness and patriotism from contemporary Indian youth and there is no culture and awareness among youth in india. so ideology and idealisation was focused on the subjectivity in this movie. The movies has focused on three realistic paths of Indian air force officer killed in crash, and cultural aspects of current youth with background of Indian revolutionary characters sketched on the real protagonists. The innerval meaning of this sequence is shows the meaning and qualitative approaches of contemporary culture in India is modifies and manipulating in present generation among youth and ethnicity and religious spectacle of Indian and Pakistan. To say that during the India gets freedom from British rule. Due to political aspects and religious conflicts Pakistan had separated from India. that time many issues and conflicts and war have been happening till now. So on this sequence the aspects showed well and other political problems like “Bribe” is shown in this sequences when DJ(Amir khan) is giving money to police when they came to solve the fight against activists and protagonist. In India everything is politics now from birth to death the Bribe is major problems in India. for example education, entertainment and intervals of the movie is sketched between casts and audiences. Outrival of this sequence shows the angle and placement of camera is following from protagonists characters and its is simply structured into fourth kind and when the laxman pandey(atul kulkarani) attempt and shouts against a protagonists the no western music and spoils culture the when protagonists partying at night the dialogues and expression of charecters shows the emotional impacts and creates an cultural dominancy and contemporary youth activism in india with social and political influences and conflicts rely on it. I would strongly to agree a words of Lecture from “Professor Spencer Murphy, Coventry university in module film and visual culture about his arguments like a spectacle and narration of movie aspects between a screen and eye of the audiences and camera placement of in a room and exposing characters that is very interesting and make sense but when applying that theory in this sequence of the
film it shows the impact of audiences and really fit into it. so overall this topic of the cultural identity and patriotic structured into the theme. The IMR in this film sequence is very much observed and classifys the ideology of socio political concept conflicts and realistic approaches. The movie exaggerates the patriotic among youth in the contemporary culture in India. The movie focus on the political signs of Indian revolutionary during British rule in india which the real present character is implemented from past revolutionary charecters Bhagat singh and others respectively. but in this sequence the IMR and idealization is focused on the socialism and realism of India’s cultural spectatorships and ethnography. The ethnography is nothing but study about group of people in cultural aspects. The ethnography is perfectly sketched in this sequence. (M.Prasad, 1998) In this book author has researched on ideology of “The bollywood movie situated cinema in a cultural contexts already inclined towards realist representation, in an era that saw the expansion of consumption supported by modern advertising”. and also which provided the emrgence of psychoanalysis a tool tat could rectify and invent in a turn that could ratherly be the manifestation of a histrocial necessity. Not only religious also the race has been portrayed in this sequence. There is lacan of global generation at present shows in ethnicity and religious aspects. for example when the political activists shows his anger against a Pakistani. So this is ridiculous things was been categorized in spectacle of this sequences. In overall movie the realism is rely on social and political conceptualization in india. The theory of IMR in this sequence and overall film there is to create a social and political awareness among youth subjectivity to create a patritiotism among youth in activism in india. The cultural identity and socialism is perfectly charecterized among present generation in India. The realism is somewhat charecterized based of real story about a pilot who died in a crash and protest events, these sequence political activists against globalization are really focused and implemented in this social commercial films. In a thesis from mentioned that” As Hindi film critic Dr. Chakravorty describes it,” RDB is an moral, social and political allegory“. On the regards with provided moral, the theory suggest that the history behind the film has an nationalistic struggle with the idealism and humanitarianism along with the politics, lack of social responsibility and religious fundamentalism. This identically says the discussion about the social, political and economical issues in India through the media by
RDB with the perfect quality screenplay and songs to throw light on the Indian situation. The music in the movie is wonderfully narrated and structured by nothing other academy award winner “A.R.Rahman”. the music which has melodious and western style reach to global level. Each song in the movie bring out the national patriotic things and cultural citizenship among youth behaviours and brings the psychological impacts and implantation of social relations and conflicts. The characterization of social and contemporary political issue is well recognized in the film in realistic approaches. The songs “Lukka chuppi”, Rang de basanti and sarfrosh, brings the social and cultural ethics in India. of course the songs fascinated and become one of the best songs of the year in India before and after the film release. The marketing and advertising of the movie which makes the big expectations among audiences. The movie promotions and critics in media were very much in Hypothesis during before and after film releases. Movie was been taken in mostly in Delhi capital of India.
In overall conclusion of this topic movie optimize the social relations and political conflicts of the movie in realistic approaches with social commercial film which is fascinated through music, direction and other technical aspects take the movie into global level audiences with construction of cultural and patriotic activism among youth and of course people who are in abroad Indian origins this movie bring out the feel of Indian cutlural and patriotism contexts among global audiences. So overall the literature review shows and gives idea for research methods and answers for research methods how the bollywood has structured into cultural identity a and having sketch to social and political level for global audiences. So lets us see the next chapter about research methods by answering the questions and analysing with realistic issue and film rang de basanti how social and political debates constructed in contemporary bollywood narration by movie “Rang de basanti”.
How contemporary bollywood constructed into narration of social and political conflicts in a film? Structured in RDB?
1.
The bollywood from present is targeting international markets and for global audiences. So majorly the movies in bollywood exposing of present on the social and cultural implementation India with nationalistic and commercial values constructs the audiences into a patriotic and race, and gender spectatorships which brings the post modernistic view among global audiences through its ethical value and structures of commercialism in it. So in this research methods i like argue about a movie “Rang de basanti” how it structures and describes social and political contexts among audiences. The denotative meaning of bollywood is into social and political conflicts. the characteristics of bollywood is structures with social consistency in movies like “Rang de basanti”. In the journal of “Rang de basanti-consumption, Citizenships and public sphere social and political issue of rang de basanti into realistic approaches compared to murder case with evidence. But in this research methods in focus of the analysis of real issue with this movie and how bollywood effective into social and political contexts in india.the
research method will be following the analysis of bollywood in socio political context.
3.1 CONSTRCUTION OF BOLLYWOOD IN SOCIAL VIEW.
I like to talk about a Real issue which is implemented and shown similar to rang de basanti. So this issue somewhat makes a perspective of a religious shade of nationalistic and culturist in Hinduism. Why because of there is many activist and conflicts and protest was been during before and after independence period. Potentially to say there is majority of religions are Hindu and Muslim people in India. During independence in India the Pakistan was separated due to political and religious conflicts. During pre indepence in India there is many Hindu activists in Hindu spreads the religious controversy and making some conflicts against Muslim community and against the nationalism which is said as terrorisms. Actually the religious conflicts was perfectly described in movie” HEY RAM” casting and directed by “Kama Hassan” which the story focused on periodic film around the a man who is affected by a group of revolutionary and community in pre and post independence time was totally makes a protagonist into negative character and been revolution against Muslim and nationalistic leader Mahatma Gandhi who is Muslim and support of his community. not only this also many films like for example “Bombay” directed by “Manirathnam” Indian film maker, movie which portrays the young couple who is struggling and affected by Hindu muslim riots during “Babar masjid demolition in 1992” in northern part of India. And ofcourse the movie has got many critics and makes an controversial impacts in religious wise,political wise in india. the movie brings out the social and political conflicts in India. It focused on the religious conflicts and contemporary political situation in india.
The realism has been rely on social impacts with strong reinforcement to bollywood. The movie “Rang de basanti” describes like this is in narration of social and political activism. And also the reallistic things constructed and implemented in the film. While applying the discourse analysis theory in this sequence strucutred into the realistic social and political approaches to audiences in india. The religious perspective and
patriotic approaches was been criticized and functioned into lacan of religious and cultural understanding of hindu-muslim activists and it is somewhat a ridiculous conditions in India. This sequence shows you the perspectivness of contemporary political annd religious subjectivity. The way of dressing sense and behaviour of protagonists shows the western affects and youth behavioursim psychologically in the consumerism of western contemporary culture in india. actually to say the movie was clearly structured into political debates in india like protests, contemporary youth activisms. So the bollywood was very much structured into contemporary social debates in India with real events. Mehra take this movie into politicians and political situation in cultural India by its screenplay and Dialogues.
When considering the economical factors on the financial budget in the RDB, this film is majorly concerned about the viewers satisfaction there by which created noticeable impact on the Indian society. A detailed study on the characters and behaviour patterns of the film is been done during the first month of the film, which increase the public and the government attention towards the corruption and bureaucracy reduction. Towards which this film is totally a mindblowing attempt by the director towards the viewers point and also the writer D’Silva saud that the film “has struck a chord somewhere”.
On the favour of the director the discussion and the instigation about the political thoughts were provoked in the social awakingness for many. And also few discussions regarding citizen support and contribution to the non governmental organisation and excersing simple citizen duties of paying taxes and votes. On the other hand rest of the Indian films which was basically concentrated on the entertainment was highly fledged towards the viewers angle. On the comparison with the Jignostic overtones with the other Indian films, The contribution of these young actors were very well related to the I.ndians in the film RDB.
3.2 ANALYSIS OF RDB IN BOLLYWOOD The movie Rang de Basanti organise and analyse The socialistic view among audiences. The movie “rang de basanti” characterize the makes the audience into social respnosblity and shows the contemporary political debates of india. especially the movie shapes youth audience into western lifestyle and social subjectivity in first acts and slowly makes into activism and protest against contemporary political and cultural debates. The movies like RDB in bollywood was very much in consider of social reposnsiblity to show the social and political conflicts and agenda among global audiences. In thesis from “Dilip.M,(2008), author mentioned clearly analyse the Movie in a social view that “This young audience is the group fueling the demand for realist films in India. This new trend is refreshing as the previous audiences of Hindi cinema favored melodrama, sentimentalism and escapism in comparison to the more mellow fare of the 2000s. However, today in 2007 not only has it become pres-tigious for filmmakers to make popular films on socially relevant themes but it is also considered high-status for film stars to be a part of a socially relevant project due to the social tag attached to them. Thus, audiences who were moved by RDB and wanted to make a difference now felt more encouraged to blog, rationally discuss and debate about the film and other related issues on the Internet as well as in real life. This desire to make a “difference and change society also ultimately manifested in acts of citizenship when community of audiences and youngsters took to the streets to protest and lobby on various public interest issues.” The power of Bollywood in this demonstration also realised the citizenship and the expand of public sphere by this youth activism. In BBC online the writer “Pandohar.J (2006), Rang De Basanti -Paint It Saffron,(ONLINE), http://www.bbc.co.uk/films/2006/01/27/rang_de_basanti_2006_re view.shtm, 28-03-2011” has mentioned in his review of film “rang de basanti “that Successfully weaving historical facts with contemporary themes and characters”, this welcomes the direction and writing of Mehra that it's thanks to Mehra's smart writing and direction that you are instantly drawn into Rang De Basanti's absorbing plot, which flits smoothly from past to present. While Khan is on usual form, it's Patten who earns top points as the amiable foreigner who amuses the locals with her excellent command of Hindi. But it's
the strong performances from the ensemble cast that impress foremost, all of whom are totally convincing as disillusioned youngsters learning the importance of personal sacrifice.” This statistically proves upcoming ideology about the qualifying performance in the Bollywood film.In the psychological analysis of the movie become the strong impact and shows the how bollywood it delivers its ethics and spectatorships into media. The RDB shows the citizenship value in India in and determines that these types of movies in bollywoods subjects the cultural and patriotic identity in both contemporary social and political contexts in india.
“The motivation of research method is brings the bollywood focus of social and contemporary political value in India. The narration of social realms brings the potential youth activism into issue of political conflicts. Thus makes sense the movie is reach the denotative meaning in social and political issue and spectacle of bollywood focus into contemporary cultural and patriotic identity in India. The movie is focused to both gender gaze and cultural analysis of spectatorships reach to global level but connotative meaning it brings the technical and commercial in movies like musical sequences, casting and direction methods. 3.3 RESEARCH ANALYSIS FROM INTERVIEWS METHODS This topic of “research analysis from interview” in this project will analyse the data interview from celebrities and personalities of movie RDB, in source from electronic sources and articles about how the RDB structured into the bollywood social consistency and quantity reach to global level. As first analysis from interview article in BBC online from actress Alice Pattern who done a British documentary filmmaker Sue in the movie RDB. Interviewed by Film critic journalist Jaspreet pandohar about view of bollywood and movie RDB in it. “Pandohar.J (2006), 28March2011.”. In this alice said about a bollywood in her view in the qualtitative method that answering a question how easy and cooperation in Bollywood movies and how popular from your view? She replied that she has never got interest or thought about Hindi movies but though he watched a few movies from past. But she said that bollywood is that way and structure of culture in India. and it has huge reputation specially British country and all over the world, Its a upcoming and developing Industry. So on her opinion bollywood is interesting adventure and mind refreshing facts which include of culture spectatorships and political values.
So as per main important reply for question how the director had implemented political contexts in movie and opinion about a bollywood industry. So in her view that her character in the movie as documentary film maker and to recruit the five youngsters for movie movie resembles a characters of revolutionaries which present protagonist characters not identify it from past till they realise to know the past characters of revolutionaries from thiers great grandfather and forefathers. There are parallels all the way through the film of the pre-independence and contemporary situation in India. And she defined and described about a movie in a brief that “Rang de basanti” means which” basanti”is saffron colour in Indian flag it mentioning the Sacrifice”. So analysing her words in the interview article This shows how bollywood exposed and structured in among global audiences and reputation in global level. Her words about bollywood structures cultural and social value into global level. And another interview from “Filmmaker Rakyesh Om prakash” is that how he determines the RDB into the consumption of movies into social view that how he conceptualizes the reinforcement and value of bollywood in his words. “Administration,(2006), Rakyesh mehra and Rang de basanti, [Bollywooders online], http://bollywooders.com/bollywood-news/rakeysh-mehra-and-rang-debasanti/, 28 March 2011,”mentioned that he feels it is useless to make a film unless it gives a social message for the masses. Yes, of course, it is beyond any doubt that Rang De Basanti was a great piece of cinema, a classic in itself but from where did the director get the inspiration for this modern day classic?” Revealing this top level secret. Mehra mentioned that “the inspiration for all his films come from his own real life experiences only. I belong to a middle class family, where one spends his entire life mainly doing two things only – struggling or experiencing the hard truths of life and dreaming. I have found and used cinema as a unique medium to express both my own experiences and dreams.” So on his words shows that the movie focused in bollywood and filmmakers of the movies focusing the ideology was structured in the bollywood industry with its ethical composition of characters in movie like RDB implemented and manipulated into realistic theory’s and imaginative formulas into global level consistency and subjectivity of social message. To answer of contemporary bollywood into social and political relevance composed and structured by the analyzing the interview article from Director and actress alice patten interview that bollywood makes is social and political factors moulded into ethics by reach to global audiences. While analysing the one of the comments from audiences reviewed and commented about a movie in the website. ” Rediff Movies,(2006), RANG DE BASANTI-Readers respond, [Rediff.com online],
http://in.rediff.com/movies/2006/jan/31readers.htm, 28 March 2011 From this Mr Sanjay prabkhar “this will be one of the best movies I have watched, when I listened to the songs of the movie and some speculations about the movie I thought it could be another war movie with some Pakistan bashing dialogues, but, it was not. This movie is about contemporary India, it is about the past, present, corruption, bribe, beer, MIG, youth, rebels. In other words it's about I-N-D-I-A. Let me not tell you the nitty-gritty of the story and stuff, but I would like to tell the message, its very straight. In the past, a band of youth dared to attack the British Empire and died to start a revolution and they are still alive in our memory. The movie tries to retrace the same steps to chase away another deadlier enemy of the nation, Corruption.” So while analysing this how RDB was moulded and increases its public by its social values and effectively visualize in audience perspectives like I strongly agree lecture from Spencer Murphy In the module about a placement of camera and a analysis of audience eye and screen, the hypothesis of movie in construction of camera movement and psychological analysis of audience. So while applying this method in this movie and analysing the interview and comment it shows that how Bollywood is concpetualzing into its ethnography and how the citizen of India view on their ethnicity in nationalistic and culturist commodity in the movies like RDB. The effective meaning of movie how it generously recognize its ethical perception and attitudes to it mind respond to movie.
2) Analyse and discuss the construction of realism exposed in RDB movie structured the Bollywood? Compare or analyse with socio-political issues? Analyse with the movie RDB? On finding the answer for the research question Bollywood slowly raise its ethics into realistic approaches and compression of cultural identity and value of ethnographical construction in the context of political influence in it. Interestingly to say fact of realistic movies in Bollywood is hypothetical way of construction in the analysis. The Bollywood movies in which has in content of social and political supremacy with its conscious of ethics in realism approaches. Like to say the Movie RDB has it realistic effect into contemporary social and political issue in current situation. Like any movies in Bollywood the cinematic political thought represents the condition and the message and thought of socialism and realism makes the movie into global by its
ethics of culture, traditions. The Bollywood exposed into realistic theorys with examples of movies Like RDB, Lagaan, My name is Khan. The movie RDB which generates the construction of social and political activism and makes strong cultural and patriotic movie which reinforcement and boosting to full classification of Bollywood entry to global level. In the movie the musical, style and way of western culture was sketched into real lifestyle of present youth generation in India. the movie RDB contains each and every sequence of contemporary social and political debates in India. of course ploted into story of Historical construction of characters in past and story of ‘kavita gadgil’ Indian Airforce pilot who dies in the plain crash due to failure of engine and parts and the government action in her case. And real events like protest, focus of contemporary politicians. Each every sequence signifies the real and situation of activism and youth in India. how the unique portion of citizenships responds to issue or case in india. this is somewhat make sense how the movie RDB constructed and expose the realism and commericialim in sequences with its social narrative story of realistic approaches about contemporary youth generation in india.
3.4 REALISM EXPOSURE OF RDB ANALYSIS IN BOLLYWOOD The realism in cinema which arguably theorises the film is in another art form which should signifies or shows the reality approaches the world in realistic facts, which has contents of social, political and economical aspects and focus communicative to society. But though these kind of aspects categorise and express the movie in representation of natural context and characters. As to clearly say that whether realism is kind of transparent object of real world or its representation of world in reality. (Williams, 1980). Further author (Williams, 1980 pp.1) explained “realism in perhaps best be grasped through the relationship the realism canthe view of problem about the subject of opposition between mere appearances meaning of reality of things as we perceive them in daily life and experience and ‘true reality; meaning is an essential truth, one which we cannot normally see or perceive. This makes sense out of it agree with author argument about the analysis of spectator in the realism and
which intend to varies and to describe what they trying to convey, The real world in the intend of visual objects or illusion in realistc theory in denotative to express some themes. He explained in the form of question how the realism in movies expresses in direct and indirect method. Interestingly to say author had explained philosophically about the movie that
The representation of Socio political context in Bollywood constructed into the objective and mirror image of social and nationalism. The spectatorships and IMR of Bollywood is constructed into the social text and contexts. The visual perspective of Bollywood is descriptive into culture and nationalism to showcase for citizenships promotions. During the time of freedom in 1947 in India the Prime Minister Nehru had an fore seeing idea of Bollywood industry into consumerism and consumption of social structure and popular culture into realism of socialistic view and ideology. And also the construction of film theory into the propaganda divides india into the states and languages barriers. This makes sense to make an awareness and making Indian society to be proud (Thoraval, (2000).
So while analysing this however directors like Shyam benegal, Mehboob khan had organised and strucutre the Hinid movies into sociopolitical realist bollywood in the form of popular culture. It slowly modifies into commericial cinemas in the period of Rajkappor movies, Amitabh bachan. The bollywood totally classify into Postmodernist and globalized construction of realism in specific manner. So in this way I strongly agree with author (Dilip.M 2008) ”Rang de basanti consumption citizenships and the public spehere” discussed clearly in her research that Family oriented melodramas therefore ruled the roost in this epoch..Although these feel-good films managed to win over the box office and the masses they were not indicative of the social conditions of the times unlike older films. These films with their emphasis on fantasy sequences and consumerist lifestyles were only interested in entertaining audiences by transporting them into the world of the make believe. Aesthetic realism was therefore not an area of concern for audiences who wanted to
experience the good life via the medium of film. Commercial Hindi cinema in order to meet this demand of its audiences employed lavish productions and consequently cinema was perceived to be a gross exaggeration of reality. So this shows how bollywood constructed into approaches the theory of realism.
So in method of Realism in the movie RDB positioned into the contemporary debate of culture and socio political structure. The view of RDB was potraying the realism of current situations in Indian with influence and backdrop of realistic issues. For this research project about a real issue in Bollywood While analysing the thesis from “Dilip.M, (2008)author states that The Shiva Sena is a major political party in the Indian state of Maharashtra. The Shiv Sena is closely associated with the RSS and the BJP and is also constantly embroiled in controversies for allegations of party organized violence against Muslims as well as against proponents of western culture. The actor Shah Rukh Khan's statements on the Indian Premier League snub to Pakistani cricketers has riled Shiv Sena with the party on Friday saying that the Bollywood star's upcoming film My name is Khan will not be allowed to be screened. Shiv Sena activists on Friday tore off posters of My name is Khan in Thane place in Mumbai protesting Shah Rukh's statement that Pakistani cricketers should be allowed to participate in IPL."Let us see how he dares to take in Pakistani players. We will see to it. We will not tolerate anybody praising Pakistanis. Balasaheb has already given instructions on the issue. You will see what Shiv Sena will do in the coming days," said Shiv Sena leader Sanjay Raut. On the other hand the controversy of the political party were well known to the activities that are against the western culture to whom the consumerism in india are of more religious concern especially the Hinduism and opposing the Muslim government.
To describe, say “they are also the reason and responsible for Babar masjid demolition in India 1992, which took place in the northern india a place called godhra and ayodhya. Due to this Demolition act in India there has been too much of Political and public protest towards the Hindu Muslim issue that has been Ideally fought post Independence of India. So for now Hindu-Muslim controversy is been big
social problem in Indian politics which led to the commercial damage that majorly dominance that are making worst impacts in both of the religious controversies and I strongly to say Hinduism is the main reason and responsible for 1992 Hindu- Muslims riots. This is because of political influence such like money power. so the most affected in this issues are public. The dominance of Hindu nationalism is making the India into critical and worst impacts by targeting Muslim community but not every Hindu party activists. Actually this is happening from past during the pre and post independence. Mostly Bollywood movies will release in Pakistan will consume the Bollywood movies because of language which is mixed of Urdu and Hindi and obviously before Independence in India, the Pakistan was one of the states in India. After independence in India, Pakistan separated by Father of Indian nation ‘Mahatma Gandhi’ due to majority of population of Muslim society and the community seeking for individual state that time and there is many problematic issues of worst HinduMuslim community clash and riots like I said before. And of course strongly to say Hindu Community is main reason for separating Pakistan from India. This project does not blaming any religious or community is describing the fact and truth of happened and happening in India. The strong religious clash of Hindu-Muslim community is the impact of terrorism and war, riots which directly and indirectly by politically, socially between India-Pakistan and ofcourse Muslim communitys in India. And Mumbai is one of the most sensitive place in this subjects. This impact the RDB film could not able to release in pakistan. So producer of the movie UTV states that in the website Ronnie Screwvala, CEO, UTV, which has produced 'Rang De Basanti' says, “This comes as news to us. But we all are aware that 'Rang De Basanti' appeals to our conscience at various levels and we are proud to have produced it. RDB is emerging as a contemporary classic. This in fact can be gauged from the way it has influenced our society and shaped our attitudes towards things that are happening around us. Meanwhile, the film's director Rakeysh Mehra is making sure that the film's cast does make time to be present for the channel's launch in mid-October. Interestingly, the owners of 'Jung' are now also trying their efforts to get the film released in Pakistan (Anonymous, 'Rang De Basanti' inspires new Pakistani news channel, 2006 ).”
This shows how the movie RDB has impact the reality in socio political contexts in India. The strong religious and culture barriers was very much effective in India.I ike to discuss the RDB with real issue which happened in India. Ofcourse the movie RDB which is implemented the cover story of Indian
air force pilot Mr Abhijeet Gadgil, The son of a former military pilot, he was
a flight lieutenant in the Indian Air Force (IAF). He was only 27, and he had just been married. Abhijit Gadgil was on a routine sortie in his MiG-21 on the night of September 17, 2001. Just 33 seconds after takeoff from runway number 5 of the Suratgarh air base in the north Indian desert state of Rajasthan, his plane stalled. The MiG plunged down at 470 kilometers per hour, straight as an arrow, digging a massive hole into the sand as it disintegrated on impact. Later his mother kavita gadgil who blames the poor maintenance and training of ministry of defence and importing the poor quality of Russian jet crash and poor training. So this is due to because of
worst politicial influences. Abhiijit mother later started a foundation of Abhijit air safety in memorial of her son. Not only her son also many of them died due to the poor training and maintenance of Indian air force.
that, “still unconvinced about the airworthiness of the aircraft, Ms Gadgil has found a way to deal with her tragedy. She has formed a group of people who seek what she calls a rational explanation for the continuing MiG crashes. Speaking to the BBC, Ms Gadgil said the Abhijit Air Safety Foundation was formed on 21 December 2002, an anniversary of the day her son was commissioned into the Indian air force. More than 100 people, including doctors and engineers have already joined the group, Ms Gadgil said. She added: will be creating pressure groups and we want the government to make public the results of all the MiG crash inquiries. My son's death is just a statistic now as so many fighter pilots have gone down after his death, she said. The real cause of the accidents is not being revealed." So In this movie RDB focus the central part of concept and idea that the realms of issue about a Indian airforce pilot.
His mother Kavita gadgil said to BBC
So this real story was implemented in the movie with the song” Lukka chuppi” narrative sequence with youth protesting near the India gate for judgement and truth for backdrop issue of Indian Air force pilot Ajay character in a movie implemented the Abhijit gadgil and police blaming assaulting the charecters in the movie. The youth protesting the method of peace like Father of nation Mahatma Gandhiji, protest against contemporary politicians. Why iam saying this because National leader Gandhi who fight against British for Independence in India protesting method of peace. So conntatively analysing this in a real the The movie brings out the realms of contemporary worst politicians who involved in the case and reason of Formelate pilot Abhijit Gadgil (Sen, 2003). So author Dilip.M suggests that RDB “One recent film that successfully
employed this trend to connect with Indian audiences was the Hindi blockbuster RDB. This film directed by Rakyesh Om Prakash Mehra was widely appreciated both by the press and public for the realism in its style and narrative. This factor also went on to help RDB enjoy much commercial success and social appeal in India (2008, P83).” So this shows the structure of how the movie identified to approaches the socially and nationalistic patriotism in India. Mehra strcutres the Patriotism awareness among youth and activism. And movie RDB makes special identification in Bollywood constructs social and political contexts. How it deserves it ethical values into realistic method takes the Bollywood into global level.
